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| Two Preludes and Fugues and a Toccata
Organ [Sheet music]
Kalmus
Composed by Johann Kuhnau (1660-1722). Masterworks; Organ - Method or Collection...(+)
Composed by Johann Kuhnau (1660-1722). Masterworks; Organ - Method or Collection. Kalmus Edition. Form: Fugue; Prelude. Baroque; Masterwork. Book. 20 pages. Kalmus Classic Edition #00-K09085. Published by Kalmus Classic Edition
$6.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Kuhnau: Suite In A Minor
Guitar
Music Sales
Guitar SKU: HL.14018242 Composed by Johann Kuhnau. Music Sales America. C...(+)
Guitar SKU: HL.14018242 Composed by Johann Kuhnau. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV950209. Published by Music Sales (HL.14018242). $10.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Magnificat in C major
Organ
Breitkopf & Härtel
Organ SKU: BR.OB-32108-11 With Insertion Movements for Performances ov...(+)
Organ SKU: BR.OB-32108-11 With Insertion Movements for Performances over Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 24 pages. Duration 30'. Breitkopf and Haertel #OB 32108-11. Published by Breitkopf and Haertel (BR.OB-32108-11). ISBN 9790004343050. 10 x 12.5 inches. Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other large-scale works among his oeuvre which are largely presumed lost today, apart from those that were published as first editions. Until now, only insufficient or erroneous editions of the Magnificat have been available, a piano reduction has not been available at all. Beyond that, editor David Erler has succeeded in tracking down new evidence on the authorship of four Laudes (insertion movements for performances over Christmas) and to carry out their altogether new placement in the main work. He was able to prove that Bach's Magnificat directly succeeded Kuhnaus's work and that the use of such Laudes was common in Leipzig's parish churches and beyond. $24.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Magnificat in C major
Breitkopf & Härtel
Violin 2 SKU: BR.OB-32108-16 With Insertion Movements for Performances...(+)
Violin 2 SKU: BR.OB-32108-16 With Insertion Movements for Performances over Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 12 pages. Duration 30'. Breitkopf and Haertel #OB 32108-16. Published by Breitkopf and Haertel (BR.OB-32108-16). ISBN 9790004343081. 10 x 12.5 inches. Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other large-scale works among his oeuvre which are largely presumed lost today, apart from those that were published as first editions. Until now, only insufficient or erroneous editions of the Magnificat have been available, a piano reduction has not been available at all. Beyond that, editor David Erler has succeeded in tracking down new evidence on the authorship of four Laudes (insertion movements for performances over Christmas) and to carry out their altogether new placement in the main work. He was able to prove that Bach's Magnificat directly succeeded Kuhnaus's work and that the use of such Laudes was common in Leipzig's parish churches and beyond. $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Magnificat in C major [Score]
Breitkopf & Härtel
Chorus (with soloists) and orchestra SKU: BR.PB-32108 With Insertion M...(+)
Chorus (with soloists) and orchestra SKU: BR.PB-32108 With Insertion Movements for Performances over Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; Softbound. Partitur-Bibliothek (Score Library). Mass; Baroque. Full score. 116 pages. Duration 30'. Breitkopf and Haertel #PB 32108. Published by Breitkopf and Haertel (BR.PB-32108). ISBN 9790004215814. 10 x 12.5 inches. Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other large-scale works among his oeuvre which are largely presumed lost today, apart from those that were published as first editions. Until now, only insufficient or erroneous editions of the Magnificat have been available, a piano reduction has not been available at all. Beyond that, editor David Erler has succeeded in tracking down new evidence on the authorship of four Laudes (insertion movements for performances over Christmas) and to carry out their altogether new placement in the main work. He was able to prove that Bach's Magnificat directly succeeded Kuhnaus's work and that the use of such Laudes was common in Leipzig's parish churches and beyond. $86.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Magnificat in C major
Breitkopf & Härtel
Woodwinds SKU: BR.OB-32108-30 With Insertion Movements for Performance...(+)
