Tenor/Bass Edition. Par EMERSON ROGER. Hal Leonard Vocal Method est conçue pour toute personne souhaitant apprendre les bases du chant, à l'aide d'exercices vocaux et de chansons populaires. Ce guide du débutant, facile à utiliser, sert d'introduction pour commencer à chanter avec une bonne technique. Les sujets abordés sont les suivants : posture, respiration, échauffements, consonnes, voyelles, phrasé, vibrato et extension de la gamme. Le prix de ce recueil comprend l'accès à l'audio et aux vidéos en ligne, à télécharger ou à visionner en streaming, en utilisant le code unique qui se trouve à l'intérieur. L'audio comprend une piste de démonstration professionnelle ainsi qu'une piste d'accompagnement pour la performance. Des instructions vidéo étape par étape sont incluses pour chaque sujet. Les chansons de cette édition pour les chanteurs ténor et basse comprennent : Can't Help Falling in Love - Fire and Rain - Hallelujah - Mad World - Stand by Me - Take Me Home, Country Roads - Yesterday - et bien d'autres. / Date parution : 2021-12-09/ Méthode / Voix Ténor ou Basse

Puccini est un mystère. Populaire et pourtant méconnu. Médiatique et pourtant secret. Mimì, Tosca et Madame Butterfly, si émouvantes et immédiates, font oublier la modernité musicale de La Fille du Far West ou de Turandot. Car Puccini est un homme de son temps et son temps est le xxe siècle. Siècle de l'image : l'opéra puccinien sera cinématographique autant qu'intimiste.Ce Mode d'emploi se propose d'éclairer ce mystère de l'intérieur. / Voix

Par BROWN JASON ROBERT. The complete vocal score for the musical, based on the novel by Robert James Walker, with music and lyrics by Jason Robert Brown. The Bridges of Madison County won a Tony Award for Best Original Musical Score in 2014. / TV, Film, Comédie musicale / Recueil / Voix

Par MOZART WOLFGANG AMADEUS. Although Mozart’s earliest Lieder date from his boyhood, most of his approximately thirty Lieder were composed during his years in Vienna. Many of them were written for publication in almanacs and song collections or for his circle of friends. The texts range from sentimental verse found in popular novels and instructive poetry by contemporary Viennese and north-German writers to patriotic ditties, which refer to current political events, especially the war with the Turks./ Répertoire / Voix

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

Amarsi è davvero un gran brutto affar (La duchessa del Bal Tabarin /Majestat Mimì) (Lombardo and Granichstëdten) - Bimba la tua testina (La mazurka blu) (Lehar) - Box d'amore (Cin-ci-là) (Ranzato) - Ci dia la notte fuggente un attimo ancor (Madama di/Flup) (Lombardo and Szulc) - Duetto buffo (Madama di Tebe /Flup) (Lombardo Szulc) - Duetto americano grottesco (Sì) (Mascagni) - Duetto comico (Sì) (Mascagni) - Duetto dei balconi (La casa innamorata) (Lombardo) - Duetto del cucù (I mulini di Pit-limbardo) - Duetto del tabarin (La duchessa del Bal Tabarin /Majestat Mimì) (Lombardo and Granichstëdten) - Duetto delle campane (La donna perduta) (Pietri) - Duetto giapponese (Il paese dei campanelli) (Ranzato) - E la vera Bohème (Gigolette) (Lehar)esto amore amore sciocco (La principessa della Csardas) (Kalman) - Good night (Vittoria e il suo ussaro) (Abraham) - Il mio cuore è un film sonoro (La duchessa di Hollywood) (Ranzato) - Imperdonabil cosa ell'è (Sangue viennese /Wiener Blut) (Strauss) / Opéra-opérette / Recueil / Voix

Que vous soyez un chanteur de karaoké ou de préparer pour une audition, la série Pro Vocal est pour vous. Le livre contient les paroles, la mélodie et les symboles d'accord pour huit chansons à succès. Le CD contient des démonstrations d'écoute et d'accompagnement séparée pistes pour que vous puissiez chanter en même temps. Le CD est jouable sur n'importe quel CD, mais il est également améliorée pour les utilisateurs PC et Mac de sorte que vous pouvez régler l'enregistrement à n'importe quelle hauteur sans changer le tempo! Parfait pour les répétitions à usage domestique, le culte, auditions, événements d'entreprise, et les concerts sans une bande de sauvegarde. Ce volume comprend 8 chansons: Can't Smile Without You - Copacabana (A la Copa) - - Même maintenant I Made It Through The Rain - I Write the Songs - On dirait comme We Made It - - Week-end Mandy en Nouvelle-Angleterre. / Chant / 64 pages / Partition

