Whitcomb Ed (Compiled). Par WHITCOMB ED. Canadian fiddle music receives the credit and recognition it deserves in this lively collection of tunes from virtually every province and ethnic group in Canada. Originally published in 1990, this project is the result of generous donations by numerous fiddlers and fans of fiddle music. In addition to the preservation and popularization of this folk music form, the contributors shared these common goals in this endeavor: composer recognition, folk music revitalization in Canada and abroad, acknowledgement of the violin and its own origins in the development of fiddle music and its place in Canadian society, note reading and chording, and to pay tribute to many great fiddlers. This revised edition features contributions of 200 of the best tunes from the first printing as well as 200 new tunes. They consist of hornpipes, strathspeys, polkas, waltzes, calypsos, reels, clogs, two-steps, jigs, airs, breakdowns, schottishes, marches, rags, and laments. A bibliography and the background of each composer is included. / Niveau : Débutant à Intermédiaire / Canadian - Songbooks / Recueil / Violon

Canadian fiddle music receives the credit and recognition it deserves in this lively collection of tunes from virtually every province and ethnic group in Canada. Originally published in 1990 this project is the result ofgenerous donations by numerous fiddlers and fans of fiddle music. In addition to the preservation and popularization of this folk music form the contributors shared these common goals in this endeavor: composer recognition folkmusic revitalization in Canada and abroad acknowledgement of the violin and its own origins in the development of fiddle music and its place in Canadian society note reading and chording and to pay tribute to many greatfiddlers. This revised edition features contributions of 200 of the best tunes from the first printing as well as 200 new tunes. They consist of hornpipes strathspeys polkas waltzes calypsos reels clogs two-steps jigs airs breakdowns schottishes marches rags and laments. A bibliography and the background of each composer is included.

This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass - All of Me - Brave - Breakaway - Call Me Maybe - Clocks - Fields of Gold - Firework - Hello - Hey, Soul Sister - Ho Hey - I Gotta Feeling - I Will Remember You - Jar of Hearts - Love Story - 100 Years - Roar - Rolling in the Deep - Royals - Say Something - Shake It Off - Smells like Teen Spirit - Uptown Funk - When You Say Nothing at All - and more.
All About That Bass
All Of Me
Amazed
Apologize
Bad Day
Bad Romance
Beautiful
Beautiful Day
Beautiful In My Eyes
Because I Love You (The Postman Song)
Believe
Brave
Breakaway
Breathe
Butterfly Kisses
Call Me Maybe
Candle In The Wind 1997
Change The World
Chasing Cars
The Climb
Clocks
Countdown
Cruise
Cryin\'
Die A Happy Man
Dilemma
Don\'t Know Why
Drift Away
Drops Of Jupiter (Tell Me)
Fallin\'
Fields Of Gold
Firework
Foolish Games
Forever And For Always
Friends In Low Places
From A Distance
Genie In A Bottle
Get Lucky
Hello
Here And Now
Hero
Hey, Soul Sister
Ho Hey
Hold On, We\'re Going Home
Home
The House That Built Me
How Am I Supposed To Live Without You
How To Save A Life
I Finally Found Someone
I Gotta Feeling
I Kissed A Girl
I Swear
I Will Remember You
Jar Of Hearts
Just The Way You Are
Let It Go
Lips Of An Angel
Little Talks
Losing My Religion
Love Song
Love Story
More Than Words
Need You Now
No One
100 Years
The Power Of Love
Rehab
Roar
Rolling In The Deep
Royals
Save The Best For Last
Say Something
Secrets
Shake It Off
She Will Be Loved
Smells Like Teen Spirit
Something To Talk About (Let\'s Give Them Something To Talk About)
Stacy\'s Mom
Stay
Stay With Me
Stronger (What Doesn\'t Kill You)
Tears In Heaven
Teenage Dream
Thinking Out Loud
This Love
A Thousand Years
Till The World Ends
Uptown Funk
Viva La Vida
Waiting On The World To Change
We Belong Together
We Can\'t Stop
We Found Love
What Makes You Beautiful
When You Say Nothing At All
Yeah!
You Raise Me Up
You Were Meant For Me
You\'re Beautiful
You\'re Still The One
You\'ve Got A Friend In Me
/ Partitions variété - pop - rock / Variété internationale / Cordes / HAL LEONARD

Wiener Urtext-These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli's time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the Continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.