Woodwinds SKU: BR.OB-32108-30 With Insertion Movements for Performances over Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Set of parts. 24 pages. Duration 30'. Breitkopf and Haertel #OB 32108-30. Published by Breitkopf and Haertel (BR.OB-32108-30). ISBN 9790004343128. 10 x 12.5 inches. Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other large-scale works among his oeuvre which are largely presumed lost today, apart from those that were published as first editions. Until now, only insufficient or erroneous editions of the Magnificat have been available, a piano reduction has not been available at all. Beyond that, editor David Erler has succeeded in tracking down new evidence on the authorship of four Laudes (insertion movements for performances over Christmas) and to carry out their altogether new placement in the main work. He was able to prove that Bach's Magnificat directly succeeded Kuhnaus's work and that the use of such Laudes was common in Leipzig's parish churches and beyond. $42.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Magnificat in C major
Breitkopf & Härtel
Viola 2 SKU: BR.OB-32108-20 With Insertion Movements for Performances ...(+)
Viola 2 SKU: BR.OB-32108-20 With Insertion Movements for Performances over Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 12 pages. Duration 30'. Breitkopf and Haertel #OB 32108-20. Published by Breitkopf and Haertel (BR.OB-32108-20). ISBN 9790004343104. 10 x 12.5 inches. Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other large-scale works among his oeuvre which are largely presumed lost today, apart from those that were published as first editions. Until now, only insufficient or erroneous editions of the Magnificat have been available, a piano reduction has not been available at all. Beyond that, editor David Erler has succeeded in tracking down new evidence on the authorship of four Laudes (insertion movements for performances over Christmas) and to carry out their altogether new placement in the main work. He was able to prove that Bach's Magnificat directly succeeded Kuhnaus's work and that the use of such Laudes was common in Leipzig's parish churches and beyond. $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Magnificat in C major
Breitkopf & Härtel
Violin 1 SKU: BR.OB-32108-15 With Insertion Movements for Performances...(+)
Violin 1 SKU: BR.OB-32108-15 With Insertion Movements for Performances over Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 12 pages. Duration 30'. Breitkopf and Haertel #OB 32108-15. Published by Breitkopf and Haertel (BR.OB-32108-15). ISBN 9790004343074. 10 x 12.5 inches. Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other large-scale works among his oeuvre which are largely presumed lost today, apart from those that were published as first editions. Until now, only insufficient or erroneous editions of the Magnificat have been available, a piano reduction has not been available at all. Beyond that, editor David Erler has succeeded in tracking down new evidence on the authorship of four Laudes (insertion movements for performances over Christmas) and to carry out their altogether new placement in the main work. He was able to prove that Bach's Magnificat directly succeeded Kuhnaus's work and that the use of such Laudes was common in Leipzig's parish churches and beyond. $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Magnificat in C major
Breitkopf & Härtel
Basso (cello/double bass) SKU: BR.OB-32108-26 With Insertion Movements...(+)
Basso (cello/double bass) SKU: BR.OB-32108-26 With Insertion Movements for Performances over Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 16 pages. Duration 30'. Breitkopf and Haertel #OB 32108-26. Published by Breitkopf and Haertel (BR.OB-32108-26). ISBN 9790004343111. 10 x 12.5 inches. Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other large-scale works among his oeuvre which are largely presumed lost today, apart from those that were published as first editions. Until now, only insufficient or erroneous editions of the Magnificat have been available, a piano reduction has not been available at all. Beyond that, editor David Erler has succeeded in tracking down new evidence on the authorship of four Laudes (insertion movements for performances over Christmas) and to carry out their altogether new placement in the main work. He was able to prove that Bach's Magnificat directly succeeded Kuhnaus's work and that the use of such Laudes was common in Leipzig's parish churches and beyond. $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Magnificat in C major
Breitkopf & Härtel
Viola 1 SKU: BR.OB-32108-19 With Insertion Movements for Performances ...(+)
Viola 1 SKU: BR.OB-32108-19 With Insertion Movements for Performances over Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 12 pages. Duration 30'. Breitkopf and Haertel #OB 32108-19. Published by Breitkopf and Haertel (BR.OB-32108-19). ISBN 9790004343098. 10 x 12.5 inches. Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other large-scale works among his oeuvre which are largely presumed lost today, apart from those that were published as first editions. Until now, only insufficient or erroneous editions of the Magnificat have been available, a piano reduction has not been available at all. Beyond that, editor David Erler has succeeded in tracking down new evidence on the authorship of four Laudes (insertion movements for performances over Christmas) and to carry out their altogether new placement in the main work. He was able to prove that Bach's Magnificat directly succeeded Kuhnaus's work and that the use of such Laudes was common in Leipzig's parish churches and beyond. $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| 3 Motets
Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-5343 Along with an Appendix of Doubtful ...(+)
Chorus a cappella SKU: BR.CHB-5343 Along with an Appendix of Doubtful Attribution - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Chor-Bibliothek (Choral Library). Motet; Baroque; Renaissance/early Baroque. Sheet Music. Breitkopf and Haertel #CHB 5343. Published by Breitkopf and Haertel (BR.CHB-5343). ISBN 9790004412732. 7.5 x 10.5 inches. German. Johann Kuhnau's extant vocal works will be fully complete in the Breitkopf & Hartel catalogue in coming years. These are cantatas as a rule, but at least works with instrumental accompaniment. The Three Motets in this volume are therefore unique, including in addition to the well known Tristis est anima mea, also the two other extant Kuhnau motets Ach Gott, wie lasst du mich verstarren, as well as Gott hat uns nicht gesetzt zum Zorn. Each one, of five parts (with the tenor or canto part doubled), these masterpieces round out the picture of Johann Kuhnau, Johann Sebastian Bach's predecessor as St. Thomas cantor. Really interesting. Kuhnau shows a real feeling for the texts he is setting, with effective chromaticism in the doleful 'Tristis est anima mea'.(Jeremy Jackman, Choir & Organ). $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| See, the righteous must die (Der Gerechte kommt um)
Choral SATB [Score and Parts]
Carus Verlag
SSATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3500119 Co...(+)
SSATB choir, 2 oboes, 2 violins, viola, basso continuo SKU: CA.3500119 Composed by Anonymous and Johann Kuhnau. Edited by Diethard Hellmann. Arranged by Johann Sebastian Bach. German title: Der Gerechte kommt um. Sacred vocal music, Lent and Passiontide, Holy Week. Set of Orchestra Parts. Carus Verlag #CV 35.001/19. Published by Carus Verlag (CA.3500119). ISBN 9790007139049. Language: German/English. Adaptation of the motet Tristis est anima mea, attributed to Johann Kuhnau. The motet Der Gerechte kommt um comes down to us as part of the Passion cantata Ein Lammlein geht und tragt die Schuld by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text Tristis est anima mea, which then was adapted - most likely by Bach - with a new text and the addition of instrumental parts. The motet Der Gerechte kommt um comes down to us as part of the Passion cantata Ein Lammlein geht und tragt die Schuld by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text Tristis est anima mea, which then was adapted--most likely by Bach--with a new text and the addition of insturmental parts. Score and parts available separately - see item CA.3500100. $65.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| See, the righteous must die (Der Gerechte kommt um)
Carus Verlag
Coro SSATB, 2 Ob, 2 Vl, Va, Bc SKU: CA.3500149 Composed by Anonymous and ...(+)
Coro SSATB, 2 Ob, 2 Vl, Va, Bc SKU: CA.3500149 Composed by Anonymous and Johann Kuhnau. Edited by Diethard Hellmann. Arranged by Johann Sebastian Bach. Organ. Sacred vocal music, Lent and Passiontide, Holy Week. Single Part, Organ. 4 pages. Carus Verlag #CV 35.001/49. Published by Carus Verlag (CA.3500149). ISBN 9790007245061. Language: German/English. Adaptation of the motet Tristis est anima mea, attributed to Johann Kuhnau. The motet Der Gerechte kommt um comes down to us as part of the Passion cantata Ein Lammlein geht und tragt die Schuld by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. According to the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text Tristis est anima mea, which then was adapted - most likely by Bach - with a new text and the addition of instrumental parts. The motet Der Gerechte kommt um comes down to us as part of the Passion cantata Ein Lammlein geht und tragt die Schuld by Carl Heinrich Graun, into which movements by various other composers, including Bach and Telemann, were also later inserted. From the research of Diethard Hellmann, editor of this edition, the motet was originally an a cappella composition by Johann Kuhnau with the text Tristis est anima mea, which then was adapted--most likely by Bach--with a new text and the addition of insturmental parts. Score and part available separately - see item CA.3500100. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Violin 1 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-15(+)
