SKU: GH.GE-10412
ISBN 9790070104128.
Spelmagasinet ar nagot helt nytt: en modern larobok i kammarmusik, dar en eller flera violinister kan mota en eller flera pianister i princip fran allra forsta borjan och pa lika villkor. Att lyssna till andra manniskor ar en grundlaggande egenskap for barns utveckling till mogna vuxna. Att spela kammarmusik tranar denna formaga pa ett unikt satt. Ambitionen ar ocksa att varje elev ska fa tillit till sin egen ton och till sin formaga att sjalv uttrycka sig. Spelmagasinet ar progressivt upplagt. En koppling finns till Fiolmagasinet (GE 10410) och Pianomagasinet (GE 10411), men Spelmagasinet kan ocksa anvandas separat eller tillsammans med andra laromedel. Evabritt Gratte och Jan-Erik Sahlberg ar bada mangsidiga musiker, pedagoger och metodiklarare med lang erfarenhet av undervisning pa skilda nivaer.
SKU: BA.BA11086
ISBN 9790006564446. 32.5 x 25.5 cm inches.
A suite whose movements always deliver something other than what they seem to promise. But throughout, the two instruments and respectively their players act like two people in very specific situations:I.: The opening movement is reserved for the piano; the initially earnest, solitary cantilena intensifies creating expectation. SuddenlyII.: the violin sounds. Its moving figures replace the now silent piano, also soloistically.III. „Passacaglia“: The title is taken literally – the two instruments/persons encounter each other in the street. Two musical characters who meet at a specific point, recognize each other, but move on again, each one by itself. IV. „Rondo“: The two of them dance together. Before me, I saw people dancing the Sardana – a round dance – in front of the cathedral of Barcelona. Four themes in different time signatures circle ceaselessly between the two instruments. V. „Fuga“: At last, regardless, panic flight – again the title is taken literally ... Human, only too human …
SKU: OU.9780193592735
ISBN 9780193592735. 12 x 9 inches.
Frederick Grinke (the dedicatee) and the pianist Michael Mullinar premiered this sonata in 1954. The opening Fantasia contrasts a rhythmic piano figure with a slow flowing theme on the violin, while the second movement is a march-like Scherzo.
SKU: HL.49045998
ISBN 9781540034960. UPC: 888680790998. 9.0x12.0x0.142 inches.
In The Diamond Sutra, an early Buddhist text also known as The Diamond that Cuts Through Illusion, the Buddha leads his interlocutor, the Elder Subhuti, through a series of questions and provocations. The Buddha then concludes the session by offering this teaching to those assembled:All composed things are like a dream,a phantom, a drop of dew, a flash of lightning.That is how to meditate on them;that is how to observe them.This duo piece is in four sections, corresponding roughly to these four disparate visions of impermanence: four distinct moments of interplay between form and emptiness, four corners of a diamond. This series of images is itself a 'composed thing,' gathering dissimilar elements into a unified system. It suggests that the things we make are similar to things that exist beyond intention. The Buddha's utterance helps us hear so-called 'composition' and 'improvisation' - or the encompassing category, 'music' - as part of an even larger aggregate: that which forms and recedes.- Vijay Iyer.
SKU: BT.DHP-1084518-400
ISBN 9789043130240. 340 X 250 inches. English-German-French-Dutch.
Op subtiele wijze reikt Millies in dit eenvoudige concertino de vernuftige structuren van de meester aan, hij verweeft veelvuldig kenmerkende drieklank- en toonladderloopjes. De muziek is speelbaar in de eerste positie, daarbij iser veel aandacht voor frasering en boogtechnieken. De mooie pianobegeleiding maakt dit stuk bijzonder geschikt voor een uitvoering.Deze boeken zijn gemaakt binnen het Study and Play-concept, dat de leerling helpt om zijn/haarspel op een plezierige en verantwoorde manier te ontwikkelen. Bij elke uitgave onder deze noemer worden één of twee cdâ??s meegeleverd die iets extraâ??s toevoegen aan de studie-methode. In het geval van de onderstaande uitgaven biedende cdâ??s de mogelijkheid om te studeren in zowel het gewone tempo als een rustig oefentempo. De verzorgde set bestaat verder steeds uit een vioolpartij en pianopartij. De cd bevat tevens de begeleiding, waardoor een pianist nietbeslist noodzakelijk is.Hans Millies (1883-1957) war ein bekannter deutscher Geiger und Dozent, der die Ansicht vertrat, dass Schüler schon von klein an mit dem Klangidiom von groÃ?en Komponisten wie Wolfgang Amadeus Mozart vertraut gemacht werden sollten. Im vorliegenden schlichten Concertino präsentiert Millies geschickt die genialen Strukturen des Meisterkomponisten. Die Musik ist in der ersten Lage spielbar; ein Hauptaugenmerk liegt auf Phrasierung und Bogentechniken. Dank der reizvollen Klavierbegleitungen ist dieses Stück wie geschaffen zur Aufführung.
