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harpsichord.
Violin and Piano
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Bach J.s. - Concerto In G Minor Bwv 1056 - Violon and Piano
Violin and Piano
Barenreiter
Bach, Johann Sebastian Concerto for Violin, Strings and Basso Continuo G minor R...
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Bach, Johann Sebastian Concerto for Violin, Strings and Basso Continuo G minor Reconstructed from BWV 1056 - Reconstructed from the Urtext of the ?New Bach Edition? - Meticulous analysis and evaluation of the sources - Interpretative leeway for keyboard players This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach?s arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056). The reconstruction is based on a meticulous evaluation of those autograph harpsichord concertos that also survive in an original version for violin. In particular, the autograph harpsichord parts contain changes that Bach made when preparing his arrangements, thereby revealing the manner in which he transcribed his solo violin works for the harpsichord. The keyboard realization is presented in a transparent way allowing players the possibility to embellish and fill in the harmonies at their discretion.
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Concerto For Violin, Strings And Basso Continuo G Minor (BACH JOHANN SEBASTIAN)
Violin and Piano
[Sheet music]
Barenreiter
Reconstructed from BWV 1056. Par BACH JOHANN SEBASTIAN. This violin concerto in ...
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Reconstructed from BWV 1056. Par BACH JOHANN SEBASTIAN. This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach's arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056). The reconstruction is based on a meticulous evaluation of those autograph harpsichord concertos that also survive in an original version for violin. In particular, the autograph harpsichord parts contain changes that Bach made when preparing his arrangements, thereby revealing the manner in which he transcribed his solo violin works for the harpsichord. The keyboard realization is presented in a transparent way allowing players the possibility to embellish and fill in the harmonies at their discretion./ Répertoire / Violon et Piano
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Sonatas Band 1 Und 2
Violin and Piano
Wiener Urtext
Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade h...
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Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for harpsichord (piano) obbligato and violin. Vol. 1 contains not only the sonatas Wq 71-74 and BWV 1036 but also the arrangements of the trios Wq 143-145 for violin and harpsichord, most of which are included in C. P. E. Bach's autographs, as well as a - previously ignored - early version of Wq 71 which, like BWV 1036, grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert, together with Joseph Hellmesberger, but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works, C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin]. / Violon Et Piano
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Johann Sebastian Bach: Sonatas for Violin and Piano: Violin: Instrumental Album
Violin and Piano
G. Henle
Sonatas for Violin and Piano (Harpsichord) 1-3-Lorsqu?il était maître de chape...
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Sonatas for Violin and Piano (Harpsichord) 1-3-Lorsqu?il était maître de chapelle à Koethen Jean-Sébastien Bach se consacra principalement à la musique instrumentale. C?est là que virent notamment le jour les sonates parvenues à la postérité sous la forme du cycle pour violon et clavecin obligé BWV 1014?1019. Le violoniste et le claveciniste/pianiste y sont sollicités autant l?un que l?autre. En effet à l?instar des sonates pour flûte et viole de gambe de Bach celles-ci constituent les fondements de la sonate en duo au sens moderne. La pure fonction d?accompagnement de la basse continue laisse place à une partie de clavier autonome conférant à chaque sonate un caractère individuel. L?édition se fonde principalement sur lescopies réalisées par Altnickol gendre de Bach ainsi que sur d?autres sources. Cette précieuse édition urtext est également complétée de notes critiques supplémentaires.
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Johann Sebastian Bach: Six Sonatas for Violin and Piano: Violin: Instrumental
Violin and Piano
G. Henle
6 Sonatas for Violin and Piano (Harpsichord)-Les six sonates pour violon de Bach...
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6 Sonatas for Violin and Piano (Harpsichord)-Les six sonates pour violon de Bach virent le jour vraisemblablement entre 1717 et 1723 alors qu?il était maître de chapelle à la cour de Köthen. Ne se contentant manifestement plus d?accompagner la partie soliste d?une partie de basse continue Bach écrivit entièrement la partie de clavecin sur le modèle de la sonate en trio baroque. Ce faisant il traçait le chemin menant à la sonate en duo selon la conception moderne. Il fallut attendre 50 ans après la mort du compositeur avant que ces sonates paraissent en version imprimée. La transmission des différentes sonates peut parfois s?avérer problématique à cause du manque de documents autographes parvenus à la postérité. Certainessont parfois disponibles dans plusieurs versions. Celles-ci sont reproduites en annexe du présent volume de l?édition Urtext.
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Johann Sebastian Bach: Sonatas no. 4 - 6 for Violin and Piano: Violin:
Violin and Piano
G. Henle
Sonatas for Violin and Piano (Harpsichord) 4-6-Lorsqu?il était maître de chape...
