| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(31)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| The Real Book - Volume IV Bass Clef Instruments Hal Leonard
(Bass Clef Edition). By Various. By Various. For Bass Clef Instruments. Fake Boo...(+)
(Bass Clef Edition). By Various. By Various. For Bass Clef Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard
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| The Real Book - Volume 2 Bass Clef Instruments [Fake Book] Hal Leonard
Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Size...(+)
Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. Published by Hal Leonard.
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| The Real Book - Volume 3 (Bass Clef Instruments) Bass Clef Instruments [Fake Book] Hal Leonard
Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Soft...(+)
Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Softcover. 464 pages. Published by Hal Leonard.
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| Bass Tab White Pages
Bass guitar [Sheet music] - Intermediate Hal Leonard
For bass guitar and voice. Format: bass tablature songbook. With bass tablature,...(+)
For bass guitar and voice. Format: bass tablature songbook. With bass tablature, standard notation, vocal melody, lyrics, chord names and bass notation legend. Rock and pop rock. Series: Hal Leonard Bass Recorded Versions. 1023 pages. 8.5x11 inches. Published by Hal Leonard.
(26)$44.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Lyrics Lyrics only [Sheet music] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.
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| The Real Vocal Book - Volume III Low voice Hal Leonard
(Low Voice). Composed by Various. For Vocal. Fake Book. 440 pages. Published by ...(+)
(Low Voice). Composed by Various. For Vocal. Fake Book. 440 pages. Published by Hal Leonard
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| The Real Book - Volume IV Bb Instruments [Fake Book] Hal Leonard
(B-flat Edition). By Various. By Various. For Bb Instruments. Fake Book. Softcov...(+)
(B-flat Edition). By Various. By Various. For Bb Instruments. Fake Book. Softcover. 512 pages. Published by Hal Leonard
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| The Real Book - Volume IV C Instruments [Fake Book] Hal Leonard
(C Edition). By Various. By Various. Fake Book. Softcover. 464 pages. Published ...(+)
(C Edition). By Various. By Various. Fake Book. Softcover. 464 pages. Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| The Real Book - Volume IV Eb Instruments [Fake Book] Hal Leonard
(E-flat Edition). By Various. By Various. For Eb Instruments. Fake Book. Softcov...(+)
(E-flat Edition). By Various. By Various. For Eb Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard
$54.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| The Ultimate Ukulele Fake Book - Small Edition Ukulele [Fake Book] Hal Leonard
Over 400 Songs to Strum and Sing. By Various. Ukulele. Pop. Softcover. 632 pag...(+)
Over 400 Songs to Strum and
Sing. By Various. Ukulele.
Pop. Softcover. 632 pages.
Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| The Ultimate Ukulele Fake Book Ukulele [Fake Book] Hal Leonard
Over 400 Songs to Strum and Sing. Composed by Various. Ukulele. Folk, Standard...(+)
Over 400 Songs to Strum and
Sing. Composed by Various.
Ukulele. Folk, Standards.
Softcover. 632 pages.
Published by Hal Leonard
$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| The Real Vocal Book - Volume II Low voice [Fake Book] Hal Leonard
Low Voice. By Various. Fake Book (Includes melody line and chords). 368 pages. P...(+)
Low Voice. By Various. Fake Book (Includes melody line and chords). 368 pages. Published by Hal Leonard.
