Guitar

SKU: BT.MUSAM955196

It's Easy To Bluff... Tuition. Book Only. Wise Publications #MUSAM955196. Published by Wise Publications (BT.MUSAM955196).

ISBN 9780711980082. English.

Every guitar player loves the blues, but how many of us were actually born into poverty in Mississippi? And can anyone honestly claim to have heard the complete recordings of Charley Patton? Never mind... It's EasyToBluff gives you all the skills you need! Learn to play some impressive blues licks, and discover how to look the part and hold your own in any blues conversation.

By Janet Vogt. piano, performance cd. Level: Easy. Educational piano collection. Published by Heritage Music Press.

Composed by Lennie Niehaus. For jazz ensemble. Jazz Gateway Series. Moderate Swing. Easy. Score and set of parts. Published by Kendor Music Inc

(for percussion ensemble). Composed by Jim Casella. For Percussion Ensemble (8 players). Percussion Ensembles. Medium-Easy. Folio and Parts on CD-ROM. 16 pages. Duration 4 minutes, 30 seconds. Published by Tapspace Publications

Music from the Motion Picture Soundtrack. Composed by Marc Shaiman and Scott Wittman. Easy Piano Songbook. Movies, Children, Disney. Softcover. 74 pages. Published by Hal Leonard

Grade 3

SKU: CL.032-0286-01

Composed by H. Smith. Jazz Ensemble. Extra full score. Composed 1984. C.L. Barnhouse #032-0286-01. Published by C.L. Barnhouse (CL.032-0286-01).

Your band will love this easy swinger which opens with nice unison lines for Trumpet and Alto, and then builds to some exciting full ensemble sounds before a big finish. Plenty of opportunities in between for solos at the director’s discretion.

For snare drum. Missouri Percussion Solo and Ensemble List; Texas Percussion Solo and Ensemble List. Level: Grade 2-6. Book. Published by Drop6 Media.

Composed by Jerry Nowak. For jazz ensemble: 5 saxes, 6 brass and rhythm section (playable by 3 saxes, 3 trumpets, trombone, piano, bass & drums) with opt. flute, clarinet, F horn, tuba, percussion (bongos) & vibes. Jazz Gateway Series. Moderate Swing. Easy. Score and set of parts. Duration 3 minutes. Published by Kendor Music Inc

By Malcolm Archer. For Organ. (2-part). Hymn preludes. Sacred. Level: Beginning. Book. Published by Kevin Mayhew Publishers (U.K. Import).

Choral Bass 1, Bass 2, baritone voice tenor 1, tenor 2

SKU: CF.CM9634

Composed by Traditional Christmas Spiritual. Arranged by Ken Berg. Sws. Performance Score. 16 pages. Duration 3 minutes, 40 seconds. Carl Fischer Music #CM9634. Published by Carl Fischer Music (CF.CM9634).

ISBN 9781491157060. UPC: 680160915620. 6.875 x 10.5 inches. Key: G major. English, English. Traditional Christmas Spiritual.

Berg's fantastic setting of this beloved American Christmas spiritual for advanced tenor-bass choirs tells a story of hope and meaning. The various textures throughout the a cappella arrangement with solos add much variety and musical interest. A holiday programming must!.
This beloved American Christmas Spiritual, like all spirituals and/or folk songs, tells a story. This is a story of hope and meaning. The introductory solo call and response (mm. 1-7) is hymnic in nature, just to get us started. (Think of it as an effective head fake!) The entrance at m. 8 from the upper three voices (we'll call them the trio part henceforth) is pivotal. They set the stage for the conversation between the singers and the soloist for the rest of the song. From this point, the song is basically a Jazz Trio in vocal form. The bass singers take on the role of the cool dude in the back wearing dark glasses and a beret playing the string bass. They provide the driving force for the forward movement of the entire song. The trio part, basically tenors 1 & 2 and baritones, take on the role of the keyboard providing chordal structure and syncopation. Their job is to fill the listener's ear with sound and rhythm. The soloist tells the story using the known melody and text with appropriate improv opportunities to keep the listeners focused on the message of the song. There is enough repetition to make for easy learning, but this also means that the chords need to snap into position cleanly every time. The Verses are easily identified (there are three) and presented with some small variations in Verse 3 (see mm. 56-58...this only happens once). The Refrain (mm. 30-37) is the part of the song where the singers switch from the Jazz Trio role and actually become a Men's Choral Ensemble. This Refrain is repeated after Verse 3 at mm. 66-71. Between verses 2 & 3, there is not a refrain. Instead, there is a bridge repeated from the introductory material, but used this time to move us into a new key signature. This can be a very exciting moment for the singers as well as the listeners! Measures 72-75 is known in the business as a vamp. It can be repeated once and then move on, OR it can be repeated multiple times, depending on the comfort level of the soloist and the response of the audience. It is important that there be a clear signal from the conductor as to how to end the vamp and move effectively to the actual coda of the song. The ending should be sung with tight control that only looks like reckless abandon! Faces bright; words clean; melody clear; rhythms precise! Enjoy.
This beloved American Christmas Spiritual, like all spirituals and/or folk songs, tells a story. This is a story of hope and meaning. The introductory solo call and response (mm. 1-7) is hymnic in nature, just to get us started. (Think of it as an effective head fake!)The entrance at m. 8 from the upper three voices (we’ll call them the “trio part” henceforth) is pivotal. They set the stage for the conversation between the singers and the soloist for the rest of the song. From this point, the song is basically a Jazz Trio in vocal form. The bass singers take on the role of the cool dude in the back wearing dark glasses and a beret playing the string bass. They provide the driving force for the forward movement of the entire song.The “trio part”, basically tenors 1 & 2 and baritones, take on the role of the keyboard providing chordal structure and syncopation. Their job is to fill the listener’s ear with sound and rhythm.The soloist tells the story using the known melody and text with appropriate improv opportunities to keep the listeners focused on the message of the song.There is enough repetition to make for easy learning, but this also means that the chords need to “snap into position” cleanly every time. The Verses are easily identified (there are three) and presented with some small variations in Verse 3 (see mm. 56-58…this only happens once).The Refrain (mm. 30-37) is the part of the song where the singers switch from the “Jazz Trio” role and actually become a “Men’s Choral Ensemble”. This Refrain is repeated after Verse 3 at mm. 66-71. Between verses 2 & 3, there is not a refrain. Instead, there is a bridge repeated from the introductory material, but used this time to move us into a new key signature. This can be a very exciting moment for the singers as well as the listeners!Measures 72-75 is known in the business as a “vamp”. It can be repeated once and then move on, OR it can be repeated multiple times, depending on the comfort level of the soloist and the response of the audience.It is important that there be a clear signal from the conductor as to how to end the “vamp” and move effectively to the actual coda of the song. The ending should be sung with tight control that only looks like reckless abandon!Faces bright; words clean; melody clear; rhythms precise! Enjoy.