Grades 2-3-Written upon specific request to provide useful core material for the Associated Board viola syllabus the pieces gradually introduce new technical accomplishments. A variety of rhythms styles and moods help to create solid repertoire-building material. Suitable for Grades 2 and 3. pieces to suit every palate. The piano accompaniments are simple and undemanding. ...little gems... Stringendo (Australia) October 2003.

Grades 4-5-Written upon specific request to provide useful core material for the Associated Board viola syllabus the pieces gradually introduce new technical accomplishments. A variety of rhythms styles and moods help to create solid repertoire-building material. Suitable for Grades 4 and 5. An excellent compilation of varied pieces that are fun to learn and play. Stringendo (Australia) October 2003.

Programme Note Per Nørgård LIBRO PER NOBUKO (1992)LIBRO PER NOBUKO (BOOK FOR NOBUKO) consists of two pieces written for Nobuko Imai the Japanese violist.Dedicated Nobuko Imai (1) and Bo [Vincens Steensen-Leth] (2) 1: Sonata 'The Secret Melody' (1a Prologue 1b Roaming 1c Singing 1d Playing 1e Epilogue) 2: Bofast (in English: Resident)The first (and longest) piece is a sonata in five movements called LA MELODIA SEGRETA (THE SECRET MELODY). The title is borrowed from a book by Trinh Xuan Thuan the Vietnamese astrophysicist. Of the mysterious and inexplicable order of the universe he writes: Nature sends us the notes of a music formed by a melody that will remain secretforever.The five movements of the sonata circumscribe a hidden melody: a clear melodic shape appears often enough but it soon reveals itself as being part of another superior melody - and so on. In this labyrinthine way the three middle movements framed by a short prologue and epilogue unfold different moods (roaming singing playing) in an eternal hide-and-seek of the melody (melodies).The second piece for Nobuko BOFAST (RESIDENT) is dedicated to Bo Vincens Steensen-Leth in gratitude of the many and selfless services he has rendered to the musical audiences at the locality of Langeland Denmark. The piece remains faithful to one single motif a 'resident' like Bo and his ancestors who have been residents at the manor house Steensgaard for over 400 years.Per Nørgård 1997