Arranged for Violin and Piano-The Belgian Charles Auguste de Bériot (1802-1870) was not only a violinist but also a teacher and composer.Bériot composed a number of concertos. His Concerto No.9 In A Minor published in 1859 is a favourite with more advanced students. Julia Fischer played it with verve at the early age of eight. The piece stands out with seemingly virtuosic short passages varied rhythms and a slight Hungarian touch.The EditorKurt Sassmannshaus is a world-famous Violin teacher with a professorship in Cincinnati (Ohio USA). He is also the founder of the Great Wall Music Academy an international summer camp for youngstring players in China. He continues the family tradition of Early Start on the Violin founded by his father Egon Sassmannshaus and published by Bärenreiter with editions in German and English.The series Bärenreiter's Concert Pieces includes works for solo strings usually the Violin but also Viola and Cello all with Piano accompaniment.

The name Oskar Rieding may seldom appear in concert programmes but for students of the violin it is all the more familiar. To this day his short concert pieces for violin and piano written at the start of the twentieth century especially for beginners on the instrument have maintained their place in lessons and class recitals. Restricted to the first position the b-minor Concerto op. 35 is ideal for beginners. For this Urtext edition based on the first printing editor Annette Oppermann received talented support the Slovenian Rieding specialist Maruša Zupan i contributes an interesting preface on the little-known composer.The name Oskar Rieding may seldom appear in concert programmes but for students of the violin it is all the more familiar. To this day his short concert pieces for violin and piano written at the start of the twentieth century especially for beginners on the instrument have maintained their place in lessons and class recitals. Restricted to the first position the b-minor Concerto op. 35 is ideal for beginners. For this Urtext edition based on the first printing editor Annette Oppermann received talented support the Slovenian Rieding specialist Maruša Zupan i contributes an interesting preface on the little-known composer.

for Violin and Piano-F. Schubert: Rondo For Violin And Piano B Minor Op. 70 D 895.The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert's music.

Sonata In B Flat edited for Violin and Piano by Rafael Druian and Rudolf Firkusny.

Belgian Violinist and Composer Charles Auguste de Bériot's Scène de Ballet Op.100 for Violin and Piano accompaniment.

Beethoven's Symphony No. 4 In B Flat Op. 60 was composed in 1806 a very productive year for the composer during which he wrote numerous other great works such as the 4th Piano Concerto and theViolin Concerto. Today this work is unjustly overshadowed by its famous neighbours the ?Eroica? and the 5th Symphony although it was one of Beethoven?s best-loved and most often performed works throughout the19th century. The Henle Urtext edition features a preface by the editor Bathia Churgin. This edition is based on the musical text of the Beethoven Complete Edition and continues the series of study editions ofBeethoven symphonies in a convenient format.

La référence R6233 2 de l'éditeur Billaudot dont l'auteur célèbre est Kreutzer Rodolphe, qui a pour titre 2E SONATE B, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition

Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition 6 SONATE PER VL. E B.C. OP.V vous retrouverez tout le talent de ce compositeur. Ecrite pour Violon et plus précisément pour Violon Et Piano cette partition a été éditée par les éditions Ricordi sous le numéro NR13501500. / Violon Et Piano / Partition

Contemporary works for violin and piano. Par . Fennica Gehrman the music publisher pays tribute to its composers with this 20th-anniversary collection of commissions for violin and piano. Stringendo - Contemporary works for violin and piano (2022) is a collection of ten pieces, which vary greatly as regards their genesis. That by Harri Wessman is playful and exhilarating; Mikko Heiniö wrote his on Women's Day, while the duets by Kalevi Aho and Matthew Whittall are tributes to the late Jaakko Kuusisto. Einojuhani Rautavaara is also represented, in an arrangement for violin and piano of his plaintive, melodic Sydämeni laulu (The Song of my Heart). The title of Lotta Wennäkoski's work, Vestige, is a fitting symbol for the whole collection. Short introductions to the pieces by their composers are included in the collection in English, Finnish, and Swedish. Contents Kalevi Aho (b. 1949): Le Tombeau de J. K. Einojuhani Rautavaara (1928-2016): Sydämeni laulu - Song of my heart Mikko Heiniö (b.1948): Naisten päivä - Women's Day Jyrki Linjama (b. 1962): De Profundis I Lotta Wennäkoski (b. 1970): Vestige Matthew Whittall (b.1975): Waiting to hear Olli Kortekangas (b. 1955): Capriccietto Harri Wessman (b.1949): Giocoso Veli-Matti Puumala (b. 1965): Édera IV Kimmo Hakola (b.1958): A Double Jubilee / Date parution : 2022-12-12/ Répertoire / Violon et Piano

Bériot's Concert No. 9 for Violin and Piano-Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from B?riot''s Concerto No. 9 is clearly printed with a helpful key of unusual techniques. Charles Auguste de B?riot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the Violin which remain popular in the advanced violinist''s repertoire as well as many study books for the instrument. The Violin solo line of Concerto No. 9 makes use of extended techniques including harmonics bow techniques articulations and handpositions. Catherine''s series First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin preparing advanced violinists for the major concertos.

Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da Costa with an Urtext solo part as well as a second part with performance markings.Johannes Brahms The Works for one Instrument and Piano:Johannes Brahms? compositions for one instrument and Piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual playerswho first performed these compositions including Brahms himself.The New Urtext Editions:Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offer today?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis publication history and reception of the works. At the same time there is a complete list of the sources an explanation of the editorial procedures and a Critical Commentary. Also each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter?s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms? own Piano playing as well as that of his circle and contemporaries are discussed.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an