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Op
Wind ensemble
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Soprano Et Mezzo-Soprano (16)
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Ludwig van Beethoven: Parthia Op. 103 - Rondo WoO 25 For Wind Octet: Wind
Wind ensemble
G. Henle
?His present pieces must convince both connoisseurs and others alike of the unbi...
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?His present pieces must convince both connoisseurs and others alike of the unbiased opinion that Beethoven will in time become one of the greatest composers in Europe? thus wrote Joseph Haydn when informing the Electorin Bonn on the progress of his pupil in 1793. However the elector replied that he was already familiar with parts of the Parthia Op. 103 that had been sent as evidence of the composer?s progress.Beethoven had apparently only reworked an earlier composition. Nevertheless we must agree with Haydn: the Parthia and the Rondo WoO 25 that was originally intended as the final movement provide wonderful evidence ofBeethoven?s great skill. This Urtext edition also contains additional parts for Horns in F.
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Parthia Op. 103 · Rondo Woo 25 For Wind Octet (BEETHOVEN LUDWIG VAN)
Wind ensemble
G. Henle
Par BEETHOVEN LUDWIG VAN. 'His present pieces must convince both connoisseurs an...
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Par BEETHOVEN LUDWIG VAN. 'His present pieces must convince both connoisseurs and others alike of the unbiased opinion that Beethoven will in time become one of the greatest composers in Europe”, thus wrote Joseph Haydn, when informing the Elector in Bonn on the progress of his pupil in 1793. However, the elector replied that he was already familiar with parts of the Parthia op. 103 that had been sent as evidence of the composer's progress. Beethoven had apparently only reworked an earlier composition. Nevertheless we must agree with Haydn: The Parthia and the Rondo WoO 25 that was originally intended as the final movement provide wonderful evidence of Beethoven's great skill. Our Urtext edition also contains additional parts for horns in F./ Répertoire / Octuor à vent
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Anders Koppel: Danmarks Have: Wind Ensemble: Parts
Wind ensemble
[Sheet music]
-
Intermediate
Wilhelm Hansen
Danmarks Have for Soprano Solo Choir SATB and Concert Band was composed by Ande...
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Danmarks Have for Soprano Solo Choir SATB and Concert Band was composed by Anders Koppel in 2012 for the celebration of Her Majesty Queen Margrethe II of Denmark's 40th anniversary. Text by Niels Brunse. Commissioned by Wonderful Copenhagen. Score: WH31446
144.99 GBP - Sold by Musicroom UK
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Requiem Op. 89 Ensemble A Vent (DVORAK ANTONIN)
Wind ensemble
[Sheet music]
Breitkopf & Härtel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the...
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Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorák used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorák scholar Klaus Döge succeeded in tracking down its location and evaluating this important source for the first time. It contains the 'Fassung letzter Hand' and, moreover, offers valuable insights into Dvorák's conducting workshop. It served as the principal source for the Breitkopf Urtext edition./ Répertoire / Ensemble à Vent
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L'Amour Est Bleu (POPP ANDRE)
Wind ensemble
[Sheet music]
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Intermediate
Editions Marc Reift (Swiss import)
Par POPP ANDRE. / Niveau : Intermédiaire / Répertoire / Orchestre à Vent
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The Promise Of Living
Wind ensemble
Schott
James Curnow a habilement adapté cet ouvrage classique Copland pour les jeunes ...
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James Curnow a habilement adapté cet ouvrage classique Copland pour les jeunes joueurs tout en maintenant la transparence et l'intégrité de l'original. Lignes de solo et de chambre comme le jeu est magnifiquement décalé avec de riches passages d'ensemble complète. Une addition merveilleuse au répertoire des adaptations classiques pour les bandes de jeunes. / Orchestre A Vent
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Hoe Down
English
Wind ensemble
[Score and Parts]
Boosey and Hawkes
Entendu partout dans le monde des salles de concert de publicités télévisées...
