Douze Cahiers D'Etudes Revues, Annotées et Doigtées Par Mathieu Crickboom. Par CRICKBOOM MATHIEU. The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year's time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated./ Méthode / Violon

Without any doubt J.S. Bach?s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was ?nothing more accomplished in order to become a good violinist? than his father?s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach?s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument the violin.
The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach?s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries.
The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources.
Sonata 1 g-Moll, BWV 1001
Partita 1 h-Moll, BWV 1002
Sonata 2 a-Moll, BWV 1003
Partita 2 d-Moll, BWV 1004
Sonata 3 C-Dur, BWV 1005
Partita 3 E-dur, BWV 1006 / Partitions classique / Cordes / Violon / BARENREITER

Instrumental Play-Along-Hal Leonard Instrumental Play-Along: 12 Smash Hits is a sheet music/online audio pack jam packed with solo arrangements of 12 smash hits from recent artists such as Ed Sheeran Taylor Swift Bruno Mars and more. Read the music from the book and play along with the professionally recorded accompaniments to songs such as Skyfall Live While We\'re Young Some Nights and many others.

for Violin. Par . Les musiciens apprécieront cette fabuleuse collection de 101 chansons classiques apaisantes : Ave Maria, Op. 52, No. 6 - Bridge over Troubled Water - Come Away with Me - Desperado - Edelweiss - Faithfully - In Your Eyes - Misty - Nobody Does It Better - Yesterday - et plus encore. / Date parution : 2022-05-31/ Recueil / Violon

2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 2 part: 23 MINI-Canons – from the very start - 37 Canons – for the progressing demands This collection is particularly well-suited for the playing together ofpupil and teacher, but it also works well in group lessons. A collection of canons for the first learning steps on the instrument as well as for more advanced levels of learning. Through the universal versions for viola, cello and flute, different instruments can also play together. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Violon

Johann Sebastian Bach's Sonatas and Partitas for Violin Solo are among the most famous masterpieces of their kind. Unlike the closely related Suites for Violoncello Solo the Violin solos have survived in an autograph manuscript of the composer on the basis of which alone a largely reliable musical text is available. However this manuscript is a copy of previous draft copies or even further fair copies of the composer. Wiener Urtext Edition uses an early copyist's copy from Köthen as a secondary source which has not been valued very highly as a source until now. Despite its closeness to the extant autograph one cannot rule out thepossibility that this copy might be traced back to another original manuscript by Bach. At any rate some obvious mistakes of the extant fair copy can be clarified on the basis of its text; in addition it provides a number of articulations not indicated elsewhere (some even with alternatives) which are examples of how these works can be performed according to their time of origin. In the Notes of Interpretation Dagmar Glüxam explains the relationship between the musical-rhetorical contents of Bach's musical text and their adequate performance thus showing how absurd many a performance instruction of established interpretive editions is.

Livre 3 de cette méthode introduit en troisième position et de nouvelles tonalités majeures et mineures, en plus d'extensions quatrième doigt et la position de la moitié. Le travail en troisième position est lente et minutieuse il ya donc de nombreux exercices, avec l'abondance de solos et de duos mélodieuse. Ceux-ci devraient maintenir l'intérêt tout des difficultés techniques sont surmontées. / Violon / niveau : Intermédiaire / Partition

Description Eta Cohen 's world famous Violin method broke new ground when it was first released. Providing an incremental approach to learning the instrument, it only introducing one concept at a time and reinforced each new concept with an accompanying exercise and highly enjoyable pieces. The careful organisation of the method meant that it was a great equaliser because any child could make good progress almost irrespective of talent. It was also based upon the principal that playing well brings intense satisfaction, whereas playing badly only results in frustration. The Eta Cohen Violin Method has produced music professionals who, today, occupy many prominent positions in the music profession, including renowned soloists, chamber musicians, orchestral performers (including several orchestral leaders) and teachers. This sixth edition has been completely revised and updated to make Eta's method available to yet another generation of aspiring violinists. It includes a beautifully recorded CD containing demonstration tracks of all the pieces. Book 4 is suitable for students from grades 4-7 and includes studies and pieces introducing the 2nd, 4th and 5th positions as well as trills, double stopping, chords, spiccato and sautillé bowings. It's truly the Delia Smith of Violin methods... the much-imitated, indispensible original - James Murphy Director, Southbank Sinfonia

