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Op
Violin, Basso continuo
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Arcangelo Corelli: Sonatas For Violin & Basso Continuo Op. 5 VII-XII: Violin:
Violin, Basso continuo
Barenreiter
Volume 2-Score with realisation of the basso continuo by Tonelli as well as Core...
(+)
Volume 2-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
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Arcangelo Corelli: Sonatas For Violin And Basso Continuo Op. 5 I-VI: Violin:
Violin, Basso continuo
Barenreiter
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Core...
(+)
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
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Sonate A Violino E Basso, Op. II (VIVALDI ANTONIO)
Violin, Basso continuo
[Score and Parts]
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Intermediate/advanced
Ricordi
Edizione Critica A Cura Di Federico Maria Sardelli - Ril. Brochure. Par VIVALDI ...
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Edizione Critica A Cura Di Federico Maria Sardelli - Ril. Brochure. Par VIVALDI ANTONIO. Antonio Vivaldi’s second published collection is fundamental to an understanding of the leap he took, at the end of the first decade of the eighteenth century, from provincial obscurity to Europe-wide fame. This edition asks and answers the hardquestions surrounding its exact date, its choice of dedicatee and its Venetian context. Through analysis of the two different printing techniques employed - movable type and engraving - and through comparison of the sources, it has proved possible toreconstruct the context in which the opus achieved publication and establish what its truly innovative aspects were; the edition sheds light on the reception of the work, listing the huge number of composers who derived or appropriated musical ideasand solutions from it. This second published collection by Vivaldi, for too long unjustly neglected by critics and performers, may be considered a manifesto for the new musical language invented by Vivaldi for chamber music, which took shape atalmost the same time as his other great manifesto, that for the new-style solo concerto, shortly afterwards to emerge as the collection entitled L’estro armonico. RV 27, 31, 14, 20, 36, 1, 8, 23, 16, 21, 9, 32 / Niveau : Intermédiaire à Avancé / Classique / Date parution : 1905-07-07/ Répertoire / Violon et Basse Continue
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Schott Violin Library
Violin, Basso continuo
Schott
The Schott Violin Library contains eleven varied Baroque sonatas for violin and ...
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The Schott Violin Library contains eleven varied Baroque sonatas for violin and basso continuo. Including both popular sonatas by Corelli, Vivaldi, Handel and Telemann and lesser known, charming compositions by Dall? Abaco, Pepusch and Finger. Suitable for violinists of intermediate standard. Some of these works can be played entirely in first position, others require only a few position changes and the sonatas by Dall?Abaco, Kirchhoff, Vivaldi and Handel require more fluent shifts between the first three positions. / Violon Et Basse Continue
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Guerrieri A. - Sonate Op. 1 - Violon
Violin, Basso continuo
[Sheet music]
Musedita
(Venezia, 1673) - 3 sonate per violino e b.c.; - 1 sonata per arpa doppia o ti...
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(Venezia, 1673) - 3 sonate per violino e b.c.; - 1 sonata per arpa doppia o tiorba; 8 sonate per 2 violini e b.c.; 1 sonata per violino, arpa doppia o tiorba e b.c.; - 3 sonate per 3 violini e b.c.; - 1 sonata per 2 violini, basso di viola e b.c.; - 1 sonata per 2 violini, tiorba e b.c. (di A. M. Turati); 2 sonate a 4 (di cui una di A. M. Turati); - 2 balletti da camera per 2 violini e b.c.; - partite sopra Ruggiero per 2 violini b.c.
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Schott Violin Library
Violin, Basso continuo
Schott
Separate bass part for performance e.g. with cello accompaniment.Schott Violin L...
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Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott. / Violon Et Basse Continue
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Sonate Da Chiesa A Violino Solo E Violoncello O Basso Continuo - Opera Quarta
Violin, Basso continuo
Anne Fuzeau Productions
Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Ed...
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Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Edition : Amsterdam, Etienne Roger, s.d. (=c. 1704)Présentation de Nicolas Fromageot : Notice biographique - Terminologie. / Violon Et Basse Continue / 48 pages / niveau : 1 / Fac-Similés - Format: 24 X 32
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Arcangelo Corelli: 12 Sonate Per Violino E Basso Op. V: Violin
Violin, Basso continuo
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12 Sonate Per Violino E Basso Op. V
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Locatelli P.a. - Xii Sonate A Violino Solo E Basso, Opera Sesta - Fac-simile Fuzeau
Français
Violin, Basso continuo
Anne Fuzeau Productions
Partition pour Violon et basse continue XII sonate à violino solo è basso da ...
