20 of the best Grades 4-5 Songs selected by the major Examination Boards. Par PEGLER HEIDI. The Best Of Singing Grades 4-5 (High Voice) celebrates the wealth of exciting repertoire featured on the current ABRSM and Trinity College London singing syllabuses. As well as carefully selected range of classical, contemporary and folk songs, these books bring together some of the greatest jazz standards and Broadway hits ever written, all edited to the highest standard and complete with accompanying CD. / Niveau : Assez Facile / Recueil / Chant

20 of the best Grades 4-5 Songs selected by the major Examination Boards. Par PEGLER HEIDI. The Best Of Singing Grades 4-5 (Low Voice) celebrates the wealth of exciting repertoire featured on the current ABRSM and Trinity College London singing syllabuses. As well as carefully selected range of classical, contemporary and folk songs, these books bring together some of the greatest jazz standards and Broadway hits ever written, all edited to the highest standard and complete with accompanying CD./ Recueil / Chant

Par HARRIS PAUL. Firmly rooted in Paul Harris' Simultaneous Learning approach, this new edition of Improve your sight-singing! Grades 1-3 is designed to help overcome all the stumbling blocks to successful sight-singing. Step by step, you will build up a complete picture of each piece, firstly through over 150 rhythmic, melodic and technical exercises, then by studying prepared pieces and making connections to your wider music making, and finally 'going solo' with a series of meticulously graded sight-singing pieces. These new editions of the best-selling Improve your sight-singing! series have been simplified into two (mid-range) volumes, making them suitable for instrumentalists who wish to improve their singing as well as for singers preparing for sight-singing in vocal exams. The books feature completely new music throughout and have been brought up to date to match the latest ABRSM sight-singing criteria. / Niveau : 1 à 3 / Etude / Voix

Par CAPPELLARI ANDREA. Arranged and adapted for 3 voices choral by Andrea Cappellari. Include backing tracks on CD. / Pop & rock / Recueil / Choeur

Par O’SULLIVAN GILBERT. The Gondoliers was Gilbert and Sullivan’s last great success. In this opera, Gilbert returns to the subject of class distinctions and it’s background connected with Venice and Venetian life. / Songbooks, Vocal Music / Répertoire / Livret

Par FLORENCE AND THE MACHINE. You Got The Love (Florence and the Machine), from the album Lungs. Here arranged for upper voices with piano accompaniment. This arrangement is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto, with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments perfect for the amateur pianist. Also includes chord symbols. / Date parution : 2010-09-01/ Feuillet / Chant

Par KEYS ALICIA. If I Ain't Got You (Alicia Keys) arranged for upper voices with piano accompaniment. This arrangement of the hit single, which comes from the album The Diary of Alicia Keys, is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits All pieces are written for soprano and alto, with an optional third part of limited range for baritone or low alto with straightforward piano accompaniment perfect for the amateur pianist. Also includes chord symbols./ Feuillet / Chant

Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE

Par EILERS JOYCE / EMILY CROCKER. Don't read notes, read patterns of sound! This unique sight reading course for treble voices in elementary and early middle school does just that! Patterns Of Sound uses excellent voice leading, careful sequencing and musically interesting exercises that can be combined to strengthen part singing, pitch relationships and to develop rhythmic independence. Volume 1 starts from square one, assuming no previous training, with exercises that are so carefully sequenced that the students are quickly singing four-measure phrases and eight measure songs in two parts and finding it easy! Students are introduced to notes, rests, meter, pitch and unison/2-part songs in Vol. 1, and continue in Vol. 2 with dotted rhythms & syncopation, keys & key changes and more 2-part songs. Use it every day and watch your students' confidence level grow! Available: Teacher's Edition (Vol. 1), Student Edition (Vol. 1), CD (Vol. 1), Teacher's Edition (Vol. 2), Student Edition (Vol. 2). Recommended for Grades 3-8. Don't read notes, read patterns of sound! This unique sight reading course for treble voices in elementary and early middle school does just that! Patterns Of Sound uses excellent voice leading, careful sequencing and musically interesting exercises that can be combined to strengthen part singing, pitch relationships and to develop rhythmic independence. Volume 1 starts from square one, assuming no previous training, with exercises that are so carefully sequenced that the students are quickly singing four-measure phrases and eight measure songs in two parts and finding it easy! Students are introduced to notes, rests, meter, pitch and unison/2-part songs in Vol. 1, andcontinue in Vol. 2 with dotted rhythms & syncopation, keys & key changes and more 2-part songs. Use it every day and watch your students' confidence level grow! Available: Teacher's Edition (Vol. 1), Student Edition (Vol. 1), CD (Vol. 1), Teacher's Edition (Vol. 2), Student Edition (Vol. 2). Recommended for Grades 3-8. / Pédagogie / Feuillet / Voix