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Entendu partout dans le monde des salles de concert de publicités télévisées, Hoe Down est une oeuvre symphonique américaine classique et son son unique est devenu une marque de commerce de compositeur Aaron Copland. Cette édition a été soigneusement adaptée, permettant aux bandes de niveau intermédiaire à l'expérience de la joie de remplir une des oeuvres plus populaires du XXe siècle. / Ensemble A Vent
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Slavic Rhapsody #3 Op. 297 (FRIEDEMANN CARL)
Wind ensemble
[Sheet music]
Lienau
für Schweizer Blechmusik mit Saxophonstimmen. Par FRIEDEMANN CARL. / Répertoir...
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für Schweizer Blechmusik mit Saxophonstimmen. Par FRIEDEMANN CARL. / Répertoire / Ensemble à Vent
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Slavic Rhapsody #1 Op. 114 (FRIEDEMANN CARL)
Wind ensemble
[Sheet music]
Lienau
für Schweizer Harmonie-Musik mit Saxophonstimmen. Par FRIEDEMANN CARL. / Réper...
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für Schweizer Harmonie-Musik mit Saxophonstimmen. Par FRIEDEMANN CARL. / Répertoire / Ensemble à Vent
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Carl David: Keystone Kops. Wind band: Concert Band
Wind ensemble
[Score and Parts]
Faber Music Limited
Keystone Kops. Wind band
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Jazz With The Greats (GODDARD CHRISTOPHER)
Wind ensemble
[Sheet music]
Faber Music Limited
Par GODDARD CHRISTOPHER. / Recueil / Ensemble à Vent
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Der Aufstand (Score) (HIGGINS GAVIN)
Wind ensemble
[Sheet music]
Faber Music Limited
Par HIGGINS GAVIN. Der Aufstand (German for 'riot') is not a descriptive work, n...
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Par HIGGINS GAVIN. Der Aufstand (German for 'riot') is not a descriptive work, nor is it solely based on the riots of 2011. It does, however, draw on the idea of opposing forces and escalating anger. The work falls into two contrasting sections that are linked by a series of repeated, 'screaming' chords. A slow build drives the first section from a single pitch to a blazing orchestral tutti. The second section is a fast and wild series of fanfares and driving rhythms that ultimately cannot be sustained. In many ways this mirrors the first. Both sections open on single tones (Bb and E) and grow to a climax of brass and hammered chords. The first performance took place on the last day of the 2012 Olympic Games. Der Aufstand is a noisy antithesis to the celebratory fanfare. Wind Band Grade: 6 (Professional and elite student and 'national' bands) Duration: 10 minutes/ Répertoire / Ensemble à Vent
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Wilfred Josephs: Papageno Variations Op.153 (Bass Clarienet Parts): Chamber
Wind Ensemble
[Sheet music]
Novello & Co Ltd.
Papageno Variations Op.153 (Bass Clarienet Parts)
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Nicolas Bacri: Via Crucis Op 107
Français
Wind ensemble
[Sheet music]
Chant du Monde
Via Crucis Op 107
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Chris Guy: English Folk Song Suite: Flexible Band: Instrumental Album
Wind ensemble
[Sheet music]
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Intermediate
Spartan Press
Flexible Woodwind Ensembl-This suite of folk songs is scored for woodwind quarte...
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Flexible Woodwind Ensembl-This suite of folk songs is scored for woodwind quartet and a single unpitched drum. Although the nominal scoring is for flute two clarinets and bassoon the piece has considerable inbuilt flexibility of scoring. The options for instruments on each part are as follows: Part 1: Flute oboe or soprano saxophone Part 2: Bb Clarinet or alto saxophone Part 3: Bb clarinet alto saxophone or tenor saxophone Part 4: Bassoon bass clarinet or baritone saxophoneThe piece may be played by any combination of these instruments. Where necessary some passages have been transposed down an octave in the soprano alto and tenor saxophone parts.Where this occurs the lower pitch is also included in the score. There are also a few notes in the bass clarinet part of the March which have been taken up the octave through necessity; similarly this is indicated in the score.The drum should be unsnared and of medium low pitch. A bodhran tenor drum low tom-tom or floor tom are suggested although in the end it is up to the performer!The folk songs used in the piece are not particularly well known these days. 'Gan to the Kye' is an example of the rich culture of traditional music from Northumbria. The title means 'Go to the cows' and is a love song in which the herdsman asks his lover (in a gesture possibly lacking somewhat in romance) to accompany him whilst he tends his herd of cattle.The second movement is a setting of 'Rosemary Lane' a beautiful Somerset song. It tells of a serving girl ill-used by a sailor; as so often in traditional music the beauty of the tune is quite at odds with the unpleasant circumstances related.'Gently Johnny' is a good-humoured song in which the enthusiastic suitor is teased by the object of his affections: he is asked to cool his ardour whilst at the same time being left in no doubt that his attentions may be as bold as he wishes! The middle section uses another song this time from Middlesex called 'Jack Williams'.