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Partition pour Violon et basse continue XII sonate à violino solo è basso da camera. Opera sesta Edition : Amsterdam, l’Auteur, s.d. (=1737). Présentation de Nicolas Fromageot : bibliographie – l’école romaine de violon La partition qui a servi à réaliser ce fac-similé a été approuvée par le compositeur. Edition de 1737, conservée à la bibliothèque de l'Université de Leiden. Compositeur : LOCATELLI Pietro Antonio Auteur : FROMAGEOT Nicolas Collection : Dominantes Contenu : Sonata prima (en Si b Majeur) : andante – allegro – cantabile (avec 5 variations) - Sonata II (en Fa Majeur) : andante – allegro – vivace, sempre piano – allegro – aria Ia, vivace (avec 3 variations) - Sonata III (en si mineur) : andante – allegro – minuetto (avec 4 variations) - Sonata IV (en Mi Majeur) : andante – allegro, [3/4], [C] – aandante (avec une variation) - Sonata V (en ut mineur) : andante - allegro – aria (avec 4 variations) - Sonata VI (en Ré Majeur) : largo – andante – allegro – Minuetto (avec 8 variations) - Sonata VII (en fa mineur) : largo – grave – vivace – cantabile (avec 6 variations) - Sonata VIII (en Ut Majeur) : adagio, andante – allegro – andante, aria (avec 4 variations) - Sonata IX (en si mineur) : largo – vivace – aria, vivace (avec 4 variations) - Sonata X (en Sol Majeur) : andante – allegro – aria (avec 3 variations) - Sonata XI (en Mi b Majeur) : adagio – allegro – cantabile (avec 3 variations) - Sonata XII (en ré mineur) : adagio – allegro – andante – allegro – capriccio Format : 24 x 33 Nombre de pages : 78 Date de parution : 01/1995
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XII Sonate A Violino Solo E Basso - Opera Sesta
Violin, Basso continuo
Anne Fuzeau Productions
XII sonate à violino solo è basso da camera. Opera sestaEdition : Amsterdam, l...
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XII sonate à violino solo è basso da camera. Opera sestaEdition : Amsterdam, l'Auteur, s.d. (=1737).Présentation de Nicolas Fromageot : bibliographie - l'école romaine de violonLa partition qui a servi à réaliser ce fac-similé a été approuvée par le compositeur. Edition de 1737, conservée à la bibliothèque de l'Université de Leiden. / Violon Et Basse Continue / 78 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Antonio Vivaldi: 12 Sonatas Op 2 Book 1 Violin & Piano: Violin: Instrumental
Violin, Basso continuo
[Score and Parts]
Schott
12 Sonatas Op 2 Book 1 Violin
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Sonate Pour Vl. E B.C.: In Sol Min. Op. II N.1 - Rv 27 - F.XIII/29 Tomo 394 (VIVALDI ANTONIO)
Violin, Basso continuo
[Sheet music]
Ricordi
Op. 2 N. 1 - F.XII-29 - Tomo 394. Par VIVALDI ANTONIO. / Répertoire / Violon et...
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Op. 2 N. 1 - F.XII-29 - Tomo 394. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue
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Sonate Pour Vl. E B.C.: In Re Op. II N.11 - Rv 9 - F.XIII/39 Tomo 1079 (VIVALDI ANTONIO)
Violin, Basso continuo
[Sheet music]
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Op. 2 N. 11 - F.XIII-39 - Tomo 404. Par VIVALDI ANTONIO. / Répertoire / Violon ...
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Op. 2 N. 11 - F.XIII-39 - Tomo 404. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue
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Sonate Pour Vl. E B.C.: In Si Bem. Op. V N.15 - Rv 33 - F.XIII/43 Tomo 432 (VIVALDI ANTONIO)
Violin, Basso continuo
[Sheet music]
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Op. 5 N. 15 - F.Xiii-43 - Tomo 432. Par VIVALDI ANTONIO. / Répertoire / Violon ...
