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Henry
Violin and Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
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Henryk Wieniawski Repertoire
Violin and Piano
Schott
The Polish violin maestro, Henryk Wieniawski (1835-1880), wrote most of his work...
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The Polish violin maestro, Henryk Wieniawski (1835-1880), wrote most of his works for himself and performed them on his worldwide concert tours. This edition contains a selection of his most beautiful pieces. / Violon Et Piano
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Henryk Wieniawski: The Most Beautiful Wieniawski: Violin: Instrumental Work
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
The present collection contains some of the most brilliant and beautiful composi...
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The present collection contains some of the most brilliant and beautiful compositions for violin and piano by Henryk Wieniawski. It consist of the following works: ''Kujawiak a-moll'', ''Polonaise brillante D-dur'', ''Souvenir de Moscou'' as well as three caprices: ''Prélude'' from Op. 18, ''La Vélocité'' from Op. 10 and ''Le Chant du Bivouac'' from Op. 10.
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Henryk Wieniawski: Concerto No.2 in D minor Op.22: Violin: Instrumental Work
Violin and Piano
[Reduction]
Peters
Polish Violinist and composer Henryk Wieniawski's Concerto No.2 in D minor Op.2...
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Polish Violinist and composer Henryk Wieniawski's Concerto No.2 in D minor Op.22 for Violin and Piano accompaniment.
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Henryk Wieniawski: Polonaise Brillante Op. 21 No. 2: Violin: Instrumental Work
Violin and Piano
Schirmer
The 2nd Polonaise Brillante Op.21 is a virtuoso work for Violin and Piano by the...
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The 2nd Polonaise Brillante Op.21 is a virtuoso work for Violin and Piano by the great violinist Henryk Wieniawski; also a successful composer who succeeded in blending brilliant virtuosity with true Romantic inspiration. This is the Great Performers Edition of this work edited by another great violinist Nathan Milstein.
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Henryk Wieniawski: Polonaise Brillante No. 1 Op. 4: Violin and Accomp.:
Violin and Piano
Lauren Keiser Music Publishing
Polonaise de Concert-In 1848 the thirteen year old Henryk Wieniawski wrote the ...
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Polonaise de Concert-In 1848 the thirteen year old Henryk Wieniawski wrote the first sketches to his Polonaise in D major. The composition was published in Germany in 1853 as Polonaise de Concert in D major op. 4 for violin with piano or orchestra accompaniment. When the work was re-published in Paris (1858) the title changed to Polonaise Brilliante. Tremendously popular already during the composer's life time this work has been on the repertory of virtually every virtuoso violinist ever since. This new Critical Urtext Edition corrects obvious misprints while keeping the format of the 1853 first edition printing the textural changes on the Paris version as foot notes.
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Henryk Wieniawski: Scherzo-Tarantella g-moll op. 16: Violin: Score and Parts
Violin and Piano
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Intermediate/advanced
G. Henle
für Violine und Klavier-Henryk Wieniawski was not only one of the most importan...
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für Violine und Klavier-Henryk Wieniawski was not only one of the most important Violin virtuosos in the 19th century but also wrote tailor made show pieces for his instrument.Scherzo-Tarantella is as ifWieniawski could not decide whether to write a Classical subdued Scherzo or an unrestrained Italian Folk-dance. So he chose a double title and thus aptly captured the unique character of this captivatingpiece.
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Zakhar Bron Teaches Henri Wieniawski Concerto #2 D - Minor, Op. 22. 2 Dvd. Also Violin Part, Pianoscore, (WIENIAWSKI HENRYK)
Violin and Piano
[Sheet music + DVD]
AMA Verlag
Par WIENIAWSKI HENRYK. / Méthode / Violon et Piano
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4 Fables- 2. Le Baba Et La Patissiere (JOUBERT CLAUDE-HENRY)
Français
Violin and Piano
[Sheet music]
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Beginner
Lafitan, Pierre
Pièce originale pour violon avecaccompagnement de piano. Par JOUBERT CLAUDE-HEN...
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Pièce originale pour violon avecaccompagnement de piano. Par JOUBERT CLAUDE-HENRY. Cette pièce de Claude-Henry Joubert est la deuxième de la série 'Quatre fables pour violon avec accompagnement de piano'. / Niveau : Préparatoire / Répertoire / Violon et Piano
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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