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Nigel Hess: Thames Journey. Wind band: Concert Band
Wind ensemble
[Score]
Faber Music Limited
A 10-minute work which follows the journey of the Thames from its origins as a ...
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A 10-minute work which follows the journey of the Thames from its origins as a few drops of water in Wiltshire to the point where it meets the open sea. Along the way Hess draws upon many musical links along the Thames such as an old Wiltshire melody morris dancing in Oxfordshire boating songs from Berkshire.With such rich and diverse sources of music across several counties and centuries this has quite understandably become one of Hess's most popular wind band works to date.
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Otto M. Schwarz: St. Stephen's Chorale: Woodwind Ensemble: Score and Parts
Wind ensemble
Mitropa Music
Sankt Stefans-Choral. As a source of inspiration, the composer used the dazzling...
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Sankt Stefans-Choral. As a source of inspiration, the composer used the dazzling, impressive and beautiful world-famous St. Stephen?s Cathedral?the Stephansdom?in Vienna. Often seen as a national symbol of Austria, it stands in the heart of Vienna and has 14 bells, each with its own name. At the beginning of the work, you can hear the ringing of the bells. The main melody softly emerges from this soundscape and returns repeatedly in various instrumentations and different harmonisations. Following a fortissimo section, the hymnal melody ebbs and fades away, the same way it appeared at the beginning. St. Stephen?s Chorale is a solemn moment of contemplation in your concert.
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Des oreilles magiques (HUET ESTELLE)
Wind ensemble
Alfred Publishing
Par HUET ESTELLE. Je consacre toujours les cinq premières minutes de mes cours ...
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Par HUET ESTELLE. Je consacre toujours les cinq premières minutes de mes cours à des jeux de formation de l'oreille que j'ai inventés. Ce rituel est un moment très précieux où l'élève se concentre, 'ouvre ses oreilles' et expérimente son instrument par de nouvelles approches. Ces jeux sont très appréciés des élèves et sont parus en 2019 sous la forme d'une méthode de violoncelle. Dans cette deuxième édition, je m'adresse à tous les professeurs de flûte traversière qui cherchent des outils pour aider leurs élèves à progresser et qui souhaitent diversifier leur cours en expérimentant de nouvelles méthodes. Des oreilles magiques est une méthode originale par de nombreux aspects : L'oralité L'élève ne voit jamais la méthode, qui fait uniquement appel à la transmission orale. Ainsi, l'élève fait vraiment jouer ses capacités auditives. L'apprentissage par le jeu Les jeux rendent le cours vivant et permettent de surmonter les difficultés en les abordant dans un contexte nouveau. La transdisciplinarité Cette méthode fait le lien entre le cours d'instrument et le cours de formation musicale, et permet de faire des progrès dans les deux disciplines. Une progression illimitée La plupart des jeux sont déclinés selon cinq niveaux progressifs. Chaque jeu proposé est faisable dès le premier cours de flûte et jusqu'aux plus hauts niveaux, et s'adresse aux enfants comme aux adultes. Le cinquième niveau est présenté sur un ton humoristique pour mettre en évidence le caractère illimité des progrès potentiels. Le lien avec le chant Cette méthode emploie le chant comme un outil central du travail de l'oreille. Tout au long des jeux, l'élève est incité à chanter pour développer son chant intérieur. Je vous souhaite beaucoup de réussite avec cette méthode, et suis certaine que vos élèves adopteront ces jeux avec autant de plaisir que les miens ! Estelle Huet/ Etude / Flûte Traversière
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Simon Dobson: Firefly: Brass Band: Score and Parts
Wind ensemble
Faber Music Limited
Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide ...
