Arranged by Barry Kopetz. Concert band. Heritage of the March Series. Audio recording available separately (item CL.WFR105). Lighter. Grade 3.5. Score and set of parts. Composed 1991. Duration 6 minutes, 20 seconds. Published by C.L. Barnhouse

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-0900154-015

Composed by Kees Schoonenbeek. De Haske Easy Band Series. Concert Piece. Set (Score & Parts). Composed 1990. De Haske Publications #DHP 0900154-015. Published by De Haske Publications (BT.DHP-0900154-015).

King Arthur is a five-movement suite based on the famous Arthur ledged. It forms part of the ‘Easy Band 4’ series in which all pieces have ten-part instrumentation (+ percussion) so can be performed by bands who do not have a full compliment of players. Bring a little Arthurian magic to your concert with this easy and exciting suite.

Een vijfdelige suite rond de legendarische figuur koning Arthur. Een pavane beschrijft de sfeer in het slot waar de ridders van de ronde tafel samenkomen. De volgende drie delen gaan over Lancelot, Guinevere en de tovenaar Merlijn.Het laatste deel heeft Excalibur als onderwerp: het zwaard dat alleen koning Arthur uit zijn rots kan trekken. Met deze creatieve suite brengt uw orkest een muzikale versie van de legende van koning Arthur.

Eine fünfteilige Suite rund um den sagenumwobenen König Arthur. Eine Pavane beschreibt die Atmosphäre im Schloss, wo die Tafelrunde der Ritter zusammenkommt. Lancelot, Guinevere und der Zauberer Merlin sind die Helden der folgenden drei Sätze. Der letzte Teil handelt vom Schwert Excalibur, das nur der auserwählte König - Arthur - aus dem Felsen ziehen konnte. Mit dieser einfachen, aber phantasievollen Suite können Ihre Musiker die Sage um König Arthur musikalisch nacherzählen.

Tout le monde connaît ne serait-ce que de nom ce roi mythique accompagné de ses fameux chevaliers de la Table Ronde. La légende du Roi Arthur a évolué au fil du temps, devenant le sujet favori des conteurs du Moyen ge qui traitaient avec passion de l'épée Excalibur, de Merlin l'enchanteur, de Camelot, ou de l'amour entre Lancelot et Guenièvre. Aujourd’hui, cette légende fait partie de l'imaginaire de chacun. Une légende qui renvoie un idéal chevaleresque, l'image romantique de courageux chevaliers la quête du Graal.

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2

SKU: BT.DHP-0900154-170

Composed by Kees Schoonenbeek. De Haske Easy Band Series. Concert Piece. Score Only. Composed 1990. De Haske Publications #DHP 0900154-170. Published by De Haske Publications (BT.DHP-0900154-170).

King Arthur is a five-movement suite based on the famous Arthur ledged. It forms part of the ‘Easy Band 4’ series in which all pieces have ten-part instrumentation (+ percussion) so can be performed by bands who do not have a full compliment of players. Bring a little Arthurian magic to your concert with this easy and exciting suite.

Een vijfdelige suite rond de legendarische figuur koning Arthur. Een pavane beschrijft de sfeer in het slot waar de ridders van de ronde tafel samenkomen. De volgende drie delen gaan over Lancelot, Guinevere en de tovenaar Merlijn.Het laatste deel heeft Excalibur als onderwerp: het zwaard dat alleen koning Arthur uit zijn rots kan trekken. Met deze creatieve suite brengt uw orkest een muzikale versie van de legende van koning Arthur.

Eine fünfteilige Suite rund um den sagenumwobenen König Arthur. Eine Pavane beschreibt die Atmosphäre im Schloss, wo die Tafelrunde der Ritter zusammenkommt. Lancelot, Guinevere und der Zauberer Merlin sind die Helden der folgenden drei Sätze. Der letzte Teil handelt vom Schwert Excalibur, das nur der auserwählte König - Arthur - aus dem Felsen ziehen konnte. Mit dieser einfachen, aber phantasievollen Suite können Ihre Musiker die Sage um König Arthur musikalisch nacherzählen.