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Sonatas for Violin and Piano (Harpsichord) 4-6-Lorsqu?il était maître de chapelle à Koethen Jean-Sébastien Bach se consacra principalement à la musique instrumentale. C?est là que virent notamment le jour les sonates parvenues à la postérité sous la forme du cycle pour violon et clavecin obligé BWV 1014?1019. Le violoniste et le claveciniste/pianiste y sont sollicités autant l?un que l?autre. En effet à l?instar des sonates pour flûte et viole de gambe de Bach celles-ci constituent les fondements de la sonate en duo au sens moderne. La pure fonction d?accompagnement de la basse continue laisse place à une partie de clavier autonome conférant à chaque sonate un caractère individuel. Cette édition se fonde principalement surles copies réalisées par Altnickol gendre de Bach. Il existe de nombreuses versions de la sonate en sol majeur BWV 1019 comportant chacune des mouvements différents. C?est pourquoi deux versions antérieures de la sonate sont publiées en annexe augmentant ainsi la valeur de cette édition urtext en particulier pour les passionnés de Bach.
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Michael Nyman: On The Fiddle For Violin And Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
On The Fiddle consists of three pieces derived from scores to three Peter Greena...
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On The Fiddle consists of three pieces derived from scores to three Peter Greenaway films. The first piece Full Fathom Five is a version of the Shakespeare song setting made for Prospero's Books (1990). The second 'AngelfishDecay' is an arrangement of an arrangement: the music for the speeded up time lapse decaying animal sequences in A Zed And Two Noughts (1985) was written for two violins and a harpsichord. This was subsequently 'reduced' to aviolin solo for Zoo Caprices (1986). For 'On The Fiddle' a piano part has been added. The final piece 'Miserere Paraphrase' was written for use in The Cook The Thief His Wife And Her Lover (1989) and is a transcription ofNyman's setting of the 'Miserere' text (Psalm 51) sung in the film by a boy soprano and mixed chorus. First performed on 27 August 1993. Duration c.15 mins. Score and part included.
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Georg Philipp Telemann: 6 Sonatinas: Violin: Score and Parts
Violin and Piano
[Score and Parts]
Peters
Georg Philipp Telemann's 6 Sonatinas for Violin and Harpsichord (Piano) Violonc...
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Georg Philipp Telemann's 6 Sonatinas for Violin and Harpsichord (Piano) Violoncello ad lib.
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Arcangelo Corelli: Sonaten(12) 2 Opus 5: Violin: Instrumental Album
Violin and Piano
Schott
New edition after the Urtext op. 5. Violin and harpsichord (piano); cello (viol...
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New edition after the Urtext op. 5. Violin and harpsichord (piano); cello (viola da gamba) ad lib. Sonatas 7-12
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Johann Pachelbel: Canon D: Violin: Instrumental Work
Violin and Piano
Peters
While Pachelbel has been most admired as a composer of organ works and Lutheran ...
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While Pachelbel has been most admired as a composer of organ works and Lutheran church music his Canon in D has long been one of his most celebrated compositions. It combines two time-honored compositional devices. The first of these is of course the canon a procedure whereby a melody in one part is strictly imitated by one or more other parts; a round (such as for example Frère Jacques) is a type of canon. The second device involves a short bass line (refeered to as a ground bass) that is repeated constandly over which the composer writes continuous variations. In its original form the work consists of an initial statement of an eight note ground bass followed by27 variations in strict canonic style for three violins above that bass. In addition to these four essential parts an appropriate harmonic background would have been improvised on harpsichord lute or organ. In the present arrangement Pachelbel's note values have been doubled for greater ease of reading and the work's canonic structure has been somewhat modified in order to make it more readily playable by violinists and pianists at an intermediate level. Since dynamics bowing indications articulations and slurs were not customarily provided by composer of the Baroque era the arranger and the editor have added them here as well as a metronome indication and a few cadential trills. Obviously these editorial additions should be regarded only as suggestions.
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Alfred Schnittke: Suite Im Alten Stil: Violin
Violin and Piano
[Score and Parts]
Sikorski
Violin Harpsichord. Schnittke A
17.99 GBP - Sold by Musicroom UK
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Arcangelo Corelli: 12 Sonatas Opus 5 Book 1: Violin: Instrumental Album
Violin and Piano
Schott
Book 1 containing Sonatas 1-6 of this 12-piece collection arranged for Violin ...
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Book 1 containing Sonatas 1-6 of this 12-piece collection arranged for Violin and Piano/Harpsicord by Gunter Kehr. Cello ad lib part also included.
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Easy Pieces (PURCELL HENRY)
Violin and Piano
[Sheet music]
-
Easy
Universal Edition
Arrangeur: István Nagy. Par PURCELL HENRY. / Niveau : Facile / Répertoire / ...
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Arrangeur: István Nagy. Par PURCELL HENRY. / Niveau : Facile / Répertoire / Violon et Piano
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