for Violoncello and Basso continuo or two Violoncellos-Two Sonatas For Violoncello And Basso Continuo or 2 Violoncelli Nos.5 and 9 from '12 Cello Sonatas' Op.2. Giacomo Basevi Cervetto (ca.1690-1783) born probably in Verona Italy who - following his move to England in around 1738 - became an important classical cellist and composer of Baroque music for Cello. He was a successful dealer in Italian musical instruments and became a member of the Drury Lane theatre Orchestra.

Edition for Violoncello-Like his father Carl Philipp Emanuel Bach wrote three sonatas for Viola Da Gamba. They were written during his time at the Berlin court of Frederick the Great and gave the excellent Viola Da Gamba player in the courtorchestra a chance to show his virtuosic skills. While the two Sonatas Wq 136 and 137 have a basso continuo Bach followed his father’s example as far as the Sonata in g minor Wq 88 wasconcerned: the right and left hands of the Harpsichord compete with the solo instrument in three equal parts. These sonatas can also be played very effectively on the Cello; the fingerings in the marked copies provide helpfulsuggestions.

Instrumentation : cello and basso continuo Date of Publications : 05/04/2000 Number of Pages : 20 Arranger : Darmstadt, Gerhart Series : Cello Library

Performance Score and Parts-This scholarly-critical edition is based on all the known sources whether printed or handwritten that have come down to us for these frequently played pieces. By closely scrutinizing the source material the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas .' (Ensemble January 2004) 'This is certainly the definitive edition of these works.'(Strings August/September 2003)

Violoncello and Keyboard (2nd violoncello ad libitum) (Sheet Music/MusicPartner play-along CD Pack is also available; see Q4938) Contents: RV 47(Bb); 41(F); 43(a); 45(Bb); 40€; 46(Bb)

fur Violoncello und Bass (Klavier). At the end of the eighteenth century, cellist and composer Jean-Baptiste Bréval wrote not only virtuosic concerti for his instrument, but also easier sonatas and duets that still belong to the core repertoire of pedagogical cello literature. Opening with impressive chords, the Sonata in C-major op. 40 no. 1 also offers beginners the chance to savour beautiful melodies and master smaller shifts in position. The Parisian first edition of 1799 leaves the choice of accompanying instrument open. For this reason, this Urtext edition offers several options: a two-part score from which a second cello may comfortably provide accompaniment during lessons, as well as a moderate setting for piano that may be used in concerts. Rounding off this starter kit for cello literature is a carefully marked solo part.

Par VIVALDI ANTONIO. / Date parution : 2022-03-16/ Recueil / Violoncelle et Basse Continue

Edition : Paris, 1774La préface donne une biographie de Jean-Baptiste Janson et une explication détaillée de sa notation.Présentation de :Philippe Lescat : Biographie de Jean-Baptiste JansonJean Saint-Arroman : Lecture de la partition / Violoncelle Et Basse Continue / 38 pages / niveau : 1 / Fac-Similés - Format: 24.5 X 33.5

Avec la Methode qui enseigne à prendre les positions hors du manche.Paris, l'Auteur, Lyon, Castaut, 1772. / Violoncelle Et Basse Continue / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7

Par ZOCARINI MATTEO. Format: New Edition portrait/ Répertoire / Violoncelle et Basse Continue

Les six sonates par Benedetto Marcello (1686-1739) sont parmi les plus célèbres compositions baroques pour violoncelle et basse continue, deuxièmement, qu'à ceux de Antonio Vivaldi. Marcello est un compositeur célèbre de son vivant, et par conséquent sa collection pourrait se trouver dans les éditions imprimées dans les grandes métropoles de la musique européenne de Londres, Paris et Amsterdam. Même s'il y a certains doigtés mal à l'aise dans ces sonates - qui pourrait être due à Marcello de travail avec un violoncelle de cinq cordes avec un ajout E' chaîne - ils sont de difficulté modérée seulement et appartiennent aux oeuvres standards du violoncelle, enseignement de la littérature. / Violoncelle Et Basse Continue

F.Xiv/1 - Tomo 473. Par VIVALDI ANTONIO. / Répertoire / Violoncelle et Basse Continue