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Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining up-tempoconcert work for community and youth bands. Composed in funk-rock style and is based on the groove beat with which it opens. Dobson says “Firefly was written as a break from my more serious music and as a ‘hat tip’ to the various types of beat orientated music I listen to.” It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich Switzerland. Duration: 5-6 minutes. INSTRUMENTATION:1 EflatSop. Cornet Solo Cornets (4) Bflat Rep. Cornet (1) 2nd Bflat Cornets (2) 3rd Bflat Cornets (2);Flugel horn Solo Eflat Horn 1st Eflat Horn 2nd Eflat Horn; 1st Bflat Bar. 1 2nd Bflat Bar. 1st Trombone 2ndTrombone Bass Trombone; Bflat Euphoniums (2); Eflat Tubas (2); Bflat Tubas (2); 2 percussion
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Guardian Angels (HOUBEN KEVIN)
Wind ensemble
[Score and Parts]
Par HOUBEN KEVIN. Guardian Angels dépeint la légende du pasteur Louis Henri An...
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Par HOUBEN KEVIN. Guardian Angels dépeint la légende du pasteur Louis Henri Antoine Bähler en utilisant entre autre le Psaume 34. La partie nord-ouest de la région de la Veluwe, et en particulier Oldebroek (Pays-Bas), possède une riche tradition religieuse, dont témoignent les bâtiments monumentaux de l'église. Ils racontent une histoire mouvementée, dans laquelle le pasteur Bähler a joué un rôle particulier. Inspirées par son arrivée comme pasteur en 1870 dans la ville voisine d'Oosterwolde, deux grandes communautés ecclésiastiques ont vu le jour, avec les bâtiments religieux typiques. Cependant, la région a aussi connu des troubles sociaux importants. Cette composition est une méditation sur la personnalité marquante du pasteur et en particulier sur l'histoire de la protection des anges: Un soir, le pasteur Bähler avait prêché à Oldebroek et marchait le long du sentier de l?église entre les champs pour aller à Oosterwolde. Le temps était sombre et orageux. Certains opposants de Bähler lui avaient tendu une embuscade et voulaient le noyer dans un fossé près du sentier. Lorsqu?ils virent qu?il n?était pas seul, mais en compagnie de deux autres hommes, ils abandonnèrent leur projet. Le lendemain, Bähler rencontra ses adversaires. Ceux-ci regrettaient ce plan qu?ils n?avaient heureusement pas pu mettre à exécution. Lors de cette rencontre, Bähler affirma catégoriquement avoir été seul à marcher sur le sentier de l?église la veille plutôt qu?accompagné par deux autres hommes. On en conclut qu?il avait été protégé par des anges. Si le Psaume 34 est au centre de cette composition, c?est en raison de sa puissante mélodie mais aussi parce que le texte du verset 4 de la version rimée de ce psaume s'accorde bien avec la légende extraordinaire du pasteur Bähler: ?L'ange du Seigneur monte la garde ?autour de ceux qui le craignent,?il les met hors de danger.? Une deuxième cellule mélodique et harmonique est la transformation musicale du nom ?Bähler?. Cette cellule est utilisée en variation d?accords de tierces majeures et mineures, tant comme idée principale que comme apothéose, mais également comme cellule d'accompagnement ou de motif de pont entre d'autres constructions mélodiques et rythmiques. La composition a été rendue possible grâce aux contributions de M. Evert van de Poll, propriétaire du Van Gelder Groep, du Prins Bernhard Cultuurfonds Gelderland et du Feteris Oosterbaan Fonds. / Date parution : 2022-05-03/ Répertoire / Ensemble à Vents
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Gustav Mahler: Mahler One Inspiration by the Ton! [Woodwind]: Flexible Band:
Wind ensemble
[Sheet music]
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Intermediate
Spartan Press
Gustav Mahler's 1st Symphony unlocked for flexible ensemble-This album for flexi...
