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World
Violin and Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Favorite Christmas Carols for Classical Players: Violin and Accomp.:
Violin and Piano
[Sheet music + Audio access]
Hal Leonard
With online audio of piano accompaniments-Twenty favorite Christmas carols arran...
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With online audio of piano accompaniments-Twenty favorite Christmas carols arranged for solo instrumentalists with online accompaniments available for download or streaming. Songs: Angels We Have Heard on High - Away in a Manger - Coventry Carol - Deck the Hall - The First Noel - God Rest Ye Merry Gentlemen - Good Christian Men Rejoice - He Is Born - In the Bleak Midwinter - Infant Holy Infant Lowly - Joy to the World - Lo How a Rose E'er Blooming - O Come All Ye Faithful - O Come O Come Emmanuel - O Holy Night - Once in Royal David's City - Silent Night - Still Still Still - Sussex Carol - What Child Is This?
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James MacMillan: A Different World: Violin: Instrumental Work
Violin and Piano
Boosey and Hawkes
A Different World
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World Music- Scotland With Cd
Violin and Piano
[Sheet music + CD]
Universal Edition
World Music. Les éditions existantes pour solistes avec accompagnements sur CD,...
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World Music. Les éditions existantes pour solistes avec accompagnements sur CD, sont maintenant disponibles avec un accompagnement au piano alternative ajouté fournissant des pianistes et solistes avec la chance de jouer ensemble de ces pièces. Les CD a immédiatement leur musique traditionnelle vivante de partout dans le monde - dans toute sa diversité. Représentations complètes des pièces sont également fournies et seront une source d'inspiration à la fois des solistes et des pianistes.Joueurs de niveau intermédiaires./ Recueil / Violon et Accompagnement CD ou Piano
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Happy Birthday Variations (IGUDESMAN ALEKSEY)
Violin and Piano
Universal Edition
Par IGUDESMAN ALEKSEY. Aleksey Igudesman might reasonably be described as a mode...
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Par IGUDESMAN ALEKSEY. Aleksey Igudesman might reasonably be described as a modern day Victor Borge. With his cabaret partner, Hyung-ki Joo, he has toured concert halls all over the world, wringing all that is humorous out of classical music with just the basic tools of violin and piano. The “Happy Birthday Variations” for violin and piano are dedicated to his good friend, the late Sir Roger Moore and are typical of Igudesman’s brand of humour. They take the internationally known musical greeting on a world-wide tour, from a Viennese Waltz, through a Big Band number, a Bulgarian Vivace in 7/8, a Russian Presto, a Tango and an Alpine Air to conclude in a Paganini-esque finale that’s not quite as difficult as it looks. A great concert showpiece for intermediate students, not least if someone in the audience is celebrating a special day! Or, if the teacher prefers to play the violin, Igudesman’s “The Soloist’s Ultimate Happy Birthday” (UE37199) does a different but equally funny job for violin duet./ Recueil / Violon et Piano
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Soleil-Feu
Violin and Piano
Schott
This work is part of a cycle of five short pieces for a single instrument and pi...
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This work is part of a cycle of five short pieces for a single instrument and piano, focused on the five ages in the cosmogony of Ancient Mexican civilisation. The peoples of the Mexican highlands believe that time follows specific cycles and that the world was created following the pattern of 'trial and error'. The creation of the world is divided into several periods which are termed 'suns' (we are currently living in the fifth phase named 'Ollin'). Each period will be brought to an end through a natural catastrophe.Solei-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl).The element of fire is reflected in the musical soundscape of this work, constructed from rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space. An intimate dialogue develops between violin and piano on the basis of extremely simple figures. Interconnecting lines and dense musical material are thrown against each other in a play of contrasting registers and blended tonal colouring, creating a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pécou / Violon Et Piano
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Diverse: Celtic Play-Along Violin: Violin: Play-Along
Violin and Piano
[Sheet music + CD]
Universal Edition
Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und De...
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Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und Der Bretagne-Martin Tourish is an accordionist composer and musicologist from Co. Donegal now based in Dublin. Celtic music is in his blood for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. ?World Music Celtic? presents material from the Irish Scottish Welsh Cornish and Breton traditions. It makes no great technical demands on the players but Tourish points out that notation of this music is often ?skeletal? hence it is important to gain a knowledge of theindividual traditions in question and naturally he offers plenty of information on performance practice. The collection spans three centuries from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings festivals and the very communities whence this music comes. ?World Music Celtic? is available in four formats each with complete recordings and backing tracks on CD: as solo versions for violin flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C Bb or Eb) piano guitar bass and bodhrán.
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Fun-tasto: Reflection and Exhilaration
Violin and Piano
[Sheet music]
EMB (Edition Musica Budapest)
for violin and piano. Par THOMAS KORNEL. Kornel Thomas (*1986) studied compositi...