$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Essential Elements Pop Songs for Bass Clarinet Bass Clarinet Hal Leonard
Clarinet (Bass Clarinet) SKU: HL.870071 Composed by Various. Essential El...(+)
Clarinet (Bass Clarinet) SKU: HL.870071 Composed by Various. Essential Elements Band Folios. Pop. Softcover. 16 pages. Published by Hal Leonard (HL.870071). ISBN 9781705150207. UPC: 196288016946. 9.0x12.0x0.077 inches. 30 popular melodies at an easy level in solo books for all the instruments in the Essential Elements Band Method. Perfect motivational music for students to play and practice featuring songs by Billie Eilish, Queen, Shawn Mendes, Taylor Swift, Star Wars, The Avengers, and more! Titles include: Believer • Blinding Lights • Don't Stop Believin' • Dynamite • Hallelujah • The Imperial March (Darth Vader's Theme) • Let It Go • Señorita • Seven Nation Army • Sucker • This Is Me • We Are the Champions • Wildest Dreams • You Will Be Found • and more. $14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Northern Lights (Play With A Jazz Big Band) Double Bass [Sheet music + CD] Music Minus One
For Double Bass. Includes : A high-quality music book featuring solo parts for e...(+)
For Double Bass. Includes : A high-quality music book featuring solo parts for each tune; A CD featuring a complete digital stereo reference recording; A 2nd CD of recordings of the accompaniments minus you, the soloist!. Published by Music Minus One.
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| Essential Elements Pop Songs for Bassoon Bassoon Hal Leonard
Bassoon SKU: HL.870068 Composed by Various. Essential Elements Band Folio...(+)
Bassoon SKU: HL.870068 Composed by Various. Essential Elements Band Folios. Pop. Softcover. 16 pages. Published by Hal Leonard (HL.870068). ISBN 9781705150061. UPC: 196288016779. 9.0x12.0x0.07 inches. 30 popular melodies at an easy level in solo books for all the instruments in the Essential Elements Band Method. Perfect motivational music for students to play and practice featuring songs by Billie Eilish, Queen, Shawn Mendes, Taylor Swift, Star Wars, The Avengers, and more! Titles include: Believer � Blinding Lights � Don't Stop Believin' � Dynamite � Hallelujah � The Imperial March (Darth Vader's Theme) � Let It Go � Señorita � Seven Nation Army � Sucker � This Is Me � We Are the Champions � Wildest Dreams � You Will Be Found � and more. $14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Symphony in G Major, Opus 88, No. 8 Double Bass Barenreiter
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 88. 12 pages. Baerenreiter Verlag #BA10418_85. Published by Baerenreiter Verlag (BA.BA10418-85). ISBN 9790006564699. 32.5 x 25.5 cm inches. Key: G major. Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.
As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.
The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.
The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.
It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.
This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.
The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.
About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Prelude a lapres-midi dun faune for Orchestra Double Bass Barenreiter
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Doug...(+)
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Douglas Woodfull-Harris. This edition: urtext edition. Folded. Barenreiter Urtext. Single part. 3 pages. Duration 10 minutes. Baerenreiter Verlag #BA08841_85. Published by Baerenreiter Verlag (BA.BA08841-85). ISBN 9790006541256. 32.5 x 25.5 cm inches. Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed. Baerenreiter's Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes, found in no other source, include metronome markings, different pitches and additional notes, as well as added tempo and articulation markings, which all subtly enhance Debussy's finely sculpted work. There is even a breath mark added to the famous solo flute passage which opens the work. * Scholarly critical edition with many corrections in the score and orchestral parts * Clear presentation of orchestral parts in an enlarged format. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Red Lights! Woodwind Quintet: flute, oboe, bassoon, clarinet, horn Potenza Music
Woodwind quintet SKU: P2.10015 Composed by Reed A. Hanna. Chamber music, ...(+)
Woodwind quintet SKU: P2.10015 Composed by Reed A. Hanna. Chamber music, 20th century, Woodwind Quintet. Published by Potenza Music (P2.10015). Composer Reed A. Hanna writes, Red Lights! is a coming-of-age story about a young man and his attempt to find himself. In each of the three movements, the listener follows the young man on his journey through the exotic world of the red light district, which may at first seem to have an allure of excitement and novelty, but might end up being a mysterious realm of plausible scandal and ill-repute. The young man, blinded by his voracious desire to experience the unknown, encounters many things in his journey that are 'eye-opening' (to say the least). This eye-opening impression is bestowed on him most notably through his encounter with 'Madame', a character who offers the more worldly perspective that is the object of the young man's desire - or so he thinks.. $39.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | |
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| Symphony No. 3 C minor op. 78 Double Bass Barenreiter
Double bass SKU: BA.BA07896-85 Composed by Camille Saint-Saens. Edited by...(+)
Double bass SKU: BA.BA07896-85 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 78. 15 pages. Baerenreiter Verlag #BA07896_85. Published by Baerenreiter Verlag (BA.BA07896-85). ISBN 9790006563395. 32.5 x 25.5 cm inches. Key: C minor. In this work I gave everything I had to give. [...] What I did here I will never do again. Camille Saint-Saens was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886.