SKU: BT.EMBZ2524
English-German-Hungarian.
An Evening in the Village was composed in 1908 as no. 5 of the Ten Easy Piano Pieces. It has become one of Bartók s favorite works, which the composer himself was fond of playing at recitals. As he explained in an American interview, it was an original composition that is ... with themes of my own invention but ... the themes are in the style of the Hungarian-Transylvanian folk tunes. There are two themes. The first one is a parlando-rubato-rhythm and the second one is more in a dance-like rhythm. The second one is more or less the imitation of a peasant flute playing. Bartók also orchestrated the piece in 1931 as no. 1 of Hungarian Sketches.
SKU: BT.DMP108052
SKU: PR.14440515S
UPC: 680160667819. 9 x 12 inches.
In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. One role of music is to evoke. Therefore, Nighttime is a nocturne, a night piece suggestive of flickering shadows, perhaps created by firelight. It is a recurrent setting in human existence. The music opens with the scene of twilight calm, gently disturbed with the slight uncertainty about what is around us, what we cannot see. Later, the clarinet takes on a solo role, and the notes bleed like careless paint into the other instruments that quietly sustain them. Next, the flute takes over the role of solo. The piece ends with a repeated cadence of morning light. (From the performance notes.).
SKU: HL.134017
Author: Gedike.
SKU: HL.49045439
ISBN 9790001160865. UPC: 841886029408.
The short two-part composition refers to two persons by the name of Teresa. One of them was a beautiful Polish actress, the other the favourite model of the painter Balthus. I tried to fuse the characteristics of both female persons with each other in the merging parts. The three-line D produced by rubbing a wine glass sounds like a faraway, almost inaudible planet tone that ends with a brief sigh. Wilfried Hiller.
SKU: HL.14041960
SKU: BA.BA07112
ISBN 9790006485468. 31 x 21.5 cm inches.
SKU: BR.EB-9250
World premiere: Toronto, November 17, 2016Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez)
ISBN 9790004185506. 10 x 12.5 inches.
Whereas Nono considered the world to be only fragmentarily analyzable, so-called consumer capitalism increasingly intrudes upon ego structures, by fragmenting them to the point of: assumed insufficiency, i.e., was consumption a form of infiltration?, or: in television you can see models licking face cream because it's so rich etc. (retranslated), as Meredith Haaf cited in her book review (SZ / 23.05.2016 Alexandra Kleeman: You Too Can Have A Body Like Mine) , and to the point of similar perfection-senselessness. Music doesn't do things by halves. Even when events or notes are puffed up, they can retain elegance and significance. Other ego amplitudes are of violinistic nature or are favourite memories - Paganini's Capricci, Stockhausen's Studie I, Steve Reich, the tone C and similar things. The craziest egos are quantums, because at no time are they identical with themselves. They can entangle and superpose, are nonlocal, etc. Although the sound character in this Duo is fairly open, I believe I succeeded in making probability waves of harmonic stopovers perceptible. This means hearing without analyzing and without constantly measuring. Nonlocality - without messenger particles - means no harmonic steps, but with the capacity to interact. (Nicolaus A. Huber, May 2016)World premiere: Toronto, November 17, 2016 Written for the Duo Wapiti (Genevieve Liboiron, Daniel Anez).
SKU: IM.3842
Two contrasting works: the rustic fiddle drones evoked in Sielanka (La Champetre) and the wistful, dance-like Chanson Polonaise.
SKU: HL.49033366
ISBN 9790001139168.
Originally, Christian Jost wanted to be an astronaut, but it did not work out. Instead, he became one of the most successful composers of the younger generation. His latest chamber music work, eingefroren, is paving a musical way into the human memory. Distributed evenly among all three instruments, fragments of flashing motifs and short film-like phrases of memories stored in the subconscious are flickering.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version