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Violin and Piano
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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Garlej Bruno - Violon Dans L'âme Vol.1 - Violon, Piano
Français
Violin and Piano
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Beginner
Lemoine, Henry
Partition pour violon et piano Collection : Garlej Bruno Nombre de pages : 17 + ...
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Partition pour violon et piano Collection : Garlej Bruno Nombre de pages : 17 + 8 Niveau : 1 Contenu : BACH J.S.: Gavotte - BEETHOVEN L.V.: Air tyrolien - BRAHMS J.: Berceuse - ELGAR E.: Andante - GONZALES J.F.: Pour Bruno - GOSSELIN J.: Rêve d'un soir - HAENDEL G.F.: Bourrée - KROLL W.: Donkey doodle - LULLY J.B.: Menuet - MENDELSSOHN F.: Chanson sans parole - PAGANINI N.: Aria
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Bruno Garlej: Violon dans l'âme Vol.2: Violin
Français
Violin and Piano
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Easy
Lemoine, Henry
BOCCHERINI L. : Menuet du Quintette Op.13 n°5 - ESPEJO C. : Tyrolienne - GONZAL...
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BOCCHERINI L. : Menuet du Quintette Op.13 n°5 - ESPEJO C. : Tyrolienne - GONZALES J.F. : Ostinato 89 - GOSSELIN J. : Méditation - GUIONET J. : Jazz en balade - JOPLIN S. : The Rose bud march - KABALEVSKY D. : Le clown - KREISLER F. : Aucassin et Nicolette - MOZART W.A. : Menuet de la Sonate KV6 - PAGANINI N. : Polonaise
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Wolfgang Amadeus Mozart: Violin Concerto No.2 In D K.211: Violin: Instrumental
Violin and Piano
G. Henle
An Urtext edition of W.A. Mozart's Violin Concerto No.2 In D K.211 as edited by ...
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An Urtext edition of W.A. Mozart's Violin Concerto No.2 In D K.211 as edited by Wolf-Dieter Seiffert and fingered by Kurt Guntner with piano reduction by Siegfried Petrenz.
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10 Sonate per violino e basso: Violin
Violin and Piano
Ricordi
a cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes ...
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a cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear critical and musicological criteria. This anthology includes ten sonatas carefully selected from among those written by ten of the most important eighteenthcentury Italian composers of violin music. Tomaso Albinoni: Sonata op. VI n. 7 - Arcangelo Corelli: Follia op. V [n. 12] - Francesco Geminiani Sonata op. IV n. 11 H. 95 -Pietro Antonio Locatelli: Sonata op. VI n. 5 - Pietro Nardini: Sonata op. V n. 3 - Gaetano Pugnani: Sonata op. VII n. 1 - Giuseppe Tartini:Sonata op. I n. 10 B. g 10 [?Didone abbandonata?] - Francesco Maria Veracini: Sonata op. II n. 8 - Giovanni Battista Viotti: Sonata op. IV n. 4 W. V/4 - Antonio Vivaldi: Sonata RV 10
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Wolfgang Amadeus Mozart: Violin Concerto No.3 In G K.216: Violin: Instrumental
Violin and Piano
[Reduction]
G. Henle
An Urtext edition of W.A. Mozart's Violin Concerto No.3 In G K.216 as edited by...
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An Urtext edition of W.A. Mozart's Violin Concerto No.3 In G K.216 as edited by Wolf-Dieter Seiffert with Piano reduction by Siegfried Petrenz and fingering bowing cadenzas and lead-ins by Kurt Guntner.
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Wolfgang Amadeus Mozart: Violin Concerto No.3 In G K.216: Viola: Instrumental
Violin and Piano
[Sheet music]
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Peters
W.A. Mozart's Violin Concerto No.3 In G K.216 for Violin and Piano as arranged ...
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W.A. Mozart's Violin Concerto No.3 In G K.216 for Violin and Piano as arranged by Wilhelm Weisman with cadenza written by David Oistrach.
