Special Edition. Par WILLIAMS JOHN. These instrumental editions are completely compatible with each other and can be played together or as solos. Melodic ranges and rhythms are carefully considered for each instrument so every tune is easily accessible to all players. Titles are: BensDeath/Tie Fighter Attack * Cantina Band * The Emperor Arrives * Han Solo and the Princess * The Imperial March * Jedi Rocks * Luke and Leia * May the Force Be with You * Parade of the Ewoks * Princess Leias Theme * Star Wars (Main Theme) * TheThrone Room * Victory Celebration * Yodas Theme. This arrangemet for violin includes all the familiar themes from the main theme of Star Wars to the Imperial March from The Empire Strikes Back to Jedi Rock from Return Of The Jedi. / Rép International / Recueil / Violon

Play 50 of your favorite pop tunes on your instrument of choice! This collection features arrangements written in accessible keys and ranges with lyrics and chord symbols. Songs include: All My Loving · Blowin\' in the Wind · Clocks · Don\'t Stop Believin\' · Every Breath You Take · Fireflies · Hey, Soul Sister · In My Life · Love Story · My Girl · Nights in White Satin · Sweet Caroline · Unchained Melody · Viva La Vida · What a Wonderful World · You\'ve Got a Friend · and more. / Violon

Violin. Par SCHWARZ OTTO M.. Le recueil: Playing with the Orchestra VOL. I est conçu pour flûte en ut, clarinette en sib, hautbois, trompette sib, cor en fa, violon et violoncelle. Dans le recueil est imprimée chaque voix originale des instruments de l’orchestre symphonique. Les enregistrements ont été effectués par un orchestre symphonique de 80 excellents musiciens professionnels (BSO Bratislava – direction David Hernando Rico). De nombreuses pièces à succès du compositeur Otto M. Schwarz telles Around the world in 80 Days, Nostradamus, Dragon Fight, The Story of Anne Frank et récemment The White Tower ont été distinguées dans le classement mondial des 40 meilleures nouveautés classiques sur Spotify et ont été remarquées dans le monde entier. / Niveau : Difficile / Recueil / Violon

Par STORY MICHAEL. Movie Quartets for All is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3--4. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. Titles: Hedwig's Theme * Over the Rainbow * And All That Jazz * The Magnificent Seven * Theme from A Summer Place * Eye of the Tiger * There You'll Be * Blues in the Night * The Pink Panther * You're a Mean One, Mr. Grinch * Parade of Charioteers * Hakuna Matata. / Ensemble Music, Miscellaneous, Scores / Recueil / Violon

Par PAGANINI NICCOLO. Paganini and Wieniawski were two of the most famous violin virtuosos of the 19th century, and composers of a number of the most treasured masterpieces in the violin repertory. Here, in a comprehensive playing edition, are three of their most celebrated works for solo violin: Paganini's innovative Caprices, Op. 1 and Wieniawski's major collections of studies, l'Ecole Moderne, op. 10 and Etudes-Caprices, op. 18. Paganini's twenty-four Caprices are a virtual textbook of the phenomenal technical breakthroughs that he achieved, showing off his trail-blazing array of fingered octaves, double, triple and quadruple stop chords, and 'ricochet bowings'. Wieniawski's etudes fuse unmistakeableSlavonic colours with his already formidable technique and are, like Paganini's Caprices, among the most demanding works in the solo violin repertory, and essential parts of every professional violinist's training/ Répertoire / Violon

Music from the Motion Picture Soundtrack for Violin Solo. Par BOLOGNE JOSEPH. Joseph Bologne, Chevalier de Saint-Georges, was born Christmas Day, 1745, on the island of Guadeloupe, then a French colony, in the Caribbean Sea. The son of a wealthy plantation owner and a slave, he rose to unimaginable heights in French society thanks to his excellence in many things including math, literature, and fencing, but most of all, music. He rose to become one of the most popular violinists and composers in France, even hired to provide music lessons for the imperious Marie Antoinette who would become the last queen of France. Bologne's amazing life story came to life in the 2022 film Chevalier. Our matching folio includes original works by Bologne as well as violin solo arrangements of the score by Kris Bowers and featuring Violin Duel by Michael Abels. The book also includes a short biography of Bologne's life story. / Date parution : 2023-10-31/ Recueil / Violon

