POD Full Score-The Love Duet From Krishna is a work by John Tavener for Soprano Tenor and Orchestra. Commissioned by Manchester International Festival the work was first performed on 7th July 2013 atBridgewater Hall. Setting text from traditional sources a full performance lasts around 17 minutes. This is the Full Score.

Concert Arias-This vocal score of Mozart?s concert and insert arias is based on the New Mozart Edition (NMA).The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria.In addition there is a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts which are often found in the early Mozart arias.All aria texts translated into German and English and printedseparately.Contents:Concert Arias III for Low Soprano and AltoAria ?Conservati fedele? K. 23Aria ?Cara se le mie pene? K.6: deestAria ?Alma grande e nobil core? K. 578Aria ?Chi s chi s qual sia? K. 582Aria ?Vado ma dove? oh Dei!? K. 583Recitativo ?Ombra felice? ?Aria Io ti lascio? K. 255

A song cycle for Tenor Baritone and Piano four-hands.Commissioned by Dickinson College in 2008 for The Florestan Recital Project Musical Artists in ResidenceFirst performance March 4 2010 Dickinson College PAThis work is dedicated to Don and Marilyn Conlan ''The seventeen poems selected for this work span many centuries and languages and give very varied views on the subject of love. There is a mixture of solos and duets which also gives variety. Also there is a difference in the characterization ofthe two singers; the tenor is more romantic and? the baritone more realistic and cynical. In the penultimate poem by Tyutchev this? split is emphasized in the words ! / T ? . (O love of my last years you are both rapture and desperation).? However both singers recognize the power of love. The work should be sung? without a break between the songs and indeed several of the poems overlap. To? emphasize the continuity there are several recurring musical motives: in particular? the theme associated with the words from the Shakespeare poem in Twelfth Night? ?What is love?? Hopefully the songs can be sung in the original languages (except for the poem from the Haida) however ?singable? translations have been provided. I? want to thank the many friends and colleagues who offered much appreciated advice on fully understanding the poems and thus their translations: Henry Garrity ? Lilian Groag Gustavo Lopez Manzitti Veronica Mitina Alma Mora