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Gustav Mahler's 1st Symphony unlocked for flexible ensemble-This album for flexible Wind Ensemble contains all four movements from Gustav Mahler's 1st symphony condensed and abbreviated into four delightful miniatures by Mark Goddard. Highly playable and enormous fun. These arrangements retain the essence of the great work yet are easy to play and concise. This Woodwind Pack optionally combines with parts for Brass (SP1312) and Strings (SP1313).
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C. Rickards: More Christmas Feasting Ensemble: Instrumental Album
Wind ensemble
Spartan Press
The 'Sequel' to the best selling 'Christmas Feasting' this pseudo big band arra...
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The 'Sequel' to the best selling 'Christmas Feasting' this pseudo big band arrangement of God Rest Ye Merry Gentlemen uses an even more flexible line up with the additional option of live drums (opt. part included).Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.
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Nigel Hess: The TV Detectives: Concert Band: Score
Wind ensemble
[Sheet music]
Faber Music Limited
The TV Detectives brings together five of Nigel Hess’s best-known televisi...
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The TV Detectives brings together five of Nigel Hess’s best-known television themes (Dangerfield Campion Wycliffe Maigret and Hetty Wainthropp Investigates) all originally written for small-screen sleuths in whodunits that have been enjoyed by TV audiences worldwide. Dangerfield is a BBC series about a Warwickshire police surgeon and originally starred Nigel le Vaillant before Nigel Havers took over the lead role. Campion also from the BBC was based on Margery Allingham’s stories of a mild-mannered 1920s gentleman detective played by Peter Davison. Wycliffe was a long-running HTV series set in Cornwall and starred Jack Shepherd as a somewhat dour andlow-key DCI - but of course he always solved the case! Michael Gambon starred in Granada TV’s latest incarnation of the famous French detective Maigret while Patricia Routledge played the OAP sleuth to perfection in Hetty Wainthropp Investigates another popular BBC series. For the first time these popular tunes which conjure up their programmes perfectly have been arranged for wind band in a continuous suite.
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Chips In A Bag (SEARLE LESLIE)
Wind ensemble
Schott
Par SEARLE LESLIE. Il s'agit d'un transfert d'agitation, habile de style pop mus...
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Par SEARLE LESLIE. Il s'agit d'un transfert d'agitation, habile de style pop musique pour bande de vent de jeunesse. L'original peut composition il effectué par des groupes plus petits : le plus gros score est pour Instruments supplémentaires. Leslie Searle est entré à l'Allemagne en 1965 comme saxophoniste dans la bande de la Royal Air Force. Il a composé et fait des arrangements de musique par Kurt Edelhagen, entre autres et a joué dans de nombreux groupes. Il est maintenant directeur de l'école privée de musique de Remscheid./ Répertoire / Ensemble à Vent
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Ouvertüre in Es-Dur
Wind ensemble
(Overture in E-flat major). Par JAEGGI STEPHAN. Dans le cadre de l?année 2023, ...
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(Overture in E-flat major). Par JAEGGI STEPHAN. Dans le cadre de l?année 2023, dédiée aux compositeurs suisses, l?Association suisse des musiques a commandé à Gauthier Dupertuis une nouvelle orchestration de l?Ouverture en Mi bémol de Stephan Jaeggi. En effet, une mise à jour de l?instrumentation était nécessaire à l?interprétation de cette ?uvre avec les orchestres modernes. Ainsi, l?orchestration que Gauthier Dupertuis propose, et qu?il a voulu fidèle à l?originale tout en répondant aux standards idiomatiques actuels, permettra aux orchestres actuels de pouvoir interpréter cette pièce d?inspiration classique-romantique. Compositeur et chef d?orchestre, Stephan Jaeggi est né en 1903 dans une famille nombreuse à Fulenbach (Canton de Soleure). Il a commencé la clarinette à 13 ans, a étudié la musique au Conservatoire de Bâle et a effectué son école de recrues au sein de la musique militaire. Une fois ses études terminées, il a dirigé plusieurs orchestres à vents. Dans ce rôle, mais aussi dans celui de compositeur, Stephan Jaeggi a accumulé les succès. Sa disparition prématurée, en 1957, a mis bien trop tôt un terme à la vie créative de Stephan Jaeggi. Mais aujourd?hui, son ?uvre est plus vivante que jamais. / Date parution : 2023-10-31/ Répertoire / Orchestre à Vents
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Graham Lyons: A Christmas Carol Suite: Wind Ensemble: Instrumental Work
Wind ensemble
[Sheet music]
Chester
Mixed Bag No. 6-Graham Lyons’s lively mind is apparent in this arrangemen...
