Transcription For Violin And Piano, Based On The Critical. Par VIVALDI ANTONIO. Antonio Vivaldi's The Four Seasons has become one of the most celebrated orchestral works of all time, evocative, reflective and symbolic. The second stage, L'Estate (or Summer ) is a glorious depiction of summer months, the burning sun and colourful animals. This edition has been arranged for Violin and Piano by Maurizio Carnelli./ Répertoire / Violon et Piano

Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Prendre la graisse de plomb ' contient tous les plus grands succès de cette comédie musicale populaire, y compris ' Summer Nights ', ' We Go Together ' et ' You're celui que je veux '. Les étudiants ont le choix de jouer avec CD, Piano ou guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale pour les groupes scolaires et les petits ensembles. Utilisé comme un livre solo ces arrangements idiomatiques vont renforcer la confiance des joueurs et descendre une tempête en concert. / Niveau : Intermédiaire / Date parution : 2005-05-27/ Recueil / Violon et Piano

Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms conceived an alternate version of the works for viola from the beginning and already before the publication of these two versions he intended to do another one for violin, a version which was to require changes and was to result in an independent edition. While the clarinet and viola versions have developed a rich performance tradition, the violin version is almost unknown. Yet for the violin version the composer revised the original clarinet part much more extensively than he did for the viola version and also rewrote the piano part to achieve a thoroughly convincing violin and piano idiom. This Bärenreiter edition aims to bring the neglected violin sonatas op. 120 back into players' hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Violon Et Piano

Arrangeur: Rachel Jennings. Par JENNINGS RACHEL. Red Hot Violin and nbsp - is an exciting new series of graded performance repertoire with a difference, featuring sizzling arrangements of contemporary show-stoppers for intermediate violin with piano. With pieces in a wide variety of styles, violinists of all ages will enjoy showing off these sparkling takes on popular favourites. They're perfect for inspiring students as a refreshing change from exam repertoire, and would go down a storm at any concert or recital. Arranger and composer Rachel Jennings has been playing the violin since the age of six, studying with Susan Sheppard and Jean Harvey and theory with Jonathan Rathbone. She runs a private teaching studio in Nottingham. The A Team - Canarios - Cotton-Eyed Joe - Dream A Little Dream Of Me - I Wanna Be Like You - If Only I Had and nbsp - A Brain - One Day Like This - Sleigh Ride - Summer Nights. / Niveau : Intermédiaire / Recueil / Violon

Op. 82. Par ELGAR EDWARD. Edward Elgar spent the summer of 1918 in the countryside. In August he received reports of the approaching end of the First World War, and this good news so inspired him that he was able to finish an initial draft of his great Violin Sonata in barely four weeks. Writing about it in his diary, he notated laconically: “Wrote some music”. His wife Alice was more enthusiastic: “E. writing wonderful new music, different from anything else of his”. This magnificent music is now available in a Henle Urtext edition by the British violinist and Elgar expert Rupert Marshall-Luck. He has examined and evaluated the many sources according to all the rules of Urtext editing –the sketches, drafts, autograph fair copies, proofs and first edition. / Marshall-Luck, Rupert / Répertoire / Violon et Piano

Description Nigel Kennedy. Seven of the most popular movements from The Four Seasons , selected and arranged for violin and piano by Jerry Lanning. Songlist [Unknown] Concerto No.1 Spring (La Primavera) Concerto No.2 Summer (L'estate) Concerto No.3 Autumn (L'autunno) Concerto No.4 Winter (L'inverno) I. Adagio I. Allegro Ii. Largo Iii. Allegro Iii. Allegro Danza Pastorale