Händel, 3 Stücke aus Messias und Salomo. No. 4 : Händel, 3 Pièces De „Messias' And „Salomo'/ Répertoire / Violoncelle (Partie Séparée)

Werke von Dittersdorf, Händel, Mozart, Valensin. No. 5 : Des Pièces De Dittersdorf, Händel, Mozart, Valensin / Niveau : Débutant / Répertoire / Violoncelle (Partie Séparée)

Werke von Beethoven, Händel, Lully, Pergolesi. No. 4 : Des Pièces De Beethoven, Händel, Lully, Pergolesi / Niveau : Débutant / Répertoire / Violoncelle (Partie Séparée)

Werke von Bach, Gluck, Händel. No. 1 : Des Pièces De Bach, Gluck, Händel / Niveau : Débutant / Répertoire / Violoncelle (Partie Séparée)

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorák used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorák scholar Klaus Döge succeeded in tracking down its location and evaluating this important source for the first time. It contains the 'Fassung letzter Hand' and, moreover, offers valuable insights into Dvorák's conducting workshop. It served as the principal source for the Breitkopf Urtext edition./ Répertoire / Violoncelle (Partie Séparée)