Tout le monde connaît ne serait-ce que de nom ce roi mythique accompagné de ses fameux chevaliers de la Table Ronde. La légende du Roi Arthur a évolué au fil du temps, devenant le sujet favori des conteurs du Moyen ge qui traitaient avec passion de l'épée Excalibur, de Merlin l'enchanteur, de Camelot, ou de l'amour entre Lancelot et Guenièvre. Aujourd’hui, cette légende fait partie de l'imaginaire de chacun. Une légende qui renvoie un idéal chevaleresque, l'image romantique de courageux chevaliers la quête du Graal.

Edited by Guy/Mcarthur. For Piano. Contents include: Minuet in G Major, Minuet in G Minor, Prelude in C Major (Bach); Peasant's Flute Song (Bartok); Ode to Joy (Beethoven); Sonatina in A Minor (Benda); Melody (Bloch); Ballade Op. 100 No. 15 (Burgmuller); Waltz in A Minor Op. Posth. (Chopin); King William's March (Clarke); Le Petit Negre (Debussy); Sonatina in G Major Op. 168 No. 2 (Diabelli); The Evening Bell (Granados); Andantino Hob. I:85/2 (Haydn); The Avalanche Op. 45 No. 2 (Heller); Tolling Bell OP. 125 No. 8 (Heller); Bourree (Krieger); Autumn (Maykapar); Minuet in F Major K. 6 (Mozart); Little Fugue in C Major (Pachelbel); Minuet in G Minor (Pezold); In the Forest (Rebikov); Playing Soldiers Op. 31 No. 4 (Rebikov); Gymnopedie No. 1 (Satie); Sonata K. 34, L.S. 7 (Scarlatti); Minuet and Trio, D. 336 (Schubert); Echoes from the Theatre O

Brass Band - Grade 4

SKU: BT.DHP-1206265-130

Andantino. Composed by Sir Malcolm Arnold. Arranged by Ray Farr. Great Classics. Classical. Score Only. Composed 2020. 12 pages. De Haske Publications #DHP 1206265-130. Published by De Haske Publications (BT.DHP-1206265-130).

English Dances, Set I, opus 27, is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers, at the time the head of publisher Alfred Lengnick & Co., who asked Arnold to write a suite of dances as an English counterpart to Dvo ák’s Slavonic Dances and Bartók’s Romanian Folk Dances. The première took place in the spring of 1951, played by the London Philharmonic Orchestra, conducted by Sir Adrian Boult. Following the success of the first set, DeNevers asked the composer to write a second one, which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.

English Dances, Set I, opus 27, is een licht klassieke compositie die in 1950 door de Britse componist Malcolm Arnold voor orkest geschreven werd. De set bestaat uit vier dansen die zonder onderbreking in elkaar overgaan: de afzonderlijke delen worden aangegeven met de tempomarkering. Het werk kwam tot stand op verzoek van Bernard de Nevers, destijds het hoofd van uitgeverij Alfred Lengnick & Co., die Arnold vroeg om een reeks dansen te schrijven als een Engelse tegenhanger voor de Slavische dansen van Dvo ák en de Roemeense volksdansen van Bartók. De première werd in het voorjaar van 1951 gebracht door het London Philharmonic Orchestra, onder leiding van Sir Adrian Boult.Na het succes van de eerste set vroeg De Nevers om een tweede, die Arnold een jaar later voltooide (opus 33). Het Andantino uit de eerste set is door Ray Farr meesterlijk gearrangeerd en ge nstrumenteerd voor brassband.

