This series contains all of the pieces from Volumes 1 and 2 of the Suzuki Violin School arranged for three violins. The pieces can be played with or without piano accompaniment which expands their performance possibilities. Another advantage is that students at different playing and reading levels can make music together. The score contains a chart that lists the level of difficulty of each piece and each part so that the teacher can easily assign parts. All of the parts were purposely kept as simple as possible and a table listing the reading skills required for each piece is found in the back of the violin 2 and violin 3 books.Suzuki Violin SchoolVolume 1 (order code IMP90021) serves as the violin 1 part.

Spielend for two violins was written during the summer and early autumn of 2003 and is based on the idea of the two instruments not only playing the instruments but also playing in the sense of sport i.e. playing their themes off against each other and playing with the musical material. There are times for instance when they seem to be having a contest to see who can finish the themes first or who can divert the other’s attention to a new texture or rhythm. The title the German word for 'playing' also refers in a way to the composer himself exploring the themes harmonies and rhythms - particularly notable in this respect is the large central slow section which contraststwo altered reminiscences of the Violin Sonata of Poulenc (a composer whose music is very dear to me) with the gradual expansion of a fugue from two parts to eight (four in each violin). Fugue after all is in a sense an example of a composer making sport however seriously with the themes.So the work is a kind of extended musical pun lasting about fifteen minutes in all and being performed without a break. Though the central section is slow the outer ones are quick and energetic emphasizing especially the idea of activity and vigour - the ending however may catch the unwary listener by surprise.The first performance was given by Philippa Mo and Peter Sheppard Skærved in Leighton House London on 7th May 2004.'John McCabe's new 'Spielend' strikes me as a miniature masterpiece: a highly charged 15-minute piece in which the violins chase or echo each other in a thousand different ways including a fugure in which as with Bach two instruments seemed to suggest a dozen voices.'            - Richard Morrison The Times 11/05/2004

Wonderful World of Tchaikovsky for Violin and Piano-Russian composer Pyotr Ilyich Tchaikovsky’s works included symphonies concertos operas ballets chamber music and a choral setting of the Russian Orthodox Divine Liturgy. Some of these are among the most populartheatrical music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally which he bolstered with appearances as a guest conductor later in his career in Europe and theUnited States.Arranged by Andrew Moore for intermediate level Violin and Piano The Wonderful World Of Tchaikovsky includes Barcarolle Daydream Love theme from Romeo andJuliet Old French song Tears Theme from second movement of Symphony No 5 and Waltz from Swan Lake.

99 melodies for solo Violin-A delightful collection of ninety-nine pleasurable and satisfying melodies arranged by Colin Cowles for Violin Solo. As well as being enjoyable these lasting pieces are also useful in practising tone production finger technique bowing and general musicianship.

Volume Two Second Position-A second volume of beautiful folk tunes and classical pieces for the advancing beginner. Transcribed and edited by noted American teacher Samuel Applebaum. Contains printed music score and a compact disc featuring all the works in split-channel stereo with the first violin on the right channel the second violin on the left. By adjusting the balance the soloist can remove either violin and play the other. Performed by Richard Henrickson first violin Accompaniment: Andres Jennings second violin

Edizione critica a cura di Fulvio Luciani. Par BACH JOHANN SEBASTIAN. A new critical edition of Bach?s Sonatas and Partitas for solo violin ? possibly the very pinnacle of the whole repertoire for violin ?, by violinist Fulvio Luciani. The edition is based on the autograph and is equipped with an apparatus of critical notes: they indicate problems with the reading of the original source, suggest possible new solutions, alternative to the widely accepted ones, and retrace the history of harmonic perception, as evidenced by the changes the composition went through across all its historical editions. The curator provides indications (clearly distinguishable from the original source) for the performance, the bowings specifically. They are suggestions founded in the observation of the technical apparatus pictured by Bach in his genius: a hand technique closer to a pianist?s than a traditional violinist?s; a mechanism we could call pioneering to this day. / Date parution : 2022-10-12/ Recueil / Violon

'You can be rightfully pleased with what is coming!' announced Clara Schumann self-confidently in late 1855 to the 24-year-old Joachim upon sending him a copy of the 'Three Romances' op. 22 for violin and piano that had just been published by Breitkopf & Härtel. There is no doubt that her acquaintance with the young virtuoso had stimulated her to write the pieces already back in 1853. The two remained linked to the Romances after publication as well: Clara Schumann and Joachim often successfully performed them in their concerts in later years.After having temporarily fallen into oblivion the Romances did not make their way more lastingly into the chamber musicrepertoire until 1983 when a reprint of the first edition was published. With the release of this new edition today's interpreters can also be 'rightfully pleased' with Clara Schumann's Opus 22.

Now more than ever the ability to sight-read fluently is an essential part of the training of musicians on an instrument. This workbook is designed to help overcome the nerves that can cause sight-reading problems by giving sound technical advice and confidence boosting tips. Step-by-step it helps the violinist to build up a complete picture of each piece first through rhythmic and melodic exercises related to specific problems then by the study of prepared piece with associated questions for the student to answer and finally to the real unprepared sight-reading test itself. Check-boxes for each stage allow both teacher and pupil to keep an eye on progress.Thenew editions of this popular series supports the new ABRSM string syllabus requirements from 2012 ensuring success in the sight-reading tests of graded exams.