Orme Jeanine (Trans.). Par ORME JEANINE. Transcrites et édité par un des anciens élèves de Herman Johnson, cet ouvrage offre des solos de 39 dans le style inimitable de Johnson lisse, précis et novateur. Inspiré dans sa jeunesse par Bob Wills de la Texas Playboys, Johnson a appris les airs en écoutant la radio et les dossiers. A 16 ans, avec succès auditionné à jouer dans la bande de Willis, il était alors trop jeune pour rejoindre l'union de musiciens. Johnson poursuit une brillante carrière comme interprète et fiddler concours, remportant le Championnat National de tergiversation Weiser, l'Idaho cinq fois, le seul joueur à régner invaincu chaque année il ont participé au concours. Il a également remporté le championnat de grands maîtres à Nashville. Beaucoup de l'intermédiaire de sélections de niveau avancé dans cette collection ont été tirées de Johnson 1993 recording, tout simplement parfait. / Niveau : Intermédiaire / Old Time - Solos / Recueil / Violon

14 showstoppers for violin play-along performance-L?orchestre du cirque attaque la marche qui annonce l?apparition des artistes - le public attend impatiemment?Entre la marche d?ouverture et le finale grands et petits savourent un programme haut en couleurs : acrobates audacieux clowns comiques danseuses orientales jongleurs et charmeurs de serpents présentent tour à tour leur numéro.Circus Time existe également pour flûte clarinette et alto saxophone (dans la même tonalité). Ce choix offre de nombreuses options : les musiciens peuvent jouer tour à tour ou former un véritable orchestre de cirque ou même - avec des décors et des accessoires - monter une vraie représentation de cirque. Les possibilités sontillimitées !Le compact-disc ci-joint contient les versions intégrales des morceaux ainsi que les versions d?accompagnement. Les symboles d?accords (sons réels) figurant au-dessus de la portée facilitent l?accompagnement à la guitare et/ou au piano. Les parties d?accompagnement de piano optionel sont rassemblées dans un recueil vendu séparément (référence :DHP_x001F_1125344-401).Que le spectacle commence !

Instrumental Play-Along-14 holiday songs for solo instrumentalists in one accessible collection! The price of this book includes access to online audio demonstration and backing tracks that allow players to slow down the audio without changing pitch loop for challenging parts and more.Includes festive favourites such as Blue Christmas ? The Christmas Song (Chestnuts Roasting on an Open Fire) ? Christmas Time Is Here ? Feliz Navidad ? Happy Xmas (War Is Over) ? Have Yourself a Merry Little Christmas ? Here Comes Santa Claus ? Home for the Holidays ? It's Beginning to Look like Christmas and many more!

Par WHEELER CAROL ANN. As both a championship fiddler and superb teacher, Carol Ann Wheeler brings all her talents to bear in this fiddling book written especially for young children. Students raised in the Suzuki tradition will immediately take to the method, concepts, and techniques used in this book and play-along DVD. Common folk songs familiar to the student are used to demonstrate and teach the basic skill of oldtime fiddle playing. All melodies are first presented in their simplest form followed by more complex variations with introductions, ornaments, and endings. Students of all levels will find challenging material in this book. Younger students can proceed at their own pace, returning to the more difficult variations at a future time. On the DVD, each tune is recorded in split-track format, allowing the student to play with solo violin, guitar accompaniment or both. / Niveau : Débutant / All Styles - Methods / Méthode / Violon