Que vous soyez un chanteur de karaoké ou de préparer pour une audition, la série Pro Vocal est pour vous. Le livre contient les paroles, la mélodie et les symboles d'accord pour huit chansons à succès. Le CD contient des démonstrations d'écoute et d'accompagnement séparée pistes pour que vous puissiez chanter en même temps. Le CD est jouable sur n'importe quel CD, mais il est également améliorée pour les utilisateurs PC et Mac de sorte que vous pouvez régler l'enregistrement à n'importe quelle hauteur sans changer le tempo! Parfait pour les répétitions à usage domestique, le culte, auditions, événements d'entreprise, et les concerts sans une bande de sauvegarde. Ce volume comprend 8 chansons: Can't Smile Without You - Copacabana (A la Copa) - - Même maintenant I Made It Through The Rain - I Write the Songs - On dirait comme We Made It - - Week-end Mandy en Nouvelle-Angleterre. / Chant / 48 pages / Partition

Blues del carillon (Cin-cin-là) (Ranzato) - E scabroso le donne studiar (La vedova allegra /Die lustige Witwe) (Lehar) - E triste confessar (Eva) (Lehar) - Fiorin fiorello (L'acqua cheta) (Pietri) - Forse un titol nobiliar (La duchessa del Bal Tabariestat Mimì) (Lombardo, Granichstëdten) - Fox della luna (Il paese dei campanelli) (Ranzato) - Fox trot della scugnizza /napoletana (Scugnizza) (Costa) - Frou Frou del Tabarin (La duchessa del Bal Tabarin /Majestat Mimì) (Lombardo, Granichstëdten) - Id'oro (I merletti di Burano) (Ranzato) - Io chiudo gli occhi e vedo ancor (Il re di Chez Maxim) (Costa) - La bella tangolita (Ballo al Savoy) (Abraham) - La luna, pur curiosa (Il re di Chez Maxim) (Costa) - Le lettere (Sì) (Mascagni) - Lo so che tu sno (L'acqua cheta) (Pietri) - Luna scortese (La casa innamorata) (Lombardo) - Mario il mio ben (Addio giovinezza) (Pietri) - Mia madre era bella (Eva) (Lehar) - Mon cher papà (Ballo al Savoy) (Abraham) - Nel mister della pagoda (Il paese del sorriso)/ Recueil / Voix

For Soprano, Flûte And Guitar. By Francisco Valls. Par VALLS FRANCISCO. Traditional Spanish songs, composed by this Catalan composer and theorist (1665 - 1747) for voice, flute and piano./ Répertoire / Voix

Though he is mostly thought of as a singer of jazz and pop standards, Frank Sinatra was not afraid to branch out and try other styles. In 1967, he teamed up with Brazilian composer Antonio Carlos Jobim for the first of two collaborations that found Ol' Blue Eyes working within the bossa nova style, which Jobim helped pioneer a decade earlier. That first record, Francis Albert Sinatra

A superb collection of classical songs by great composers including Mozart, Schubert and Mendelssohn ideal for auditions or just for the sheer pleasure o singing some of the finest classical pieces ever written. With 2 sections comprising songs scored specifically for male and female singers with Piano accompaniment, the collection comes complete with 2 CDs of backing tracks to sing along to. A song collection to be treasured for life! / Voix Et Piano

Arrangeur: Ruth Martin. Par VERDI GIUSEPPE. Italian/English. Translated by Martin. / Rép Classique / Répertoire / Voix

Eine echte Novität: Erstmals gibt es ein Liederbuch, das ausschließlich für die Klassenstufen 5 und 6 konzipiert ist. In der Repertoireauswahl, der Ansprache der Schülerinnen und Schüler und im Zuschnitt der Angebote geht dieses neuartige Liederbuch gezielt auf die Belange genau dieser Altersstufe ein. Es ist dabei weit mehr als eine reine Repertoiresammlung: Zu vielen Titeln gibt es weiterführende Optionen rund um die Themen Klassenmusizieren, Tanz, Choreografie, Stimme und vieles mehr.- 150 Titel aus allen stilistischen Bereichen, Kontinenten und Zeiten - zahlreiche Zusatzangebote zu Klassenmusizieren - Tanz und Bewegungsanleitungen, Begleitsätze und -patterns - Hintergrundwissen / Voix