Violin 1 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-15 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by Erler. David. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 4 pages. Duration 12'. Breitkopf and Haertel #OB 32090-15. Published by Breitkopf and Haertel (BR.OB-32090-15). ISBN 9790004350409. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Viola 2 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-20 ...(+)
Viola 2 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-20 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 4 pages. Duration 12'. Breitkopf and Haertel #OB 32090-20. Published by Breitkopf and Haertel (BR.OB-32090-20). ISBN 9790004350430. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Basso (cello/double bass) (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: ...(+)
Basso (cello/double bass) (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-26 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 8 pages. Duration 12'. Breitkopf and Haertel #OB 32090-26. Published by Breitkopf and Haertel (BR.OB-32090-26). ISBN 9790004350447. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Chorus (with soloists) and piano (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) <...(+)
Chorus (with soloists) and piano (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.EB-32090 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Choir; stapled. Edition Breitkopf. Cantata; Baroque; Renaissance/early Baroque. Piano/Vocal Score. 24 pages. Duration 12'. Breitkopf and Haertel #EB 32090. Published by Breitkopf and Haertel (BR.EB-32090). ISBN 9790004186688. 7.5 x 10.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $18.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Organ (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-11 <...(+)
Organ (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-11 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 12 pages. Duration 12'. Breitkopf and Haertel #OB 32090-11. Published by Breitkopf and Haertel (BR.OB-32090-11). ISBN 9790004350393. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $13.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Violin 2 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-16(+)
Violin 2 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-16 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 4 pages. Duration 12'. Breitkopf and Haertel #OB 32090-16. Published by Breitkopf and Haertel (BR.OB-32090-16). ISBN 9790004350416. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben [Score]
Breitkopf & Härtel
Chorus (with soloists) and orchestra (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - b...(+)
Chorus (with soloists) and orchestra (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.PB-32090 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque; Renaissance/early Baroque. Full score. 60 pages. Duration 12'. Breitkopf and Haertel #PB 32090. Published by Breitkopf and Haertel (BR.PB-32090). ISBN 9790004215708. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too. Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $57.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Viola 1 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-19 ...(+)
Viola 1 (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-19 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 4 pages. Duration 12'. Breitkopf and Haertel #OB 32090-19. Published by Breitkopf and Haertel (BR.OB-32090-19). ISBN 9790004350423. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Daran erkennen wir, dass wir in Ihm bleiben
Breitkopf & Härtel
Wind parts (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-30<...(+)
Wind parts (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc) SKU: BR.OB-32090-30 Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Sheet Music. 24 pages. Duration 12'. Breitkopf and Haertel #OB 32090-30. Published by Breitkopf and Haertel (BR.OB-32090-30). ISBN 9790004350454. 10 x 12.5 inches. The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013). $33.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| O Holy Time
Breitkopf & Härtel
Viola 1 (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: BR.OB-32119-19 ...(+)
Viola 1 (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: BR.OB-32119-19 Cantata for Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 32119-19. Published by Breitkopf and Haertel (BR.OB-32119-19). ISBN 9790004349489. 10 x 12.5 inches. The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this text underlay, it can be performed by four soloists (SATB), single or double strings, and continuo organ. The participation of a choir in non-soloistic passages is optional, for historically unproven. The cantata was composed in the years 1704/05 and can therefore be placed in Kuhnau's term as St. Thomas cantor in Leipzig. A contemporary text by Erdmann Neumeister is fitted with a modern musical garb here while keeping unconditional adherence to it. Using a structural artifice as simple as it is effective, he provides a ritornello-like musical equivalent to the repeatedly recurring line of text O heilige Zeit!. This edition continues the series of works by Kuhnau started in the Pfefferkorn Musikverlag. Another festive music by Kuhnau with larger scoring is found in the Magnificat in C major, deemed a direct predecessor of Bach's Magnificat. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| O Holy Time