English Dances, Set I, opus 27, ist eine leicht Klassische Komposition, die 1950 von dem britischen Komponisten Malcolm Arnold für Orchester geschrieben wurde. Die Reihe enthält vier Tänze, die ohne Unterbrechung gespielt werden. Die einzelnen Sätze sind mit Tempoangaben versehen. Das Werk entstand auf Wunsch von Bernard de Nevers, dem damaligen Leiter des Verlags Alfred Lengnick & Co., der Arnold bat, eine Reihe von Tänzen als englisches Gegenstück zu Dvo áks Slawischen Tänzen“ und Bartóks Rumänischen Volkstänzen“ zu schreiben. Die Uraufführung fand im Frühjahr 1951 mit dem London Philharmonic Orchestra unter der Leitung von Sir Adrian Boult statt. Nach demErfolg der ersten Reihe bat de Nevers den Komponisten, eine zweite Reihe zu schreiben, die Arnold im darauffolgenden Jahr fertigstellte (op. 33). Das Andantino aus der ersten Reihe wurde von Ray Farr gekonnt für Brass Band arrangiert und orchestriert.

English Dances, Set I, opus 27, est une composition de musique légère classique pour orchestre écrite en 1950 par le compositeur britannique Malcolm Arnold. La série comprend quatre danses qui s’enchaînent sans interruption, les divers mouvements étant indiqués par des changements de tempo. Cette œuvre fut écrite la demande de Bernard de Nevers, alors directeur de l’éditeur Alfred Lengnick & Co., qui pria Arnold de composer une série de danses qui serait l’équivalent anglais des Danses slaves de Dvo ák et des Danses populaires roumaines de Bartók. L’œuvre fut créée le 14 avril 1951 par le London Philharmonic Orchestra sous la direction de Sir Adrian Boult. la suite du succès de la première série, De Nevers pria le compositeur d’en écrire une seconde, qui fut achevée l’année suivante (Op. 33). L’Andantino de la première série a été habilement arrangé et orchestré pour brass band par Ray Farr.

Grade 2

SKU: CL.015-2857-00

Composed by K. Harris. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR183). March. Score and set of parts. Composed 1997. Duration 2 minutes, 24 seconds. C.L. Barnhouse #015-2857-00. Published by C.L. Barnhouse (CL.015-2857-00).

Ken Harris definitely has a long tradition of writing exceptional marches for younger bands and his latest, Winning Tradition is one of his nicest. Tuneful and playable with modest technical requirements, you simply can’t go wrong with this quality march. Perfect for contest or concert performances. A Real Winner! Recorded on the CD King’s Mountain Adventure by The Washington Winds.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chichester Composed by L. J. White Alleluia Composed by William Boyce Author Of Life Divine Composed by Cecilia Mcdowall Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard Brightest And Best Composed by Malcolm Archer Christ Is The World's True Light Composed by W. K. Stanton Christ The Lord Is Risen Again Composed by Richard Shephard Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach Come Down, O Love Divine Composed by Hilary Tadman-robins Plainsong: Creator Of The Stars Arranged by John Scott Drop, Drop Slow Tears Composed by Kerry Andrew Evening Service In C Composed by Frank Henry Shera Fairest Lord Jesus Composed by Martin How Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard God Be In My Head Composed by Armstrong Gibbs God In Mine Eternity Composed by Alan Bullard God So Loved The World Composed by Alan Bullard God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt Hark, The Glad Sound Composed by David Thorne Harvest Carol Composed by Ian Ray He Is Risen Composed by Cecil Cope Hide Not Thy Face Composed by Richard Farrant see all... Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith Hosanna To The Son Of David Composed by Georg Philipp Telemann Irish Blessing Composed by Bob Chilcott Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart Lamb Of God (Agnus Dei) Composed by Samuel Webbe Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury Like The Murmur Of The Dove's Song Composed by Alan Smith Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn Magnificat And Nunc Dimittis In C Composed by F. H. Shera Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard O For A Closer Walk With God Composed by Charles Villiers Stanford O God Of Mercy Composed by Simon Lole O God, Your Goodness Composed by Ludwig Van Beethoven O Praise God In His Holiness Composed by John Weldon Panis Angelicus Composed by Cesar Auguste Franck Peace Between Nations Composed by Christopher Wiggins Pie Jesu Composed by Gabriel Faure Praise To The Trinity Composed by Hildegard Of Bingen Psalm 150 Composed by Bob Chilcott Rejoice In The Lord Always Composed by Christopher Wiggins Shout For Joy Composed by African Traditional; Arranged by Alan Bullard Star Of Wonder Composed by Alan Bullard The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley The Heavens Sing Praises To God Composed by Ludwig Van Beethoven The Lord Ascendeth Composed by Michael Praetorius The Lord Bless You And Keep You Composed by John Rutter The Lord's My Shepherd Composed by Bob Chilcott The Peace Of God Composed by Alan Bullard The True And Living Bread Composed by David Blackwell There Is No Rose Composed by Andrew Smith Thou Visitest The Earth Composed by Maurice Greene To Be A Pilgrim Composed by Nick Burt Were You There? Composed by American Spiritual; Arranged by Peter Hunt Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard Wondrous Cross Composed by Philip Wilby The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press