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Wilhelm Furtwaengler: Sonata D Major: Violin
Violin and Piano
Bote and Bock
Violin Piano. Furtwaengler W
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Henryk Wieniawski: Variations On An Original Theme Op. 15: Violin: Score
Violin and Piano
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
'Wariacje na temat w asny'' op. 15 powsta y w 1854 i w tym samym roku ukaza y si...
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'Wariacje na temat w asny'' op. 15 powsta y w 1854 i w tym samym roku ukaza y si drukiem wydane przez firm Breitkopf und Hartel w Lipsku. Kompozycja oparta na technice wariacyjnej posiada nietypow form . Temat z trzema wariacjami (w dur) poprzedza molowy wst p z elementami kadencji. Fragment ten pojawia si ponownie po wariacjach po czym nast puje fina w formie b yskotliwego walca zako czony efektown kod . ''Wariacje'' - podobnie jak inne kompozycje Wieniawskiego - wymagaj od skrzypka swobody w grze akordowej i oktawowej umiej tno ci wykonywania ró norodnych form staccata b yskotliwych pasa y czy innych elementów wirtuozowskiej techniki jak równie czysto ciintonacji fla oletów.
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Ludwig van Beethoven: Sonate Für Klavier und Violine Op. 47: Violin:
Violin and Piano
[Score and Parts]
G. Henle
Beethoven ?crivit dix sonates pour violon et piano en l?espace de quinze ans seu...
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Beethoven ?crivit dix sonates pour violon et piano en l?espace de quinze ans seulement (entre 1797 et 1812). La mani?re dont il s?attacha l? encore ? trouver pour chaque nouvelle ?uvre un nouveau mod?le est impressionnante. Dans la sonate en la majeur op. 47 publi?e s?par?ment ici pour la premi?re fois ce genre prend d?embl?e une nouvelle dimension d?s l?entr?e cadentielle du violon sans accompagnement et de par le style virtuose et concertant maintenu du d?but jusqu?? la fin. Sur la page de titre originale Beethoven avait d?ailleurs not? ? juste titre: ?scritta in un stilo molto concertante quasi come d?un Concerto?. Il d?dia cette sonate au violoniste parisien RodolpheKreutzer d?o? son surnom de ?Sonate ? Kreutzer?. ?labor?e avec soin l??dition urtext est fond?e sur le fragment du manuscrit autographe sur l??dition originale allemande la premi?re ?dition anglaise ainsi que sur une copie r?alis?e dans l?atelier du copiste W. Schlemmer et retrouv?e par les ?ditions G. Henle. Cette copie corrig?e par Beethoven fut utilis?e comme copie ? graver pour l??dition originale. L??diteur et chercheur sp?cialiste de Beethoven Sieghard Brandenburg a ?galement supervis? l??dition de la m?me sonate dans le cadre de l??dition compl?te des ?uvres de Beethoven. Sa pr?face comporte des informations importantes relatives ? l??dition de ce chef-d??uvre.
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Henry Purcell Gottfried Finger Jean-Baptiste Lully Christoph Willibald
Violin and Piano
Dowani
1-4 H. Purcell (ca. 1659 - 1695): 'Air'5-8 G. Finger (ca. 1660 - 1723): 'Air'9-1...
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1-4 H. Purcell (ca. 1659 - 1695): 'Air'5-8 G. Finger (ca. 1660 - 1723): 'Air'9-12 J. B. Lully (1632 - 1687): Menuett13-16 B. Campagnoli (1751 - 1827): 'Courtly Dance'17-20 Chr. W. Gluck (1714 - 1787): 'Fröhlicher Tanz'21-24 W. A. Mozart (1756-1791): Allegretto25-28 J. Haydn (1732-1809): 'Deutscher Tanz'28-32 J. Brahms (1833-1897): 'Lied'33-35 Traditional: 'J? ai du bon tabac'36-38 Traditional: 'The hobby horse'
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AntonÃn Dvo?ák Franz Schubert Johannes Brahms Wolfgang Amadeus Mozart: Album III
Violin and Piano
Dowani
1-4 A. Dvorak (1841-1904): Humoresque Op. 101 No 75-8 F. Schubert (1797-1828): A...