Par DR. HAYES-JONES SARAH. Unknown until their discovery was announced in 1971 by Péter Várnai in an article in Die Musikforschung, this set of six suites for solo violin, published in 1696, is in all likelihood a second edition of, or second collection to his First Dozen Allemandes, Courantes, Sarabands, and Gigues for Solo Violin without Basso Continuo published in 1682 which are considered lost. Along with his suite for solo violin published in 1683 in Le Mercure Galant, these suites for unaccompanied violin are the first in their medium and undoubtedly served as an inspiration for Bach?s Six Sonatas and Partitas for Solo Violin.This edition is a modern transcription of Westhoff?s unique notation and provides editorial fingering and bowing suggestions. A facsimile of the only extant 1696 publication, which is housed in the Somogyi Károly Városi és Megyei Könyvtár in Szeged, Hungary, is included in the back of this edition for reference. This edition was created with the intention of making these suites more accessible, and to be used as a pedagogical tool in preparation for the study of solo Bach. / Date parution : 2022-07-20/ Recueil / Violon

Per Violine e Basso Continuo. Vol I - Sonate I-V-Volume 1 of Biber's Mystery (Rosary) Sonatas for Violin and Continuo containing Sonatas 1-5.

Baroque Violin Pieces is a four-volume graded anthology which acts as an introduction to the style and repertoire of Baroque music for solo Violin and Continuo. The editor's aim has been to select immediately attractive pieces which are at the same time of educational value in style and technique. The contents of each volume are arranged roughly in order of difficulty. The pieces in this volume book4 are of Grade 8 standard and above. This volume has been edited by Richard Jones.The solo violin part is also included on a separate insert.

Maurice Onderet (1899-1981) was a Belgian violinist and pedagogue who lived and worked in Canada from 1927-1946 and from 1965-1971. He is best remembered for concerts in Toronto and Montreal where he gave the Canadian premiere of the Sibelius Violin Concerto a formidable piece well beyond the technical ability of most soloists. He also taught at the McGill Conservatory Mons La Louvière and Montreal. His Violin Method Book 2a was part of the second of the five volumes of his Méthode de Violon subtitled Systéme des Intervales. It was published in 1948 soon after his first return to Belgium.

Maurice Onderet (1899-1981) was a Belgian violinist and pedagogue who lived and worked in Canada from 1927-1946 and from 1965-1971. He is best remembered for concerts in Toronto and Montreal where he gave the Canadian premiere of the Sibelius Violin Concerto a formidable piece well beyond the technical ability of most soloists. He also taught at the McGill Conservatory Mons La Louvière and Montreal. His Violin Method Book 4 was the fourth of the five volumes of his Méthode de Violon subtitled Systéme des Intervales. It was published in 1948 soon after his first return to Belgium.

DOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.The first thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral continuo or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes with the solo instrument heard softly in the background at slow tempo. Finally you can play at the original tempo to the accompaniment of an orchestra piano or basso continuo.Allversions appearing on the CD were recorded live by renowned soloists accompanists and orchestras. There are no synthesised sounds in a DOWANI edition!

While the value of authenticity in the performance of Baroque music is now widely appreciated many players still feel daunted by the task of realising the unadorned melodies and basses of Corelli’s Op.5 Violin Sonatas in their original form.Fortunately Gustav Jensen’s edition of these works provides an ideal solution to the problem. Carefully fingered and bowed with the continuo sensitively arranged for harpsichord or modern piano it presents the notated elements of a spirited and musically satisfying reading while still leaving room for performers to shape their own interpretation.This volume includes sonatas No.7 and No.10 both composed on the sonata dacamera pattern and the celebrated La folia variations with which Corelli concluded his collection. Fiery and virtuosic they have remained a favourite item in the violinist’s repertoire since their publication in Rome in 1700.The solo violin part is also included on a separate insert.

Violin Strings and Basso Continuo-Édition révisée avec nouveaux doigtés et réduction piano. 1-4 Allegro5-8 Largo9-12 Presto

Canadian fiddler Bill Guest has collected and arranged 58 great Fiddle waltzes written by a superb collection of contemporary fiddlers. The tunes are scored for Violin solo duet or trio. This book comes with a stereolistening audio available online which demonstrates 30 songs from the book.

Early version only for strings and later version with woodwinds, brass and timpani. Urtext of the Haydn Complete Edition
Edition : Piano Reduction/Vocal Score; Urtext Edition
Editor : Dack, James;Feder, Georg
Binding : paperbound
Instrumentation : 2 Soprano solo, Mixed Choir-SATB, Flute, 2 Clarinet (b flat), 2 Fg, 2 Trumpet, Kettledrum, 2 Violin, Basso continuo / Partitions classique / Cordes / Violon / BARENREITER