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Op. 5 N. 15 - F.Xiii-43 - Tomo 432. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue
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Leclair J.m. - Sonata D Major Op.9/3 - Violon Et Basse Continue
Violin, Basso continuo
Schott
Editor: Polnauer, Frederick F. Preface: Polnauer, Frederick F Jean Marie Lecla...
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Editor: Polnauer, Frederick F. Preface: Polnauer, Frederick F Jean Marie Leclair l'aîné (1697-1764) wurde in Lyon geboren. Er studierte u.a. in Turin bei J.B. Somis, einem Schüler Corellis, lebte ab 1728 dauernd in Paris und war bis 1736 als Geiger der kgl. Kapelle tätig. Leclair gehört zu den großen klassischen Meistern der Violine; unter den französischen Komponisten für dieses Instrument steht er an erster Stelle. Diese Ausgabe bietet zwei Sonaten aus dem 4. Buch, op. 9, No. 3, D-Dur und No. 5, a-moll. Als Quelle diente ein in der New York Public Library befindliches Exemplar der 1738 in Paris erschienenen Erstausgabe. Die Klavierpartitur unserer Ausgabe gibt die Violinstimme und den bezifferten Bass genau nach dem Original wieder.
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Sonate Pour Vl. E B.C.: In Do Min. Op. II N.7 - Rv 8 - F.XIII/35 Tomo 400 (VIVALDI ANTONIO)
Violin, Basso continuo
[Sheet music]
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Op. 2 N. 7 - F.XIII-35 - Tomo 400. Par VIVALDI ANTONIO. / Répertoire / Violon e...
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Op. 2 N. 7 - F.XIII-35 - Tomo 400. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue
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Sonate Pour Vl. E B.C.: In Re Min. Op. II N.3 - Rv 14 - F.XIII/31 Tomo 396 (VIVALDI ANTONIO)
Violin, Basso continuo
[Sheet music]
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Op. 2 N. 3 - F.XIII-31 - Tomo 396. Par VIVALDI ANTONIO. / Répertoire / Violon e...
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Op. 2 N. 3 - F.XIII-31 - Tomo 396. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue
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Sonate Pour Vl. E B.C.: In Sol Op. II N.8 - Rv 23 - F.XIII/36 Tomo 401 (VIVALDI ANTONIO)
Violin, Basso continuo
[Sheet music]
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Op. 2 N. 8 - F.XIII-36 - Tomo 401. Par VIVALDI ANTONIO. / Répertoire / Violon e...
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Op. 2 N. 8 - F.XIII-36 - Tomo 401. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue
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Sonate Pour Vl. E B.C.: In Fa Min. Op. II N.10 - Rv 21 - F.XIII/38 Tomo 403 (VIVALDI ANTONIO)
Violin, Basso continuo
[Sheet music]
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Op. 2 N. 10 - F.XIII-38 - Tomo 403. Par VIVALDI ANTONIO. / Répertoire / Violon ...
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Op. 2 N. 10 - F.XIII-38 - Tomo 403. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue
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Sonate Pour Vl. E B.C.: In La Min. Op. II N.12 - Rv 32 - F.XIII/40 Tomo 405 (VIVALDI ANTONIO)
Violin, Basso continuo
[Sheet music]
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Op. 2 N. 12 - F.XIII-40 - Tomo 405. Par VIVALDI ANTONIO. / Répertoire / Violon ...
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Op. 2 N. 12 - F.XIII-40 - Tomo 405. Par VIVALDI ANTONIO. / Répertoire / Violon et Basse Continue
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Antonio Vivaldi: Sonate per violino e basso continuo RV 11 RV 37: Violin
Violin, Basso continuo
Ricordi
Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by M...
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Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi?s time including those of Vivaldi himself have come down to us in the form of a score employing two staves: one for violin and one for bass. This guarantees that although portions of the work may be missing what survives is textually complete. Exceptionally five of Vivaldi?s violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv Graz the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas which all have four movements possess partial concordances in other sources with which they share two or three movements but two of them ? RV 11 and RV 37 ? have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction and there is in addition a realization of the continuo by the editor.
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Georg Friedrich Händel: 6 Sonatas Hwv 380-381: Chamber Ensemble: Instrumental
Violin, Basso continuo
[Sheet music]
Barenreiter
for Oboe Violine (Oboe) and Basso continuo-By George Frideric Handel. Edited by...