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1-4 A. Dvorak (1841-1904): Humoresque Op. 101 No 75-8 F. Schubert (1797-1828): Ave Maria Op. 52 No 69-11 J. Brahms (1833-1897): Hungarian Dance No 212 W. A. Mozart (1756-1791): Rondo in D
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Violin Exam Pack from 2024, Initial Grade
Violin and Piano
[Sheet music + Audio access]
-
Beginner
ABRSM Publishing
This book contains nine pieces from ABRSM?s Grade 8 Violin syllabus from 2024, t...
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This book contains nine pieces from ABRSM?s Grade 8 Violin syllabus from 2024, three pieces chosen from each of Lists A, B and C ? ideal for both Practical and Performance Grade exams. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information.Audio recordings of all nine pieces, plus piano accompaniment tracks, are included via the download code in the book.
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Mozart W.a. - Concerto N°2 En Re Majeur Kv 211 - Violon, Piano
Violin and Piano
BARENREITER
Urtext- u. Interpretationsausgabe mit Kadenzen und Eingängen Edition : Piano R...
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Urtext- u. Interpretationsausgabe mit Kadenzen und Eingängen Edition : Piano Reduction/Vocal Score; Single Part; Urtext Edition Editor : Mahling, Christoph-Hellmut Binding : stapled Instrumentation : Violin-solo, 2 Oboe, 2 Horn, Strings
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Aus der musikalischen Schatzkiste 1 (HOLZER-RHOMBERG ANDREA)
Violin and Piano
[Sheet music]
Holzschuh Musikverlag
38 bekannte musikalische Themen. Par HOLZER-RHOMBERG ANDREA. / Date parution : ...
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38 bekannte musikalische Themen. Par HOLZER-RHOMBERG ANDREA. / Date parution : 2022-01-14/ Recueil / Violin et Piano
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Mozart W.a. - Soloist In Concert - Concerto N.5 In La Maggiore, Kv 219 - Violin And Piano
Violin and Piano
[Sheet music]
Ricordi
Instrument: Violin and Piano Extent: 56 pages
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Mozart W.a. - Sonatas For Piano And Violin, Volume I
Violin and Piano
G. Henle
Compositeur : Mozart, Wolfgang Amadeus Instrumentation : Violin and Piano Editeu...
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Compositeur : Mozart, Wolfgang Amadeus Instrumentation : Violin and Piano Editeur Musicologique : Seiffert, Wolf-Dieter Couverture Reliée Contenu : Kurfürstin Sonata G major op. I / K. 301 (293a) Kurfürstin Sonata E flat major op. I / K. 302 (293b) Kurfürstin Sonata C major op. I / K. 303 (293c) Kurfürstin Sonata e minor op. I / K. 304 (300c) Kurfürstin Sonata A major op. I / K. 305 (293d) Kurfürstin Sonata D major op. I / K. 306 (300l)
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Mozart W.a. - Sonata E Minor Kv 304 - Violin And Piano
Violin and Piano
Schott
Instrumentation : violin and piano Date de parution : 15/07/1979 Nombre de pages...
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Instrumentation : violin and piano Date de parution : 15/07/1979 Nombre de pages : 16 Collection : Edition Schott - Single Edition Format : New Edition portrait
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Mozart W.a. - Sonatas For Piano And Violin, Volume Iii
Violin and Piano
G. Henle
Compositeur : Mozart, Wolfgang Amadeus Instrumentation : Violin and Piano Editeu...