14 of the greatest standards ever written now in keys specifically designed for singers. Includes a book and 2 CDs - one CD for high voice and the other CD for low voice - so all singers, men and women, can find a key comfortable for their personal range. The book includes all of the songs written in both keys with lyrics clearly notated over the melody line. Rhythm Section: Steve Allee (p); Tyrone Wheeler (b); Jonathan Higgins (d). Songs and Keys (High/Low): You'd Be So Nice To Come Home To (Bb,G-/G,E-) I've Got You Under My Skin (Db/Bb) What Is This Thing Called Love? (Bb/G) Night And Day (D/C) Love For Sale (Ab-/F-) Just One Of Those Things (Eb/C) In The Still Of The Night (Eb/C) I Love You (Eb/C) I Concentrate On You (D/C) Get Out Of Town (G/Eb) From This Moment On (F/Eb) Easy To Love (G/Eb) At Long Last Love (Bb/G) All Of You (Eb/Bb)

A Practical Sight-Singing Course. Par EILERS JOYCE / EMILY CROCKER. Don't read notes, read patterns of sound! This unique sight reading course for treble voices in elementary and early middle school does just that! PATTERNS OF SOUND uses excellent voice leading, careful sequencing and musicallyinteresting exercises that can be combined to strengthen part singing, pitch relationships and to develop rhythmic independence. Volume 1 starts from square one, assuming no previous training, with exercises that are so carefullysequenced that the students are quickly singing four-measure phrases and eight measure songs in two parts and finding it easy! Students are introduced to notes, rests, meter, pitch and unison/2-part songs in Vol. 1, and continuein Vol. 2 with dotted rhythms & syncopation, keys & key changes and more 2-part songs. Use it every day and watch your students' confidence level grow! Available: Teacher's Edition (Vol. 1), Student Edition (Vol. 1), CD(Vol. 1), Teacher's Edition (Vol. 2), Student Edition (Vol. 2). Recommended for Grades 3-8. / Pédagogie / Méthode / Voix

Heres a perfect set of warm-ups for the choral ensemble thats designed to enhance and stimulate the growth of each members vocal and choral ability. Thinking of the warm-up as a 'mini voice lesson,? you can reinforce concepts with consistent encouragement, criticism, problem-solving and praise. This practical volume will help the conductor provide purposeful leadership and develop artistry in each individual through exercises for breath support, open tone, flexibility, vowel uniformity, balance, intonation and much more. Each exercise includes a notated keyboard accompaniment with multiple modulations and professional recordings of a rhythm section and singers performing each drill on the enclosed CD. / Choeur

Igor Stravinsky's Renard is a one-act opera that tells a burlesque tale of a devious fox who deceives a number of other animals. This corrected and revised edition of the Vocal Score is edited by Millan Sachania.Renard was composed in 1916 after being commissioned by socialite Winaretta Singer. The lyrics of the work are in Russian, Russian transliteration and French. Renard is often seen by critics as a satire, either on political or religious themes, with Renard the fox and the other farmyard animals symbolising key figures of authority at the time. The premiere was staged in Paris in 1922 by the Russian ballet, to great national and international attention.Stravinsky's brilliant work for Ensemble and Voices is now available in Vocal Score format. Pick it up today for an unusual opera-ballet with interesting historical and political undertones. / Opéra

Ever wonder how to put together the vocal parts in bluegrass 3 part harmony singing? In this very intimate lesson, Jenny Lester puts her band mates through the paces of finding their harmony parts. They very generously comply in an honest, open-hearted session that takes you right into what could easily be one of their private vocal practice sessions. Soon you will be practicing lead, tenor and baritone singing, each on it's own and then with the other 2 parts through this instructional DVD. In this lesson, Jenny takes two songs (Friends Like You and The River, Mother Nature and Me) and touches on the following techniques for good harmony singing - --finding a good harmony note by learning how to find the root, 3rd and 5th of the chord you are singing over --basic harmony theory for singers --octaves --tips on when and when not to use vibrato --blending and tone --harmony singing with men and women --singing consonants with a group --the tenor and baritone parts that make basic bluegrass harmony --closing off with harmonies to Will The Circle Be Unbroken --and more / Voix / Dvd - Format: 7,5 X 5,25