30 intermediate recital pieces for violin and piano. Par . Following the successful first volume, Piccolo Paganini Vol. 2 contains 30 original intermediate-level pieces for violin and piano. Violin experts Christiane Schmidt and Gudrun Jeggle focus on musically sophisticated and rarely-heard concert pieces by composers ranging from Handel and Elgar to Pauline Viardot García and Grazyna Bacewicz. This appealing and attractive repertoire will help every little Paganini shine ? a real treasure trove for teaching, performance, and competitions. 30 intermediate-level compositions for violin and piano (mainly 1st and 3rd positions, but going up to 5th position) Appealing and musically rewarding repertoire pieces Ideal for developing fluency, bowing technique and basic double-stop playing With performance notes and short biographies For teaching, performance, and competitions / Date parution : 2023-06-01/ Recueil / Violon et Piano

Edward Elgar's Chanson De Matin Op.15 #2 and Chanson De Nuit Op.15 #1 are two of his most popular works, and arranged here for Violin with Piano accompaniment. The solo Violin part is also included on a separate insert. / Violon Et Piano

In the earlier part of Elgar's career as a composer he wrote several short pieces which became very popular. Chanson de Nuit and Chanson de Matin both carried his name far and wide before he composed his larger orchestral works. These two pieces which together complete Op.15 were published in several versions at once: for string orchestra for small orchestra for violin and piano and so on - so it is almost impossible to say with any degree of certainty which was the original version. However Elgar himself was a good violinist and so it may well be that he would have played this tune through to himself on the violin before adding a piano part andsending it off to his publishers for their consideration. In any event it remains a beautiful theme of considerable character and style.This Urtext edition provides you with an accurate representation of the composer’s original intentions and thoroughly detailed editorial marking and suggestions with commentary as edited by Donald Burrows.This is the version for Solo Violin with Piano Accompaniment. The solo violin part is also included on a separate insert.

Op. 82-Edward Elgar spent the summer of 1918 in the countryside. In August he received reports of the approaching end of the First World War and this good news so inspired him that he was able to finish an initial draft of his great Violin Sonata in barely four weeks. Writing about it in his diary he notated laconically: ?Wrote some music?. His wife Alice was more enthusiastic: ?E. writing wonderful new music different from anything else of his?. This magnificent music is now available in a Henle Urtext edition by the British violinist and Elgar expert Rupert Marshall-Luck. He has examined and evaluated the many sources according to all the rules of Urtext editing the sketches drafts autograph fair copies proofs and first edition.

Composed in 1914 for Violin and Piano Carissima represents a lighter and more pastoral side of Elgar's prolific output and is a heartwarming work for the accomplished Violinist.

Edward Elgar komponierte den Liebesgruß 1888 als kleine Gegengabe für ein selbstverfasstes Gedicht mit dem ihn seine zukünftige Frau zuvor überrascht hatte. Die entzückende Melodie mag sie wohl in ihrer Liebe bestärkt haben denn wenig später hielt Elgar in seinem Tagebuch fest: Verlobung mit der liebsten A. Zahlreiche Bearbeitungen dokumentieren die Beliebtheit des Salonstücks.

Große Erfolge Instrument : violin and piano Nombre de Pages : 80 Content : I. Albéniz: Tango in D - O. de la Cinna: Spanische Serenade - E. Elgar: Salut d'amour - P. Fahrbach: Im Kahlenberger Dörfel - E. Grieg: Solvejgs Lied aus Peer Gynt - E. Humperdinck: Abendsegen aus Hänsel und Gretel - K. Komzák: Volkslied und Märchen - K. Noack: Heinzelmännchens Wachtparade - J. Offenbach: Ausgelassne Fröhlichkeit, Marsch und Cancan aus Die schöne Helena - J. Rixner: Spanischer Marsch - A. Rubinstein: Melodie in F - Joh. Strauß: Leichtes Blut, Schnellpolka - Joh. Strauß: Liebeslieder, Walzer - G. Verdi: Freiheits-Chor der Gefangenen aus Nabucco

Par ELGAR EDWARD. Comme Salut d?amour, les deux Chansons font partie des mélodies les plus populaires d?Elgar. La rêveuse Chanson de nuit et son gai pendant, Chanson de matin, sont fréquemment jouées ensemble. De ce fait, il paraît presque incongru qu?Elgar ait achevé la Chanson de nuit en tant que pièce isolée en octobre 1897 et qu?il l?ait proposé peu de temps après à son éditeur, Novello, en vue d?une publication. La Chanson de matin ne suivit qu?un an et demi plus tard; Elgar révéla à Novello à cette occasion que «mon esquisse (que j?ai retrouvée la semaine dernière, et complétée depuis) m?a apporté la preuve que cette pièce devait former un diptyque avec celle que vous avez déjà en votre possession». Nous avons ici deux indémodables du répertoire pour violon, faciles à maîtriser sur le plan technique, édités d?après les éditions originales et pourvus de doigtés par le violoniste anglais et spécialiste d?Elgar Rupert Marshall-Luck. / Date parution : 2022-01-18/ Répertoire / Violon et Piano

Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars Elgar.?Composer conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes as in this well-known work Benedictus . Benedictus is extracted from Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars Elgar.?Composer conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes as in this well-known work Benedictus . Benedictus is extracted from Six Pieces for Violin and is dedicated to Lady Hallé. During hislifetime 1847 to 1935 MacKenzie?s programmatic Scottish-inflected work was extremely popular and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century. and is dedicated to Lady Hallé. During his lifetime 1847 to 1935 MacKenzie?s programmatic Scottish-inflected work was extremely popular and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century.

Mary Cohen's First Repertoire For Violin is a collection of fifteen imaginative and idiomatic arrangements and original pieces all carefully selected and written for the Grade 2-4 player. From Handel to Elgar The Pink Panther to Puttin' On The Ritz with polkas barn dances and tangos - there is something here for every occasion.