Breitkopf & Härtel
Basso (cello/double bass) (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: B...(+)
Basso (cello/double bass) (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: BR.OB-32119-26 Cantata for Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 32119-26. Published by Breitkopf and Haertel (BR.OB-32119-26). ISBN 9790004349502. 10 x 12.5 inches. The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this text underlay, it can be performed by four soloists (SATB), single or double strings, and continuo organ. The participation of a choir in non-soloistic passages is optional, for historically unproven. The cantata was composed in the years 1704/05 and can therefore be placed in Kuhnau's term as St. Thomas cantor in Leipzig. A contemporary text by Erdmann Neumeister is fitted with a modern musical garb here while keeping unconditional adherence to it. Using a structural artifice as simple as it is effective, he provides a ritornello-like musical equivalent to the repeatedly recurring line of text O heilige Zeit!. This edition continues the series of works by Kuhnau started in the Pfefferkorn Musikverlag. Another festive music by Kuhnau with larger scoring is found in the Magnificat in C major, deemed a direct predecessor of Bach's Magnificat. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| O Holy Time
Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) (+)
Chorus (with soloists) and piano (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: BR.EB-32119 Cantata for Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque; Renaissance/early Baroque. Piano vocal score. 32 pages. Duration 15'. Breitkopf and Haertel #EB 32119. Published by Breitkopf and Haertel (BR.EB-32119). ISBN 9790004187265. 7.5 x 10.5 inches. The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this text underlay, it can be performed by four soloists (SATB), single or double strings, and continuo organ. The participation of a choir in non-soloistic passages is optional, for historically unproven. The cantata was composed in the years 1704/05 and can therefore be placed in Kuhnau's term as St. Thomas cantor in Leipzig. A contemporary text by Erdmann Neumeister is fitted with a modern musical garb here while keeping unconditional adherence to it. Using a structural artifice as simple as it is effective, he provides a ritornello-like musical equivalent to the repeatedly recurring line of text O heilige Zeit!. This edition continues the series of works by Kuhnau started in the Pfefferkorn Musikverlag. Another festive music by Kuhnau with larger scoring is found in the Magnificat in C major, deemed a direct predecessor of Bach's Magnificat. $18.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| O Holy Time
Breitkopf & Härtel
Violin 1 (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: BR.OB-32119-15 ...(+)
Violin 1 (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: BR.OB-32119-15 Cantata for Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 32119-15. Published by Breitkopf and Haertel (BR.OB-32119-15). ISBN 9790004349465. 10 x 12.5 inches. The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this text underlay, it can be performed by four soloists (SATB), single or double strings, and continuo organ. The participation of a choir in non-soloistic passages is optional, for historically unproven. The cantata was composed in the years 1704/05 and can therefore be placed in Kuhnau's term as St. Thomas cantor in Leipzig. A contemporary text by Erdmann Neumeister is fitted with a modern musical garb here while keeping unconditional adherence to it. Using a structural artifice as simple as it is effective, he provides a ritornello-like musical equivalent to the repeatedly recurring line of text O heilige Zeit!. This edition continues the series of works by Kuhnau started in the Pfefferkorn Musikverlag. Another festive music by Kuhnau with larger scoring is found in the Magnificat in C major, deemed a direct predecessor of Bach's Magnificat. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| O Holy Time
Breitkopf & Härtel
Violin 2 (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: BR.OB-32119-16 ...(+)