Bwv 1001-1006. Par LAWRENCE GOLAN. Edition du Dr Lawrence Golan des chefs-d'oeuvre de Bach pour violon solo combine l'authenticité et l'exactitude d'une édition savante de Urtext avec la valeur concrète et l'obligeance d'une édition d'exécution. Un fac-similé du manuscrit autographe de Bach a été utilisé dans la préparation de cette édition et les intentions du compositeur ont été conservées jusqu'au dernier détail. Mention particulière est le fait que toutes les tiges ont été retransmises ensemble tels qu'ils apparaissent dans le manuscrit autographe. C'est d'une grande importance lors de la prise de décisions d'interprétation concernant les rythmes en pointillé. Utile de doigté et de s'incliner suggestions sont fournis par l'éditeur, mais sont distinguent clairement de notation originale de Bach, ce qui permet à l'interprète la liberté d'accepter ou de rejeter toute suggestion donnée. Le volume se complète d'essai du Dr Golan ' exécution Bach : parsemé de rythmes et de trilles dans les sonates et Partitas pour violon Solo,' qui comprend également des discussions savantes de vibrato, doigtés, styles de l'archet et ritard... / Niveau : Intermédiaire à Avancé / Classic - Solos / Recueil / Violon

39 Solos-America's Legend Fiddler-Transcribed and edited by one of Herman Johnson's former students this book offers 39 solos in the inimitable smooth precise and innovative Johnson style. Inspired in his youth by Bob Willis of the TexasPlayboys Johnson learned tunes by listening to records and the radio. At 16 he successfully auditioned to play in Willis' band but was then too young to join the musicians union. Johnson went on to adistinguished career as a performer and contest fiddler winning the National Fiddling Championship in Weiser Idaho five times the only player to reign undefeated each year he entered the contest. He also won the Grand MastersChampionship in Nashville. Many of the intermediate to advanced-level selections in this collection were drawn from Johnson's 1993 recording Simply Perfect.

Here at long last is the perfect fiddle book for the true and total beginner. No previous experience needed! Wayne takes you through every step of adjusting tuning holding and playing the fiddle. The tunes are written outin Wayne???s unique and easy tab system an also in standard notation. Fiddle instruction has never been simpler clearer or more humorous. Includes instructional CD.

Description Here, at long last, is the perfect fiddle book for the true and total beginner. No previous experience needed! Wayne takes you through every step of adjusting, tuning, holding and playing the fiddle. The tunes are written out in Wayne’s unique and easy tab system an also in standard notation. Fiddle instruction has never been simpler, clearer, or more humorous. Includes instructional CD.

Media Type : Book Level : Beginning Musical Genre : All Series : FAQ Number of pages : 80 An owner's manual for fiddlers, this guide covers basic instrument maintenance, upkeep and adjustment. It offers rules for preserving instruments and preventing costly damage. It discusses fiddle history and construction, explaining the differences between fiddles and violins. Step-by-step illustrations demonstrate how to change strings and replace fine tuners. It covers cleaning and minor home repairs, including adjusting and replacing bridges. It discusses when to change strings and rehair the bow, explaining what matters require the care of an expert repair person. It explains ways to customize tone and playability. Additional sections treat valuation and appraisals, tips for buying fiddles, and ways to find good dealers and repair people. A glossary defines technical terms. -basic rules for avoiding costly damage -how fiddles are built -essential accessories -recommended accessories -cleaning, changing strings, adjusting the bridge -replacing fine tuners -fixing sticking and slipping pegs -when to rehair the bow -customizing tone and volume -buzzes and rattles -finding good dealers and repair people -tips on buying -explanation of valuation

Par HARRIS PAUL. Now more than ever, the ability to sight-read fluently is an essential part of the training of musicians on an instrument. This workbook is designed to help overcome the nerves that can cause sight-reading problems by giving sound technical advice and confidence boosting tips. Step-by-step it helps the violinist to build up a complete picture of each piece, first through rhythmic and melodic exercises related to specific problems, then by the study of prepared piece with associated questions for the student to answer, and finally to the real, unprepared sight-reading test itself. Check-boxes for each stage allow both teacher and pupil to keep an eye on progress. The new editions of this popular series supports the new ABRSM string syllabus requirements from 2012, ensuring success in the sight-reading tests of graded exams./ Etude / Violon

Par BRANDAO MAICA. Pour la musique, le style baroque naît au début du XVIIe siècle avec l'invention en Italie de l'opéra. L'éloquence et la théâtralité sont les premières caractéristiques de ce nouveau style. Pour le violon, sa promotion, d'instrument populaire à la Renaissance, au statut de roi des instruments d'orchestre, dès les premiers opéras voit le développement de sa facture par les célèbres luthiers italiens comme Amati et Stradivarius, aboutir à des formes et qualités qui sont jusqu'à nos jours toujours les références d'excellence. En France, Lully, italien d'origine crée pour les besoins de la danse, des cérémonies royales et de la tragédie lyrique naissante (version française de l'opéra) la bande des 24 violons du Roy. Le violon devient dans toute l'Europe le roi des instruments mélodiques. Exercices techniques violon 1. Exercices mélodiques du Baroque 2. Seize variations pour l'archet 3. Arpèges de 3 et 4 notes Chanson du Baroque 1. La Mantovana (5 violons) 2. Woodycock (3 violons) 3. Stingo (4 violons) 4. Nobody's Jig (2 violons) 5. Marche pour la cérémonie des Turcs (4 violons) 6. Menuet de Monsieur Jourdain (2 violons) 7. Les sauvages (3 violons) 8. If Love's a Sweet Passion (3 violons) 9. Canon (2 violons) 10. Bist du bei mir (5 violons) 11. Sarabande (4 violons) 12. Fantasia (violon seul) / Classique / Répertoire / Violon