| Concerto for Violin and Orchestra in E Minor, Op. 64 Violin and Piano Barenreiter
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Version 1844. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext edition. Stapled. Barenreiter Urtext. Early version 1844. Piano reduction, Part. Opus 64. Duration 12 hours. Baerenreiter Verlag #BA09099_92. Published by Baerenreiter Verlag (BA.BA09099-92). ISBN 9790006565733. 31 x 24.3 cm inches. Key: E minor. Preface: Larry R. Todd. Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.
The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.
The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.
It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.
This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.
The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.
- New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger). About Barenreiter Urtext Orchestral Parts Why musicians love to play from B�¤renreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composerâ��s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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| Romanza Andaluza (Spanish Dance No. 3) Op. 22 No. 1 Violin and Piano G. Henle
Strings Piano Accompaniment; Violin (Violin and Piano) - l5 SKU: HL.51481346<...(+)
Strings Piano Accompaniment; Violin (Violin and Piano) - l5 SKU: HL.51481346 Violin and Piano. Edited by Peter Jost. Arranged by Ingolf Turban. Sheet Music. Paperbound. Henle Music Folios. With marked and unmarked string parts. Classical. Softcover. 16 pages. G. Henle #HN1346. Published by G. Henle (HL.51481346). ISBN 9790201813462. UPC: 888680925031. 9.25x12.0x0.066 inches. When composing his Spanish Dances (HN 1370), the composer and violin virtuoso Sarasate united existing material - folk songs and songs by well-known composers - with his own uniquely charming musical language. The two Dances op. 22, “Romanza andaluza†and “JotaNavarra,†were completed in 1878 during Sarasate's first concert tour through Scandinavia. After their initial performances, the lyrical “Romanza†soon outstripped its brilliant sister piece in popularity, and thereafter it was one of Sarasate's compositions that he played most often himself. Since then, this piece has lost nothing of its charm, and it is now available as a stand-alone edition in the Henle catalogue. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
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| Violin Recital Album First Position, Volume 2 Violin and Piano Barenreiter
(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edite...(+)
(13 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag
$28.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Violin Recital Album First Position, Volume 1 Violin and Piano Barenreiter
(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edite...(+)
(20 Recital Pieces in First Position for Violin and Piano or Two Violins). Edited by Kurt Sassmannshaus / Christoph Sassmannshaus / Melissa Lusk. For violin, piano. Stapled. Barenreiter's Sassmannshaus. Level 2. Solo part and performance score. Published by Baerenreiter Verlag
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| Souvenir D'un Lieu Cher, Op. 42 Violin and Piano G. Henle
Piano Accompaniment; Violin (violin/piano) SKU: HL.51481275 Violin and...(+)
Piano Accompaniment; Violin (violin/piano) SKU: HL.51481275 Violin and Piano. Composed by Peter Ilyich Tchaikovsky. Edited by Alexander Komarov. Henle Music Folios. Classical. Softcover. 50 pages. G. Henle #HN1275. Published by G. Henle (HL.51481275). UPC: 888680991661. 9.25x12.25x0.157 inches. “Memory of a dear place†is the title given to this collection of three enchanting pieces for violin and piano. The “place†in question was the country estate of Brailov that belonged to Tchaikovsky's patron and friend Nadezhda von Meck. He stayed there in idyllic seclusion in May 1878 and completed this work. These pieces were composed very close in time to his Violin Concerto, and they too demonstrate Tchaikovsky's matchless gifts as a Romantic master of melody. For this edition, the Russian Tchaikovsky specialist Alexander Komarov offers the highest degree of editorial precision, having drawn on all the relevant sources from both Russian and international archives. In the course of his work he has also been able to disprove beyond a doubt the view held up to now that the title Souvenir d'un lieu cher was only added after Tchaikovsky's death. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$18.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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