Since the 1960's here has been an extraordinary revival of old-time string band music in California and indeed throughout the American West. Despite being born blind Kenny Hall has been a mainstay of many fiddle festivals and ofthe Western fiddle and string band revival in general. Kenny's musical style is passionate and energetic. This book is a helpful guide to his vast repertoire learned through years of careful listening. It is also a wonderfuladdition to the fiddler's bookshelf and a fitting tribute to a man who for many an aspiring fiddler has been a friend guide exemplar and patron. Many of the tunes includes nonsense lyrics that Kenny used to help him rememberthe melody and each tune is accompanied by Kenny's comments. The book is divided into five chapters: fiddle- based tunes (Fiddle Faddle) mandolin-based tunes (Rags Tags and Wags) Waltzes tunes from an origin other than theUnited States or the British Isles (Kenny's Rambles); and vocal-based pieces including lyrics (Songs Ballads Ditties). Some of the transcriptions are written primarily for fiddle or mandolin but most tunes can be performed oneither instrument. This deluxe guide to Kenny Hall's vast repertoire offers fans of old-time music a great way to get to know Kenny and his music.

Instrumental Play-Along-Arrangements for a dozen holiday favorites in the unique neo-classical electronic music style of Mannheim Steamroller are featured in this collection perfect for budding instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound. Includes: Carol of the Bells · Deck the Halls · God Rest Ye Merry Gentlemen · Hark! the Herald Angels Sing · Joy to the World · Silent Night · Traditions of Christmas · and more. Online audio is accessed at halleonard.com/mylibrary

Violin-Movie musical lovers will delight in this songbook chock full of top-notch songs from blockbuster movies.Includes: Another Day of Sun and City of Stars from La La Land Mamma Mia from Mamma Mia: Here We Go Again I Dreamed a Dream from Les Mis?rables A Million Dreams and This Is Me from The Greatest Showman plus 5 songs from the 2018 hit movie A Star is Born featuring Lady Gaga and Bradley Cooper: Always Remember Us This Way I???ll Never Love Again Look What I Found Maybe It???s Time and Shallow.

Instrumental Play-Along-15 favorites arranged for instrumentalists with professionally-recording backing tracks for play-along fun. Includes: Amazing Grace Blessed Assurance In the Garden Leaning on the Everlasting Arms The Old Rugged Cross Shall We Gather at the River? Sweet by and By There is Power in the Blood and more.

Critical Edition Violin Solo Part-This new edition of the violin solo part to the Korngold Violin Concerto in D Major is the first-ever to include Jascha Heifetz's performance notations edited by Endre Granat one of his star proteges. Born in Austria Korngold was forced into US exile by the annexation of Austria by the Nazis. He vowed to give up composing anything other than film music until Hitler was defeated. With the end of World War II he retired from films to concentrate on music for the concert hall. The violin concerto was the first such work that Korngold wrote following some initial persuasion from violinist and fellow émigré Bronislaw Huberman. Korngold was hurt by the assumption that he hadsold his integrity to Hollywood. He was thus determined to prove himself with a work that combined vitality and superb craftsmanship. Korngold composed his Violin Concerto in D major Op.35 in 1945 dedicating it to Alma Mahler the widow of his childhood mentor Gustav Mahler. The work was premiered on February 15 1947 by Jascha Heifetz and the St. Louis Symphony under conductor Vladimir Golschmann. It received the most enthusiastic ovation in St. Louis concert history at the time. On March 30 1947 Heifetz played the concerto in Carnegie Hall with the New York Philharmonic conducted by Efrem Kurtz: the broadcast performance was recorded on transcription discs. Heifetz's performance launched the work into the standard repertoire and it quickly became Korngold's most popular piece. Concerning Heifetz's performance of the work the composer wrote In spite of the demand for virtuosity in the finale the work with its many melodic and lyric episodes was contemplated more for a Caruso than for a Paganini. It is needless to say how delighted I am to have my concerto performed by Caruso and Paganini in one person: Jascha Heifetz.

Arranged for violin solo by Roman Kim-A bravura piece for solo Violin.A challenge for every dedicated violinist.The famous Air from Bach’s Orchestral Suite BWV 1068 has undergone a great many arrangements but until now no one has ventured to produce a contrapuntal version for unaccompanied Violin.Roman Kim hit on this brilliant idea and came up with an arrangement creating a YouTube hit with his own recording of it.The arranger:Roman Kim is a well-known violinist of the younger generation who became a cult figure on the internet before triumphing in the concert hall. His appearances in Germany Spain Italy and Israel have leftaudiences spellbound by his breath taking virtuosity and boundless energy (www.romankim.de).

Violin Sonata was commissioned by the Carnegie Hall in New York as part of its centennial celebrations in 1991 and first performed on 3rd February of that year by Michelle Makarski and Brent McMunn. It is arelatively diffident three movement work exploring heavy tortuous sentiments without becoming overpowering. The Piano part sets up a series of repeating ostinati with some interesting jazz influences and chord progressions which the Violin part cleverly plays against. Anthony Davis (b. 1951) is an American composer and pianist. His recordings and compositions cover both jazz and modern classical styles but he is best known for hismodern political operas such as X based on the life of Malcolm X.

for Solo Violin. For solo violin. Commissioned by the Royal Philharmonic Society and the BBC3 as part of New Generation Artist Works. Premiered by Ilya Gringolts on March 17 2003 in London's Wigmore Hall.

Three Miniatures by George Benjamin for Violin solo. The first performance of A Lullaby For Lalit was given by the Jagdish Mistry in Mumbai Indian on 21st January 2002. The first performance of the complete work in its revised extended version was given by Irvine Arditti at the Jubilee Hall Aldeburgh as part of the Aldeburgh festival in June 2002.

Published 1967. First performance: Peter Carter and Sally Mays Park Lane Group Concert Wigmore Hall 8th April 1968.

Dans le violoneux Hall of Fame en 2002, de Grand Ole Opry interprète depuis 50 ans, de considéré comme faisant partie de la ' première génération ' de musiciens de bluegrass, de Bobby Hicks est maître de l'ONU et enseignant de l'ONU. Les techniques de fils style unique sont maintenant disponibles sur ce DVD pour développer des violoneux qui apprendront ce effective autre Instructor ne peut enseigner. / Violon (Traditionnel) / 45 pages / niveau : Débutant/Intermédiaire / Dvd - Format: 7,5 X 5,25

Music Minus One Violin-Sibelius' 20th-century masterpiece is unique in its beauty and is a favorite in concert halls worldwide with its Scandinavian Romantic themes. A must for the serious violinist! Includes a high-quality printed music score and a compact disc containing a complete version with soloist in split-channel stereo (soloist on the right channel) then a second version in full stereo of the orchestral accompaniment minus you the soloist. Performed by Geoffrey Applegate violin Accompaniment: Vienna Symphony Orchestra Conductor: Franz Litschauer

This was the forerunner of the 'Romance for Violin and Orchestra'. The Piano introduces the main theme in sweet gentle somewhat Brahmsian tones after which the Violin takes it up with a graceful lightness of expression. Abrighter variant is soon heard again recalling Brahms after which the theme is heard in a lighter more ethereal version. The mood intensifies near the middle the music turning livelier and muscular and the violin writing morechallenging. The main thematic material is reprised but with many changes and this lovely approximately 12-minute piece quietly ends. This edition is edited by Rok Klopcic.