In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected.
The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of Camille Saint-Saens - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series.
* First scholarly-critical edition of this famous symphony based on Camille Saint-Saens aEUR Complete Edition of the Instrumental Works * Now with separate parts for all winds * Orchestral parts in a large format (25.5 cm x 32.5 cm). About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Fifty Years Of Hits: Volume One Music Sales | |
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| Flute En Suite Flute And Piano Reducation Schott
Flute and orchestra (FLUTE PIANO) - difficult SKU: HL.49044665 For flu...(+)
Flute and orchestra (FLUTE PIANO) - difficult SKU: HL.49044665 For flute and orchestral groups. Composed by Jorg Widmann. This edition: Saddle stitching. Sheet music. Woodwind Solo. This 'Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface,. Softcover. Composed 2011. 80 pages. Duration 22'. Schott Music #FTR225. Published by Schott Music (HL.49044665). ISBN 9790001200103. UPC: 841886022928. 9.0x12.0x0.213 inches. This 'Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flute en suite. Jorg Widmann
This 'Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flute en suite. Jorg Widmann
3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) * 3 (2. auch Ob. d'am., 3. auch Engl. Hr.) * 0 * 3 (3. auch Kfg.) - 4 * 4 * 3 * 1 - S. (Glsp. * Vibr. * 3 hg. Beck. [h./m./t.] * chin. Beck. * 4 Gongs * 4 Buckelgongs * 2 Tamt. [m./t.] * Wassertamt. * gr. Tr. * Metal Chimes * Peitsche) (2 Spieler) - Hfe. * Cel. (auch Cemb.) - Str. (10 * 8 * 6 * 4 * 3). $74.00 - See more - Buy online | |
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| Busk It Country Fake Book Piano solo Music Sales | |
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| Now my soul exalts the Lord BWV 10 - Intermediate Barenreiter
First oboe, second oboe, trumpet (1. Oboe, 2. Oboe, Trumpet) - Level 3 SKU: B...(+)
First oboe, second oboe, trumpet (1. Oboe, 2. Oboe, Trumpet) - Level 3 SKU: BA.BA10010-65 Cantata for the Feast of Visitation B. V. M.. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext edition. Folded. Barenreiter Urtext. Set of wind parts. BWV 10. 4/4/2 pages. Baerenreiter Verlag #BA10010_65. Published by Baerenreiter Verlag (BA.BA10010-65). ISBN 9790006561537. 32.5 x 25.5 cm inches. Johann Sebastian Bach's chorale cantataNow my soul exalts the Lord(BWV 10) was composed in 1724 for the Feast of Visitation (2 July). Its themes are based on the Marian hymn of praise (Magnificat) from the Gospel according to Luke.
Bach gave the free combination of poetic paraphrase and Biblical text a varied musical setting ranging from the mighty opening chorus via two large arias to an intimate duet and richly pictorial recitatives. Despite the small instrumental forces ofad libitumtrumpet, two oboes, strings and basso continuo, Bach creates a majestic musical language appropriate to the Magnificat. This Urtext performing edition is based on theNew Bach Edition.
* Bach cantata with a small instrumental ensemble * Based on the Urtext of theNew Bach Edition * Performance duration of 20-25 minutes
About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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