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for violin and piano. Par THOMAS KORNEL. Kornel Thomas (*1986) studied composition with László Draskóczy in Budapest, and conducting with Mark Stringer in Vienna. His works were awarded, among others, at the 2023 5th Zodiac International Music Competition, and the 2020 MUPA Composers Competition. As a conductor, he made his debut with the Hungarian State Opera in 2021. 2017-2020 he was assistant conductor of Savaria Symphony Orchestra. By incorporating a diverse range of musical genres, his aim is to connect with a wide spectrum of music enthusiasts. Many of his works delve into the intricate realm of mental health. Reflection and Exhilaration were awarded the second prize at the 2022 Béla Bartók World Competition and was chosen as obligatory piece of the 2023 Béla Bartók World Competition for violin. The two movements represent opposite moods, but they have in common the simplicity and effectiveness of the melodic invention, as well as the rhythmic sophistication, which also refers to the Bulgarian rhythms known from Bartók. / Date parution : 2023-07-31/ Répertoire / Violon et Piano
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Disney Songs for Solo Violin & Piano: Violin and Accomp.: Score and Parts
Violin and Piano
[Sheet music]
Hal Leonard
11 arrangements of Disney favorites for violin with piano accompaniment. Songs i...
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11 arrangements of Disney favorites for violin with piano accompaniment. Songs include: Baby Mine • Beauty and the Beast • Can You Feel the Love Tonight • Colors of the Wind • A Dream Is a Wish Your Heart Makes • God Help the Outcasts • Mary Poppins Fantasia medley • Once upon a Dream • Part of Your World • When You Wish upon a Star • A Whole New World. Includes separate violin part.
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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Dueling Carmens: Two Carmen Fantasies (SARASATE PABLO DE / HUBAY JENO)
Violin and Piano
[Sheet music]
Hal Leonard
by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. ...
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by Hubay and Sarasate for Violin and Piano. Par SARASATE PABLO DE / HUBAY JENO. Georges Bizet\'s opera Carmen had its first performance in Paris in 1875. In the audience was the 17-year-old Hungarian violin virtuoso and budding composer Jenö Hubay. After the performance Hubay started writing his Carmen Fantasy from memory. The following season for his debut recital in Paris, he included his newly created composition. It is a lyrical work of great beauty and brilliance. Hubay combined his career of a concertizing virtuoso, composer and violin pedagogue. At the Royal Conservatory in Brussels he became the successor of Vieuxtemps and Wieniawski. Later, Franz Liszt invited Hubay to lead the violin department in the newly created Budapest Music Academy. He created the world-renowned Hungarian school of violin playing. His student, Franz von Vecsey, recorded theCarmen Fantasy in 1904 at age 11! His other students included Joseph Szigeti, Zoltán Szekely, Sándor Végh, Endre Gertler, György Garay and many more. Hubay was a very active composer, creating over 120 works including operas, ballets, concertos, songs and instrumental compositions. Pablo de Sarasate wrote his Carmen Fantasy in 1882. It is a composition of drama and passion, written with his unparalleled brilliance for violin writing. This work has remained in the standard repertory, on programs of virtuoso soloists, as well as a required work for major competitions. / Date parution : 2021-12-09/ Recueil / Violon et Piano
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Claude Debussy: Oeuvres Pour Violon et Piano: Violin: Instrumental Album
Violin and Piano
Barenreiter
Claude Debussy had difficulties finishing his last major work the Sonata for Vi...
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Claude Debussy had difficulties finishing his last major work the Sonata for Violin and Piano. This can be seen in the many drafts which have been handed down and the fact that the cycle for which it was conceived was left unfinished. The work originated under the impact of Debussy’s progressing illness as well as the First World War.The first edition published during the final year of Debussy’s life contains many rhythmic errors. The non-autograph metronome marks as well as the discrepancies between the separate violin part and the violin part in small print in the piano score are two problems that have affected the work’s later reception.Both are examined here in a fresh light.In addition to the Sonata this edition contains arrangements of La fille aux cheveux de lin and Il pleure dans mon coeur by the American violinist Arthur Hartmann. It was Hartmann who inspired Debussy to make an arrangement of his well-known piano piece Minstrels also included in our edition.- Debussy’s complete works for violin and piano- With arrangements by Debussy’s acquaintance Hartmann- Informative Foreword (Eng/Fr/Ger)- Critical Commentary (Eng)
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Charles Auguste de Bériot: Scène de Ballet op. 100: Violin: Instrumental Work
Violin and Piano
Barenreiter
Arranged for Violin and Piano-The Belgian Charles Auguste de Bériot (1802-1870)...