Critical Edition Violin Solo Part. Par KORNGOLD ERICH WOLFGANG. This new edition of the violin solo part to the Korngold Violin Concerto in D Major is the first-ever to include Jascha Heifetz's performance notations, edited by Endre Granat, one of his star proteges. Born in Austria, Korngold was forced into US exile by the annexation of Austria by the Nazis. He vowed to give up composing anything other than film music until Hitler was defeated. With the end of World War II, he retired from films to concentrate on music for the concert hall. The violin concerto was the first such work that Korngold wrote following some initial persuasion from violinist and fellow émigré Bronislaw Huberman. Korngold was hurt by the assumption that he had sold his integrity to Hollywood. He was thus determined to prove himself with a work that combined vitality and superb craftsmanship. Korngold composed his Violin Concerto in D major, Op.35, in 1945, dedicating it to Alma Mahler, the widow of his childhood mentor, Gustav Mahler. The work was premiered on February, 15 1947 by Jascha Heifetz and the St. Louis Symphony under conductor Vladimir Golschmann. It received the most enthusiastic ovation in St. Louis concert history at the time. On March 30, 1947, Heifetz played the concerto in Carnegie Hall with the New York Philharmonic conducted by Efrem Kurtz: the broadcast performance was recorded on transcription discs. Heifetz's performance launched the work into the standard repertoire, and it quickly became Korngold's most popular piece. Concerning Heifetz's performance of the work, the composer wrote, In spite of the demand for virtuosity in the finale, the work with its many melodic and lyric episodes was contemplated more for a Caruso than for a Paganini. It is needless to say how delighted I am to have my concerto performed by Caruso and Paganini in one person: Jascha Heifetz./ Répertoire / Violon

The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.

Par APPLEBAUM SAMUEL. The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book listically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompanimen teacher's manual. / Pédagogie / Méthode / Violon

Edizione critica a cura di Fulvio Luciani. Par BACH JOHANN SEBASTIAN. A new critical edition of Bach?s Sonatas and Partitas for solo violin ? possibly the very pinnacle of the whole repertoire for violin ?, by violinist Fulvio Luciani. The edition is based on the autograph and is equipped with an apparatus of critical notes: they indicate problems with the reading of the original source, suggest possible new solutions, alternative to the widely accepted ones, and retrace the history of harmonic perception, as evidenced by the changes the composition went through across all its historical editions. The curator provides indications (clearly distinguishable from the original source) for the performance, the bowings specifically. They are suggestions founded in the observation of the technical apparatus pictured by Bach in his genius: a hand technique closer to a pianist?s than a traditional violinist?s; a mechanism we could call pioneering to this day. / Date parution : 2022-10-12/ Recueil / Violon

An Introduction to Folk Styles, Technique and Improvisation. This in-depth tutor book, from renowned fiddle player and teacher Chris Haigh, is perfect for classical violinists and fiddle players looking to master the art. Covering all aspects of folk violin technique from ornamentation to modes and scales, and from scordatura to improvisation and composition. The book is centred around Irish traditional music, but also dips into English, Scottish, Scandinavian, East European, Klezmer, Cajun and American Old-Time traditions. Accompanied by audio recordings (to download) of all pieces performed by Chris Haigh with a live backing band. Folk fiddle and classical violin are as different as chalk and cheese. At first glance, folk might seem so simple it's hardly worth bothering with. The tunes are often no more than 32 bars long, they stay in first position, and they don't even have a composer. However, it's what's NOT written on the page that makes folk fiddle so interesting and challenging. This book attempts to explore, from general observation down to the finest detail, what the fiddler needs to know to bring these tunes alive. We need to understand their history and context, their purpose, their structure and pulse. And we need to be able to add all the stylistic elements that come not from reading the music, but from years of immersion in folk music, both listening and playing. Key areas covered include: Tune types and structures Ornamentation Bowing Modes and scales Scordatura Starts, endings and links Variation, improvisation and composition Playing tunes in 'sets” Regional and individual style Playing in sessions, for contests, and for dancing / Niveau : 3 / Pédagogie / Etude / Violon

In 60 Lezioni. Par PERLINI SILVANO. A new method for violin spread over two years that teaches how to use the first, second and third fingers of the left hand from the very first lesson. Over the course of the first year the student learns all the “applications” for the first fourfingers in the first position and the main bow strokes. The first volume contains a brief look at the history and construction of the violin, together with a functional inroduction to the theory of music, plus basic explanations and exercises ideal for practice and revision over the summer holidays. The second volume is split into lessons, each concentrating on a fixed tonality. The two volumes are aimed at students in their first year of Music at Secondary School (Corsi ad Indirizzo Musicale della Scuola Secondaria di 1° grado), but can also beused by other students at any music school and by students at Music Academies. / Etudes et exercices / Date parution : 1905-07-07/ Etude / Violon

Discovering Creative Improvisation For String Players. Par WALLER JULIANNA. Learn how to improvise and explore your creativity with this method developed by acclaimed fiddler, violinist, and instructor Julianna Waller. This book is divided into four Skill Sections and presented in workbook format. Each exercise includes basic and advanced examples as well as easy progress tracking. The unique improvisatory activities entice the imagination through imagery, observation, external stimuli, art projects, and memories! This multifaceted methodology is appropriate for novice and professional string players of the fiddle, violin, viola, and cello and is adaptable to many musical styles. A high-quality play-along recording is provided to support your practice and entice your imagination! The recording includes all examples from sections two and three, piano and full band accompaniment tracks for the I - IV - V7 - I chord progression in ten keys, and excerpts from two bluegrass compositions by the author. / Niveau : Intermédiaire à Avancé / Bluegrass and Country - Improvisation / Recueil / Violon