Violin 2 (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: BR.OB-32119-16 Cantata for Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 32119-16. Published by Breitkopf and Haertel (BR.OB-32119-16). ISBN 9790004349472. 10 x 12.5 inches. The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this text underlay, it can be performed by four soloists (SATB), single or double strings, and continuo organ. The participation of a choir in non-soloistic passages is optional, for historically unproven. The cantata was composed in the years 1704/05 and can therefore be placed in Kuhnau's term as St. Thomas cantor in Leipzig. A contemporary text by Erdmann Neumeister is fitted with a modern musical garb here while keeping unconditional adherence to it. Using a structural artifice as simple as it is effective, he provides a ritornello-like musical equivalent to the repeatedly recurring line of text O heilige Zeit!. This edition continues the series of works by Kuhnau started in the Pfefferkorn Musikverlag. Another festive music by Kuhnau with larger scoring is found in the Magnificat in C major, deemed a direct predecessor of Bach's Magnificat. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| O Holy Time
Breitkopf & Härtel
Organ (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: BR.OB-32119-11 (+)
Organ (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: BR.OB-32119-11 Cantata for Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 32119-11. Published by Breitkopf and Haertel (BR.OB-32119-11). ISBN 9790004349458. 10 x 12.5 inches. The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this text underlay, it can be performed by four soloists (SATB), single or double strings, and continuo organ. The participation of a choir in non-soloistic passages is optional, for historically unproven. The cantata was composed in the years 1704/05 and can therefore be placed in Kuhnau's term as St. Thomas cantor in Leipzig. A contemporary text by Erdmann Neumeister is fitted with a modern musical garb here while keeping unconditional adherence to it. Using a structural artifice as simple as it is effective, he provides a ritornello-like musical equivalent to the repeatedly recurring line of text O heilige Zeit!. This edition continues the series of works by Kuhnau started in the Pfefferkorn Musikverlag. Another festive music by Kuhnau with larger scoring is found in the Magnificat in C major, deemed a direct predecessor of Bach's Magnificat. $13.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| O Holy Time
Breitkopf & Härtel
Viola 2 (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: BR.OB-32119-20 ...(+)
Viola 2 (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: BR.OB-32119-20 Cantata for Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque; Renaissance/early Baroque. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 32119-20. Published by Breitkopf and Haertel (BR.OB-32119-20). ISBN 9790004349496. 10 x 12.5 inches. The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this text underlay, it can be performed by four soloists (SATB), single or double strings, and continuo organ. The participation of a choir in non-soloistic passages is optional, for historically unproven. The cantata was composed in the years 1704/05 and can therefore be placed in Kuhnau's term as St. Thomas cantor in Leipzig. A contemporary text by Erdmann Neumeister is fitted with a modern musical garb here while keeping unconditional adherence to it. Using a structural artifice as simple as it is effective, he provides a ritornello-like musical equivalent to the repeatedly recurring line of text O heilige Zeit!. This edition continues the series of works by Kuhnau started in the Pfefferkorn Musikverlag. Another festive music by Kuhnau with larger scoring is found in the Magnificat in C major, deemed a direct predecessor of Bach's Magnificat. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| O Holy Time [Score]
Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc...(+)
Chorus (with soloists) and orchestra (solos: SATB - 0.0.0.0 - 0.0.0.0 - str - bc) SKU: BR.PB-32119 Cantata for Christmas - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque; Renaissance/early Baroque. Full score. 44 pages. Duration 15'. Breitkopf and Haertel #PB 32119. Published by Breitkopf and Haertel (BR.PB-32119). ISBN 9790004215852. 10 x 12.5 inches. German. The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this text underlay, it can be performed by four soloists (SATB), single or double strings, and continuo organ. The participation of a choir in non-soloistic passages is optional, for historically unproven. The cantata was composed in the years 1704/05 and can therefore be placed in Kuhnau's term as St. Thomas cantor in Leipzig. A contemporary text by Erdmann Neumeister is fitted with a modern musical garb here while keeping unconditional adherence to it. Using a structural artifice as simple as it is effective, he provides a ritornello-like musical equivalent to the repeatedly recurring line of text O heilige Zeit!. This edition continues the series of works by Kuhnau started in the Pfefferkorn Musikverlag. Another festive music by Kuhnau with larger scoring is found in the Magnificat in C major, deemed a direct predecessor of Bach's Magnificat. $39.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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