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Arranged for Violin and Piano-The Belgian Charles Auguste de Bériot (1802-1870) was not only a violinist but also a teacher and composer. Scène de Ballet perhaps his best-known composition is a favourite with Violin students. One such student was the young Itzhak Perlman who included it in his collection Concertos from my Childhood. The piece captivates with its beautiful melodies and refined rhythms. The EditorKurt Sassmannshaus is a world-famous Violin teacher with a professorship in Cincinnati (Ohio USA). He is also the founder of the Great Wall Music Academy an international summer camp for young string players in China. Hecontinues the family tradition of Early Start on the Violin founded by his father Egon Sassmannshaus and published by Bärenreiter with editions in German and English. The series Bärenreiter's Concert Pieces includes works for solo strings usually the Violin but also Viola and Cello all with Piano accompaniment.
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Charles Auguste de Bériot: Violin Concerto No. 9 in A minor op. 104: Violin:
Violin and Piano
Barenreiter
Arranged for Violin and Piano-The Belgian Charles Auguste de Bériot (1802-1870)...
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Arranged for Violin and Piano-The Belgian Charles Auguste de Bériot (1802-1870) was not only a violinist but also a teacher and composer.Bériot composed a number of concertos. His Concerto No.9 In A Minor published in 1859 is a favourite with more advanced students. Julia Fischer played it with verve at the early age of eight. The piece stands out with seemingly virtuosic short passages varied rhythms and a slight Hungarian touch.The EditorKurt Sassmannshaus is a world-famous Violin teacher with a professorship in Cincinnati (Ohio USA). He is also the founder of the Great Wall Music Academy an international summer camp for youngstring players in China. He continues the family tradition of Early Start on the Violin founded by his father Egon Sassmannshaus and published by Bärenreiter with editions in German and English.The series Bärenreiter's Concert Pieces includes works for solo strings usually the Violin but also Viola and Cello all with Piano accompaniment.
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Giacomo Puccini: Nessun Dorma: Violin: Instrumental Album
Violin and Piano
-
Easy
Nova Music
World Cup Theme-Known to many as the 'World Cup 1990 Theme' and made famous by P...
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World Cup Theme-Known to many as the 'World Cup 1990 Theme' and made famous by Pavarotti. This arrangement for Violin and Piano by Duncan Reid Suitable for players at Grade: 2-3.
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In My Garden 1 (IGUDESMAN ALEKSEY)
Violin and Piano
Universal Edition
Take A Walk Through Aleksey Igudesman'S Imaginary Garden!. Par IGUDESMAN ALEKSEY...
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Take A Walk Through Aleksey Igudesman'S Imaginary Garden!. Par IGUDESMAN ALEKSEY. Aleksey Igudesman might reasonably be described as a modern day Victor Borge. With his cabaret partner, Hyung-ki Joo, he has toured concert halls all over the world, wringing all that is humorous out of classical music with just the basic tools of violin and piano. 'In my Garden 1” shows Igudesman in another light, that of a violin teacher, providing excellent material for younger violin students. Each piece depicts a fruit or vegetable to be found growing in the garden and includes a short poem (in English, French and German) and pictures to inspire the pupil and help them to interpret the music. But these are not just fun to play - they conceal useful study material to improve technique like staccato or lyrical smooth bowing. Clever use of double stops (one note always an open string) will help the student make a more rewarding sound and inspire confidence. Grade 1 students can enjoy some of the pieces and still be dipping into it a year or two later. A piano part is included to make these pieces ideal for an end-of-term concert and, for more ideas, Igudesman has also depicted animals in similar fashion in his two volumes 'In the Zoo”./ Recueil / Violon et Piano
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Bohuslav Martinu: Concerto for Violin and Orchestra no. 1 H 226: Violin:
Violin and Piano
Barenreiter
Bohuslav Martinu wrote his first Violin Concerto in Paris in 1932 33 this work ...
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Bohuslav Martinu wrote his first Violin Concerto in Paris in 1932 33 this work having been commissioned by the Violin virtuoso Samuel Dushkin. However it was never performed during the composer?s lifetime and was even considered lost after his death. It was not until 1961 that musicologist and collector Hans Moldenhauer bought it from Boaz Piller contrabassoonist of the Boston Symphony Orchestra. Moldenhauer approached Czech violinist Josef Suk who gave the world premiere of the work with the Chicago Symphony Orchestra under Georg Solti in October 1973.This Piano reduction is based on the musical text of the first edition. The solo parthas been revised by a leading Czech violinist and performer of Martinu?s music.Major Violin concerto of the 20th centuryNew Foreword by Martinu scholar Sandra Bergmannová (Cz/Eng/Ger)Performance material available for hireFull score available for sale (H5798)
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The Concertmaster (TCHAIKOVSKI PIOTR ILITCH)
Violin and Piano
[Sheet music]
Faber Music Limited
Par TCHAIKOVSKI PIOTR ILITCH. Some of the world's greatest violin solos are to b...