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Compositeur : Mozart, Wolfgang Amadeus Instrumentation : Violin and Piano Editeur Musicologique : Seiffert, Wolf-Dieter Couverture Reliée Contenu : Later Viennese Sonata B flat major K. 454 Later Viennese Sonata E flat major K. 481 Later Viennese Sonata A major K. 526 Later Viennese Sonata F major K. 547 Appendix: Later Viennese Sonata B flat major K. 570
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Mozart W.a. - Sonatas For Piano And Violin, Volume Ii
Violin and Piano
G. Henle
Compositeur : Mozart, Wolfgang Amadeus Instrumentation : Violin and Piano Editeu...
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Compositeur : Mozart, Wolfgang Amadeus Instrumentation : Violin and Piano Editeur Musicologique : Seiffert, Wolf-Dieter Couverture Reliée Contenu : Aurnhammer Sonata C major op. II / K. 296 Aurnhammer Sonata F major op. II / K. 376 (374d) Aurnhammer Sonata F major op. II / K. 377 (374e) Aurnhammer Sonata B flat major op. II / K. 378 (317d) Aurnhammer Sonata G major op. II / K. 379 (373a) Aurnhammer Sonata E flat major op. II / K. 380 (374f)
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Kathy Blackwell David Blackwell: Solo Time For Violin Book 2: Violin:
Violin and Piano
[Sheet music + CD]
Oxford University Press
16 Concert Pieces For Violin And Piano-Solo Time For Violin is a three-volume se...
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16 Concert Pieces For Violin And Piano-Solo Time For Violin is a three-volume series of concert pieces for the intermediate to the more advanced level violinist. Featuring arrangements or original pieces by these award-winning authors each volume introduces styles and techniques from the Baroque to the modern age. They cover keys and technical challenges suited to the level while providing sophisticated repertoire for the developing performer.A graded series of pieces ranging from intermediate to more advanced levels.16 pieces in each book displaying an exciting variety of styles and techniques and drawn from the Baroque to the modern era. Carefully selected and arrangedby the award-winning authors of the Fiddle Time series. Helpful fingering and bowing suggestions plus informative notes on the pieces and performance techniques. Idiomatic Piano part and CD backing tracks with each book. A selection of full performances available online.
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W. Ashwell: American Sketches: Violin: Instrumental Album
Violin and Piano
[Score and Parts]
Spartan Press
Music invoking a variety of styles emanating from the U.S.A. - The Banjo Mexica...
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Music invoking a variety of styles emanating from the U.S.A. - The Banjo Mexican Dance Hoe Down Rondo Tropical Dance Summer Sea Caught in the Rain Pogo Stick Blues Circus Ragtime Waving Goodbye and Private Eye.Grade: 3 - 4
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Miniature Masterpieces III
Violin and Piano
Carl Fischer
/ Violon Et Piano
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Mozart W.a. - Concerto En Re Majeur N°4 Kv 218 - Violon, Piano
Violin and Piano
[Sheet music]
Barenreiter
Urtext Edition and a Performing Edition with Cadenzas
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March And Fantasy
Violin and Piano
Schott
/ Violon Et Piano
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Violon Dans L'Âme Vol.1 (GARLEJ BRUNO)
Français
Violin and Piano
[Score and Parts]
-
Beginner
Lemoine, Henry
Par GARLEJ BRUNO. / Niveau : Débutant / classique / Répertoire / Violon et...
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Par GARLEJ BRUNO. / Niveau : Débutant / classique / Répertoire / Violon et Piano
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The Young Fiddler's Companion Heft 1
Violin and Piano
Simrock
/ Violon Et Piano
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Mozart W.a. - Concerto Pour Violon En La Majeur Kv 219 - Violon, Piano
Violin and Piano
Breitkopf & Härtel
EDITION URTEXTCompositeur : Mozart, Wolfgang AmadeusInstrumentation : Vl,OrchNom...
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EDITION URTEXTCompositeur : Mozart, Wolfgang AmadeusInstrumentation : Vl,OrchNombre de pages : 56
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