Große Erfolge Instrument : violin and piano Nombre de Pages : 80 Content : I. Albéniz: Tango in D - O. de la Cinna: Spanische Serenade - E. Elgar: Salut d'amour - P. Fahrbach: Im Kahlenberger Dörfel - E. Grieg: Solvejgs Lied aus Peer Gynt - E. Humperdinck: Abendsegen aus Hänsel und Gretel - K. Komzák: Volkslied und Märchen - K. Noack: Heinzelmännchens Wachtparade - J. Offenbach: Ausgelassne Fröhlichkeit, Marsch und Cancan aus Die schöne Helena - J. Rixner: Spanischer Marsch - A. Rubinstein: Melodie in F - Joh. Strauß: Leichtes Blut, Schnellpolka - Joh. Strauß: Liebeslieder, Walzer - G. Verdi: Freiheits-Chor der Gefangenen aus Nabucco

Violin and Piano-Einstein was a violinist all his life. In the motion picture Einstein's Light filmmaker Nickolas Barris and composer Bruce Adolphe set out to communicate Einstein's dedication to the Violin and his particular love for the music of Mozart and Bach. This collection of music composed for the soundtrack is based on phrases from those two great masters that spin off into physics-inspired dreams and thoughts. It contains a poignant solo Violin piece based on music by Bach and four pieces for Violin and Piano that are based on phrases from Mozart's music. The composer includes one work in particular the Mozart Violin Sonata No. 34 notable because the only extant recording of Einsteinplaying the Violin contains the slow movement from this sonata. The soundtrack to Einstein's Light was recorded by Joshua Bell and Marija Stroke on Sony Classical Records. This edition contains bowings and fingerings by Joshua Bell. Movement Titles: 1. Einstein's Light: Theme (1:44 ) 2. Struggle and Breakthrough (4:34) 3. Einstein's Sarabande: The Loneliness of Genius (4:03) 4. Bending of Space-Time (3:03) 5. Einstein's Harmonic Mind (6:45)

LKM-Commissioned by the Museum of Mathematics in New York for its grand opening gala benefit the music is based on a Native American story. The violin portrays Coyote and the piano represents everything else especially the stars themselves. It is recommended that the story which is included with the music be told to the audience before the work is performed to enhance the enjoyment and comprehension of the piece.

Polonaise de Concert-In 1848 the thirteen year old Henryk Wieniawski wrote the first sketches to his Polonaise in D major. The composition was published in Germany in 1853 as Polonaise de Concert in D major op. 4 for violin with piano or orchestra accompaniment. When the work was re-published in Paris (1858) the title changed to Polonaise Brilliante. Tremendously popular already during the composer's life time this work has been on the repertory of virtually every virtuoso violinist ever since. This new Critical Urtext Edition corrects obvious misprints while keeping the format of the 1853 first edition printing the textural changes on the Paris version as foot notes.

Dedicated to Cho - Liang Lin and premiered February 2009 with the LA Chamber Orchestra.