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Par TCHAIKOVSKI PIOTR ILITCH. Some of the world's greatest violin solos are to be found within the orchestral repertoire. The Concertmaster aims to make these solos readily accessible for the first time, both for study by the aspiring orchestral leader, and as a piano reduction, while the separate violin part contains helpful hints on bowing and fingering. The Concertmaster will prove an indispensable addition to the library of the more advanced violin student or young professional. Volume I contains all the famous solos from Tchaikovsky's orchestral music, including four major extracts from Swan Lake, two from The Sleeping Beauty, and one each from the orchestral Suites No.3 in G and No.4 ('Mozartiana')./ Répertoire / Violon et Piano
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Alfred Mistowski: Hornpipe for Violin And Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
Alfred Mistowski was a pianist Violinist violist and composer who as a former ...
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Alfred Mistowski was a pianist Violinist violist and composer who as a former student of Trinity College of Music in London became after studying at Oxford a professor at Trinity who appears to have been a champion of theTrinity Examination system. Mistowski composed many dramatic cantatas String quartets symphonies and concertos as well as a series of pieces to prepare Violin students for their exams. He travelled the world as a Trinityexaminer covering India South Africa Tasmania New Zealand Singapore and the Straits Islands. In addition he was music tutor to the Maharaja of Mysore and conductor of the Mysore Palace Orchestra. Perhaps his many seajourneys inspired this sprightly Hornpipe for Violin and Piano a perennial of the Trinity exam list.
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Fantasies From Opera For Violin And Piano: Violin: Instrumental Album
Violin and Piano
[Sheet music]
Dover Publications
Carmen Faust The Magic Flute And Otello-This single-volume compilation feature...
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Carmen Faust The Magic Flute And Otello-This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of aseparate Violin part:Carmen Fantasy from the Opera by Georges Bizet Op. 25 transcribed by Jenö Hubay.Fantasia on Themes from Gounod's Faust Op. 20 transcribed by Henri Wieniawski.Fantasie fromMozart's The Magic Flute Op. 54 transcribed by Pablo Sarasate.Fantasie Brillante on the March and the Romance from Rossini's Otello Op. 11 by Heinrich Wilhelm Ernst.This collection is ideal forpractice performance teaching and independent study by students professional performers and amateur ensembles.
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Max Bruch: Concert g-moll Opus 26: Violin: Instrumental Work
Violin and Piano
G. Henle
It made its creator world-famous and added a towering masterpiece to the standar...
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It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch’s First Violin Concerto In G Minor. Now it’s appearing at last in an urtext edition from Henle.Bruch himself was not always overjoyed at his work’s popularity: 'I can’t listen to this concerto anymore ' he once complained to his publisher Simrock 'do you suppose I’ve only written one concerto?' By now theBruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part but a preface that alone is worth the price of the volume: who could haveguessed that the concerto went through a convoluted genesis with multi-layered revisions and that some of the changes go back to the famous violinist Joseph Joachim?
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P. Waterfield: Gypsy Jazz (Intermediate): Violin: Instrumental Album
Violin and Piano
[Sheet music]
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Intermediate
Faber Music Limited
Gypsy Jazz sets off on an exotic tour of folk culture concentrating on Eastern ...
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Gypsy Jazz sets off on an exotic tour of folk culture concentrating on Eastern Europe. Adventurous violinists will travel as far afield as Hungary Turkey Russia and Romania and bring back an interesting and exciting bag of musical souvenirs. For the developing violinist this music opens up a world of contrast and colour shade and style. These pieces with their flavour of gypsy/folk and cafe music call for a flamboyant heart-on-sleeve style of playing.Gypsy Jazz Intermediate Level is a fantastic book introducing styles from across Europe with pieces for Violin with Piano Accompaniment which have been selected edited and arranged byPolly Waterfield and Timothy Kraemer. With accessible piano accompaniments the seven contrasting pieces in this book are a must for all violinists.The solo violin part is also included on a separate insert.
8.99 GBP - Sold by Musicroom UK
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FANTASIES FROM OPERA FOR VIOLIN AND PIANO
Violin and Piano
[Sheet music]
Dover Publications
Par . This single-volume compilation features four popular opera fantasies arran...
(+)
Par . This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate Violin part: Carmen Fantasy from the Opera by Georges Bizet, Op. 25, transcribed by Jenö Hubay. Fantasia on Themes from Gounod's Faust, Op. 20, transcribed by Henri Wieniawski. Fantasie from Mozart's The Magic Flute, Op. 54, transcribed by Pablo Sarasate. Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst. This collection is ideal for practice, performance, teaching, and independent study bystudents, professional performers, and amateur ensembles. / Date parution : 2023-03-15/ Recueil / Violon et Piano
18.29 EUR - Sold by LMI-partitions
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