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for Oboe Violine (Oboe) and Basso continuo-By George Frideric Handel. Edited by Hans Joachim Marx. For Soprano solo Violin 1 Violin 2 Basso continuo. Score; Urtext Edition. HWV deest. Duration 16'.Â
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Sonate In D (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
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D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Sonate In D (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
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D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel‘s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Sonate In D (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
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D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Georg Friedrich Händel: Sonatas - Volume 2: Violin: Instrumental Work
Violin, Basso continuo
[Score and Parts]
Peters
George Frideric Handel's Sonatas - Volume 2 written for solo Violin and Piano ...
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George Frideric Handel's Sonatas - Volume 2 written for solo Violin and Piano accompaniment. Includes the works Sonata in A major for violin and continuo HWV372 Op. 1 No. 14 Sonata in D major for violin and continuo HWV371 Op. 1 No. 13 and Sonata in E major for violin and continuo HWV373 Op. 1 No. 15.
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Giuseppe Tartini: Sonate in G-Moll Teufelstriller: Violin: Instrumental Work
Violin, Basso continuo
Barenreiter
The “Devil’s Trill” Sonata is the most famous of the Violin so...
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The “Devil’s Trill” Sonata is the most famous of the Violin sonatas of Giuseppe Tartini (1692–1770). In the new scholarly-critical edition it holds many a surprise in store. For the first time all available contemporary sources have been consulted to produce an edition closely approximating Tartini’s lost autograph. The solo part offers several ossia passages and alternative articulation marks and the score have been given an eminently playable realization of the continuo part offering ample scope for improvisation. Also for the first time this edition includes a separate part for violoncello or violone.Adetailed preface sheds light on the genesis and subsequent reception of this sonata. There is also a critical report discussing and evaluating all sources used and providing explanations of a number of important passages including the famous trill itself.
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6 Sonaten (HASSE JOHANN ADOLF)
Violin, Basso continuo
[Sheet music]
Carus Verlag
Par HASSE JOHANN ADOLF. With the exception of his opera sinfonia, the present fi...
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Par HASSE JOHANN ADOLF. With the exception of his opera sinfonia, the present first edition of the Six Violin Sonatas by Johann Adolf Hasse is the only instrumental work by this composer whose authorship can be verified through his handwritten entries in a manuscript copy. The composer gave these pieces a profile completely tailored to the instrument, a fact which places them in sharp contrast to those compositions which can be played by various melody instruments./ Répertoire / Violon et Basse Continue
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Canon And Gigue In D: Violin: Score and Parts
Violin, Basso continuo
[Sheet music]
G. Henle
Johann Pachelbel born in Nuremberg in 1653 a generation before Bach is one of...
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Johann Pachelbel born in Nuremberg in 1653 a generation before Bach is one of Southern Germany?s most important post-Reformation organ composers. His compositions were already widely known at the time. The most popular worktoday is probably the canon with ensuing gigue in D major. The canon - according to the source ?a 3 Violinis con Basso c.? - is built up over an ostinato bass whose two bar fi gure is repeated a total of 28 times. The followingshort gigue is also in a strict contrapuntal style. It is not known when the work was composed. As with most of his other chamber music works Pachelbel might have composed it during his time in Thuringia between 1677 and 1695.This pleasing work is also popular with amateur ensembles.
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12 Sonate Per Violino E Basso Continuo
Violin, Basso continuo
Schott
La présente publication des oeuvres complètes de Pietro Antonio Locatelli (169...
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La présente publication des oeuvres complètes de Pietro Antonio Locatelli (1695-1764) se veut une édition critique, rendant les oeuvres du compositeur disponible en conformité avec les recherches les plus récentes et les techniques actuelles de musicologie de montage et de la présentation. Le oeuvre complète de Locatelli, qui a survécu et a été authentifié est ici recueillie, évalués et présentés - tandis que toute corruptions textuelles, de quelque nature, ont été éliminées.Chaque volume comprend une introduction historique en anglais et en italien, en fournissant les informations concernant les oeuvres respectives, le texte musical lui-même, les versions antérieures, le cas échéant et un commentaire critique en italien. Cette édition critique des oeuvres complètes fournira une base solide pour la performance de la musique de Locatelli, qui avait une grande influence sur la technique du violon et le galant style du début du XVIIIe siècle.L'édition complète comprend 10 volumes : les Volumes 1-8 contiennent l'Op. I à VIII publication... / Violon Et Basse Continue
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