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Mixed Bag No. 6-Graham Lyons’s lively mind is apparent in this arrangement of Christmas carols for wind ensemble created to mixed-ability ensembles to make music together. Part I is the most demanding while Parts 2 and 3 are more simplified. Then there are ‘filler’ parts for beginning musicians. The parts can be doubled however your needs and tastes desire. The sheet music includes a score and double sets of parts and is sure to be a concert favourite includingmelodies of The Wassail Song The Holly and The Ivy Away in a Manger The Coventry Carol and Unto Us A Boy Is Born.Graham Lyons is something of a polymath which is not that unusual among musicians. Originally a pianist heswitched to clarinet when he was inspired by Benny Goodman but he also plays jazz bassoon. Lyons has performed with Orchestras and ensembles throughout the world both in live performance and on broadcasts and recordings. Hehas written a book on Soviet international policy. If you or your students began your clarinet career on a Clarineo a scaled-down instrument appropriate for younger students then you have Lyons to thank as he is its inventor.
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Contradanse for eight wind instruments (POE LARA) (POE LARA)
Wind ensemble
[Score and Parts]
Fennica Gehrman
Par POE LARA. Lara Poe's (b. 1993) good-humoured Contradanse for eight wind inst...
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Par POE LARA. Lara Poe's (b. 1993) good-humoured Contradanse for eight wind instruments employs slightly off-kilter dance rhythms to create a rhythmic background structure to the piece. The melody lines constantly change timbre as they move through different instrumental combinations. Duration: 4'30'' Instruments: Flute Clarinet in B flat 2 Bassoons 2 Trumpets in B flat Tenor Trombone Bass Trombone This product includes the score and the set of parts. Lara Poe is a Finnish-American composer who is currently based in London. Her works have been performed across a wide range of venues throughout the US, Europe, and Asia. Her piece Kaamos, which she wrote for the Lahti Symphony Orchestra, was recently nominated for a Ivors Composer Award in the Large Scale Composition category. Kaamos also was selected by YLE Radio Finland to represent Finland at the International Rostrum of Composers 2021 in Belgrade, Serbia. Poe was the 2019 Tanglewood Music Patricia Plum Wilde Fellow and represented Finland at Ung Nordisk Musik 2019 in Piteå. She was also a 2018-2019 participant in the London Symphony Orchestra's Panufnik Scheme, where she worked under the guidance of Colin Matthews and Christian Mason. / Date parution : 2023-01-24/ Répertoire / Ensemble à Vents (8 parties)
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Karel Husa: Concerto for Wind Ensemble: Concert Band: Score and Parts
Wind ensemble
[Sheet music]
Schirmer
Standard US Set (without european suppl. parts)-Commissioned by the Michigan Sta...
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Standard US Set (without european suppl. parts)-Commissioned by the Michigan State University Alumni Band this three movement work by Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983. A note from thecomposer: 'Divided into three movements this work is a display of virtuoso passages given to solo instruments as well as to the groups of the ensemble. In the Fanfare of the first movement the Brass section concertises in groupsof four Brass quintets (2 Trumpets Horn Trombone and Tuba or Baritone) spread from left to right in back. The Saxophones (SATB) are placed in front of the Brass quintets and the Woodwinds occupy the front of the stage withPercussion on the left and right side. These groups like the Brass quintets play in the concertante style particularly in the first and last movements. 'At the same time each movement contains individual solo passages(for example Timpani and Flute in Movement I - Drum Ceremony and English Horn and other low Woodwinds in Movement II - Elegy). The composition of this piece was prompted by the excellence of Wind and Percussion players today andby the incredible growth of Wind ensembles orchestras and bands in the last 25 years. It is intended for their enjoyment.'
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