SKU: HL.978471
ISBN 9781638875994. UPC: 196288090915. 9.0x12.0x0.194 inches.
When the great Belgian violin virtuoso Eugene Ysaye tried to commission a violin concerto, Chausson declined and suggested a one movement work, Poeme, Op 25. (1896). The premiere took place at the Conservatoire of Nancy in 1896 with Ysaye as soloist. The first Paris performance (1897) was a huge success for the composer who was yet relatively unknown. Chausson wrote three versions of the Poeme: with orchestra, with piano accompaniment, and a version with piano and string quartet, the same setting as his Concerto in D for piano, violin, and string quartet, Op. 21 (1892). The violin parts are identical in all three versions. Ysaye's helping hand in writing a most violinistic solo part is noticeable throughout the composition.
SKU: FG.55011-723-5
ISBN 9790550117235.
Robert Kajanus (1856-1933) was a highly influential Finnish conductor and composer. He studied in Helsinki and Germany, established the Helsinki Orchestra Society (later Helsinki Philharmonic) and its orchestra school, and was the orchestra's chief conductor for over 50 years. Kajanus is often regarded only as a conductor, but he was indeed a skilled composer whose music is largely unknown. This Urtext volume, edited by Sebastian Silen, contains all of Kajanus's works for violin -- his own instrument. Contents: Nocturne, Menuet ancien, Spiccato, Ronde courante, Air elegiaque, Berceuse (Huutolaistyton kehtolaulu).
SKU: HL.49019230
ISBN 9790001181792. UPC: 884088907365. 9.0x12.0x0.106 inches.
These two movements were originally intended for Kleine Suite for violin and piano (ED 7564), but were exchanged for the 'official' second movement published in the suite. Over the course of the reviewing of Zimmermann's early work, many surprising things have come to light again. These two alternative movements are not difficult to play, can be used for many different purposes and expand the repertoire by two unknown pieces by Zimmermann.
SKU: CF.MXE71
ISBN 9781491144749. UPC: 680160902248. 9 x 12 inches.
The day that Australian and New Zealand forces joined the Allies for an invasion of the Gallipoli Peninsula of Turkey in World War I, with disastrous consequences, is celebrated in Australia as Anzac Day (Australian and New Zealand Army Corps). To honor this special day, Bresnick takes inspiration from two selected poems by Bertolt Brecht (And I Always Thought and Legend of the Unknown Soldier Beneath the Triumphal Arch). Commissioned to commemorate Australia’s Anzac Day, similar to Memorial Day, and inspired by two Brecht poems…The somber opening violin and clarinet lines unfolded to haunting effect before eventually reaching a fervent climax. --Vivien Schweitzer, The New York Times.
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