The Op.42 Notturno for Viola and Piano is an arrangement of the 1796-97 Serenade in D Op.8 arranged by F. X. Kleinheinz (with Beethoven's approval) for Viola and Piano. The piece is comprised of seven shortmovements. The first is a simple march while the second is an Adagio. The ensuing minuet is attractive and proves to be an interlude between two Adagios of which the second alternates effectively with a contrastingAllegro molto Scherzo section. There follows an attractive Polonaise and a theme-and-variations marked Andante. A reprise of the opening march concludes the work. Overall it is a delightful minor compositionin Beethoven's vast output.

Methode Progressive-An educationalist of renown Viola player Valérie Bime-Apparailly (born in 1962 in Bordeaux) is the author of numerous beginner methods for string instruments that have met with unflagging success. The second volume of the series Je Débute L’Alto once again takes up the challenge of the first collection: to combine precision with the pleasure of playing. To do this each chapter starts with a short sequence of exercises enabling pupils to approach the pieces with serenity and concentration. Reduced to their simplest expression the theoretical explanations are accompanied by sketches that enhance their clarity. Thealbum comes with a playback CD containing recordings of the different pieces. A relaxed eclecticism runs through the work: illustrious classics such as the Habanera from Carmen or the Variations sur “Ah ! Vous dirai-je Maman” (“Twinkle Twinkle Little Star”) by Mozart can be found alongside Un éléphant ça trompe énormément and Rock’n’roll des Gallinacés. Education is an art form.

Written as a companion to the wildly popular Fiddle book this method opens up the world of Fiddling to the beginning/intermediate Violist. Finally Fiddlers Violists and Cellists can jam together! Unlike many books for Violasand Cellos which simply transpose the tunes the authors went to considerable effort arranging the tunes to be both playable and true to the original melody and key.Variations to the tunes are included illustrating how theycan serve as a basis for improvisation. Ensemble skills are taught with chords and lyrics basic music theory and demonstrations of such skills as backup and lead playing in this playfully- illustrated book.A high quality multi-instrumental audio for listening and play-along captures the excitement of the music. Like its Fiddle counterpart this method is destined to be a classic. Includes access to online audio.

La genèse de la Sonate pour alto reflète la vie mouvementée de Hindemith à l'hiver 1938/39 et doit son achèvement à capacité de Hindemith à composer même lors d'un voyage, surtout dans les trains. Hindemith lui-même dit au sujet de sa Sonate pour alto: '... C'est un morceau de puissant, nourri avec doublure durable pour temps froid. Second mouvement avec un rythme délicat à laquelle on a au fluage jusqu'à soigneusement afin de maîtriser. Dans le dernier mouvement qui se compose de deux variations sur un mouvement de rondo déjà pleinement développé... ' Hindemith montre une fois de plus la vaste gamme de son éclat compositionnel et formelle. Nouvelle édition basée sur le texte de l'édition complète de Hindemith. / Alto Et Piano

Apres l'immense succes rencontre depuis deux decennies par sa methode Je debute le violon et Je debute l'alto , Valerie Bime-Apparailly presente un florilege de pieces faciles pour violon et piano, dont l'interpretation ne necessite que la connaissance de la premiere position. Completee par des enregistrements audio en ligne comprenant l'accompagnement au piano de chaque piece ainsi que sa version integrale, cette selection soigneusement conue affiche une joyeuse diversite. 1. PONS, Espieglerie 2. MENDELSSOHN, Cavatine 3. HAUCHARD, Danse des marionnettes 4. HAUCHARD, Le voyage en Suisse 5. PONS, Carnet de voyage 6. GALLOIS MONTBRUN, Polka du Rossignol 7. PAPINI, Theme et variations 8. TROTT, Le spectacle de marionnettes 9. MENDELSSOHN, Conte serieux 10. KROLL, Donkey Doodle 11. CLEMENTI, Sonatine 12. MENDELSSOHN, Marche militaire 13. RIEDING, Rondo 14. RIEDING, Marcia 15. HAESCHE, Valse de Marguerite 16. HAYDN, Rondo a la hongroise 17. DANCLA, Polka 18. DANCLA, Redowa de Wallersteinde Wallerstein. / Partitions classique / Cordes / Alto / LEDUC

Méthode en anglais pour violon alto avec exercices et études. Chorus from Judas Maccabaeus (G.F. Handel) * Musette, Gavotte II or the Musette from English Suite II in G Minor for Klavier, BWV 808 (J.S. Bach) * Hunters' Chorus from 3rd Act of the opera Der Freischutz (C.M. von Weber) * Long, Long Ago (with variation) (T.H. Bayly) * Waltz, Op. 39, No. 15 (J. Brahms) * Bourrée, Sonata in F Major for Oboe, HHA IV/18, No. 8 (G.F. Handel) * The Two Grenadiers, Die Beiden Grenadier, Op. 49, No. 1 for Voice and Piano (R. Schumann) * Theme from Witches' Dance (N. Paganini) * Gavotte from Mignon (A. Thomas) * Gavotte (J.B. Lully) * Minuet in G, Wo0 10, No. 2 (L. van Beethoven) * Minuet from Sei Quintetti per Archi No. 11, Op. 11, No. 5 in E Major (L. Boccherini) * Practice Suggestions (Doris Preucil) Auteur/Compositeur : SUZUKI Support : Livre Style : Classique

Grades 4-5-Written upon specific request to provide useful core material for the Associated Board viola syllabus the pieces gradually introduce new technical accomplishments. A variety of rhythms styles and moods help to create solid repertoire-building material. Suitable for Grades 4 and 5. An excellent compilation of varied pieces that are fun to learn and play. Stringendo (Australia) October 2003.

Avec la partition répertoriée sous l'ISMN M049501132 voilà tous les amateurs de Fac-Similé qui vont être comblés. Commandez cette partition musicale Cartier Jean-Baptiste de style Classique composée par 50113 dès aujourd'hui et dans moins de 7 jours, elle sera entre vos mains. / Alto / 12 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7