Une approche basée sur l'auto-apprentissage et la reconnaissance de motifs rythmiques et mélodiques.Chansons originales, plutôt que des exercices de lecture à vue abstraites.214 pièces soigneusement classés dans une gamme de styles musicaux.Huit sections allant de cordes ouvertes à la 3ème position.Chaque section se termine par une série de duos et pièces accompagnées pour la pratique de l'Ensemble de déchiffrage.Tunes progrès vers toutes les signatures clés jusqu'à trois dièses et des bémols.Préliminaire à la 5e année. / Alto

Par BRUCH MAX. Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto #1 zipped onto the road to success and has never left it since. Yet from the preface of the 'BreitkopfUrtext' edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote '3, 4 development sections in the finale,' and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: 'Have I written nothing but this one concerto?' The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work./ Répertoire / Alto