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Roger
Violin
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Cantinela
Français
Violin
Martin, Robert
Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'édit...
(+)
Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Cantinela de Boutry Roger . Idéale pour les musiciens pratiquant Violon et ayant un niveau proche de Cycle 1, cette pièce se classe dans la catégorie Classique sous la référence BOUT03912. / Violon / niveau : Cycle 1 / Partition
15.32 EUR - Sold by LMI-partitions
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En Habit D'Arlequin
Français
Violin
[Sheet music]
Martin, Robert
Pour quelques euros, voilà une partition qui peut être en votre possession dan...
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Pour quelques euros, voilà une partition qui peut être en votre possession dans quelques jours. Ayant pour titre: En habit d'arlequin, et pour auteur:: Boutry Roger cette pièce a toujours été classée dans la catégorie Classique. / Violon / niveau : Cycle 3 / Partition
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Urashima Pour Violon Solo Et Quatuor A Cordes (BOUTRY ROGER)
Violin
[Sheet music]
-
Intermediate
Martin, Robert
Par BOUTRY ROGER. / Niveau : Cycle 3 / Musique Instrumentale / Répertoire /...
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Par BOUTRY ROGER. / Niveau : Cycle 3 / Musique Instrumentale / Répertoire / Violon
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Poème (opus 15) (CORNELIS Roger)
Français
Violin
[Sheet music]
-
Intermediate/advanced
Bayard-Nizet
Par CORNELIS Roger. / Niveau : 5 / Partition / Violon
8.44 EUR - Sold by LMI-partitions
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En Habit D'Arlequin
Français
Violin
[Sheet music]
Martin, Robert
Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'édit...
(+)
Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition En habit d'arlequin de Boutry Roger . Idéale pour les musiciens pratiquant Violon et ayant un niveau proche de Cycle 3, cette pièce se classe dans la catégorie Classique sous la référence BOUT04228-PK. / Violon / niveau : Cycle 3 / Partition
16.77 EUR - Sold by LMI-partitions
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Study (STEPTOE ROGER)
Violin
[Sheet music]
Stainer and Bell
Par STEPTOE ROGER. Strings/ Etude / Violon
12.28 EUR - Sold by LMI-partitions
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En Habit D'Arlequin
Français
Violin
[Sheet music]
Martin, Robert
Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'édit...
(+)
Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition En habit d'arlequin de Boutry Roger . Idéale pour les musiciens pratiquant Violon et ayant un niveau proche de Cycle 3, cette pièce se classe dans la catégorie Classique sous la référence BOUT04228-CO. / Violon / niveau : Cycle 3 / Partition
27.96 EUR - Sold by LMI-partitions
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Kokoro (REYNOLDS ROGER)
Violin
[Score]
Peters
Par REYNOLDS ROGER. Commissioned by Irvine Arditti with funds from the British A...
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Par REYNOLDS ROGER. Commissioned by Irvine Arditti with funds from the British Arts Council / Contemporain / Répertoire / Violon
52.70 EUR - Sold by LMI-partitions
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En Habit D'Arlequin
Français
Violin
[Sheet music]
Martin, Robert
Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'édit...
(+)
Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition En habit d'arlequin de Boutry Roger . Idéale pour les musiciens pratiquant Violon et ayant un niveau proche de Cycle 3, cette pièce se classe dans la catégorie Classique sous la référence BOUT04228-BA. / Violon / niveau : Cycle 3 / Partition
100.29 EUR - Sold by LMI-partitions
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Sonate Pour Violon Seul
Français
Violin
[Sheet music]
Martin, Robert
Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'édit...
(+)
Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition SONATE pour violon seul de Boutry Roger . Idéale pour les musiciens pratiquant Violon et ayant un niveau proche de Cycle 3, cette pièce se classe dans la catégorie Classique sous la référence BOUT04726. / Violon / niveau : Cycle 3 / Partition
19.38 EUR - Sold by LMI-partitions
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Andy Rogers: Switch on to Jazz: Violin: Instrumental Album
Violin
Fentone Music
16 Fun Pieces with Piano Accompaniment-Andy Rogers' Switch On To Jazz is a varie...
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16 Fun Pieces with Piano Accompaniment-Andy Rogers' Switch On To Jazz is a varied collection of 12 fun pieces with piano accompaniment. Includes CD of performances and accompaniments.
15.99 GBP - Sold by Musicroom UK
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Team Strings 2. Violin (With Cd) (DUCKETT BULL / ROGERS)
Violin
[Sheet music]
I.M.P.
Par DUCKETT BULL / ROGERS. La série de ' Equipe ' est utilisable avec les deux ...
(+)
Par DUCKETT BULL / ROGERS. La série de ' Equipe ' est utilisable avec les deux individus ou un tuteur de groupe encourager les étudiants à essayer ensemble jouant dès les premières étapes. Tous les livres de la série sont entièrement intégrés permettant aux étudiants à l'aide de ' Equipe chaînes ' à jouer dans les ensembles avec les élèves à l'aide de ' Equipe bois ', ' Equipe percussions ', ' Equipe Recorder ' et ' Equipe Brass '. L'équipe chaînes 2 suit directement sur de la série originale de ' Equipe chaînes ' et de même est un cours flexible et adaptable, conçu pour les joueurs de violon de débutant. Le tuteur peut être adapté en fonction des besoins spécifiques de chaque étudiant. Chaque pièce est soigneusement classé pour assurer une progression logique à un rythme raisonnable et étudiants sont introduits à une grande variété de styles musicaux tout au long de l'ouvrage. ' Equipe 2 chaînes ' a été écrit spécialement à l'appui de presque n'importe quelle combinaison d'instruments à cordes que l'enseignant peut rencontrer. Cette deuxième série est encore améliorée par titres du monde du jazz et de blues et offre des possibilités de développer des p... / Date parution : 2005-05-27/ Recueil / Violon
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Arcangelo Corelli: Violinsonaten op. 5 Band 2: Violin: Instrumental Work
Violin
Wiener Urtext
Wiener Urtext-These sonatas are among the epoch-making works of the Violin reper...
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Wiener Urtext-These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli's time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the Continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.
24.99 GBP - Sold by Musicroom UK
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Arcangelo Corelli: Violinsonaten op. 5 Band 1: Violin: Instrumental Work
Violin
Wiener Urtext
These sonatas are among the epoch-making works of the Violin repertoire and nowa...
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These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli’s time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.
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Jeremy Dale Roberts: Capriccio For Violin And Piano: Violin: Instrumental Work
Violin
[Sheet music]
University Of York Music Press
Revised October 2016-Jeremy Dale Roberts' Capriccio for Violin and Piano.First p...
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Revised October 2016-Jeremy Dale Roberts' Capriccio for Violin and Piano.First performed by Frances Mason and Roger Smalley first broadcast by Yfrah Neaman and Howard Ferguson.Published in 1965.Revised in October 2016.
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Wild Flowers
Violin
Bote and Bock
This composition for solo violin was written in 1987 for the violinist Roger Zah...
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This composition for solo violin was written in 1987 for the violinist Roger Zahab who performed the world premiere in New York. As is typical of Ursula Mamlok, the work of about 5 minutes' duration is very short. In one movement, divided into five short sections, she sums up her musical cause in an extremely virtuoso manner: A powerful opening theme, which varies several times, is followed by a quiet, lyrical passage which uses similar musical ideas, however. In the following, the formal contrast disappears due to the increasing fusion of opening theme and slower episode before the main theme is taken up again in the final section in a very dramatic form. / Violon
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