For String Orchestra. Composed by Domenico Scarlatti (1685-1757). Arranged by Yukiko Nishimura. Southern Music. Classical. Softcover. Southern Music Company #SO129C. Published by Southern Music Company

Grade 2

SKU: CL.015-2195-00

March. Composed by K. Harris. Young Concert Band. Norman Lee Series. Score and set of parts. Composed 1989. C.L. Barnhouse #015-2195-00. Published by C.L. Barnhouse (CL.015-2195-00).

An outstanding easy march from Ken Harris. Ken Harris has a wonderful gift for making younger bands sound more advanced and Shooting Star March is another excellent example of this.

For piano. Piano Collections. Classic. Book. Published by Kevin Mayhew Publishers (U.K. Import).
Level: Multiple Levels.

Chorus (with soloists) and piano (solos: 2S2Mez6TBar7B - choir: SSAATB - 2(picc).2(cor ang).2(Bb-clar).2(dble bsn) - 4.2.3.0 - timp.perc(3) - hp - cel - str - stage music: trp.2tbne.perc)

SKU: BR.EB-9429

A Chinese Fable in 2 Acts after Carlo Gozzi. Composed by Ferruccio Busoni. Choir. Edition Breitkopf. Opera; Music theatre; Early modern. Piano/Vocal Score. Duration 85'. Breitkopf and Haertel #EB 9429. Published by Breitkopf and Haertel (BR.EB-9429).

ISBN 9790004189061. 0 x 0 inches. German / Italian.

Text by the composer based on a drama by Carlo GozziTranslation: engl. (L. Salter), ital. (O. Previtali)Place: Im aussersten Orient. Vor dem Stadttor Pekings, Thronsaal im Kaiserpalast, das Frauengemach TurandotsCharacters: Altoum, Kaiser (bass) - Turandot, seine Tochter (soprano) - Adelma, ihre Vertraute (mezzo-soprano) - Kalaf, Sohn des Timur, ein Prinz (tenor) - Barak, sein Getreuer (baritone) - Die Koniginmutter von Samarkand, eine Mohrin (soprano) - Truffaldino, Haupt der Eunuchen (tenor) - Pantalone, Minister (bass) - Tartaglia, Minister (bass) - Acht Doktoren (4 tenors, 4 basses) - Eine Vorsangerin (mezzo-soprano) - Der Scharfrichter (stumme Rolle)Busoni's work, which antedates Puccini's famous setting by a few years, seems rather cool in com-parison to the later piece. Busoni tones down the colors of his orientalisms and totally eschews sentimental lyricism. His strengths lie especially in the scintillating, unfathomable characters and in a music that hovers in an ambivalent manner between brightness and darkness, sadness and humor, danger and harmlessness. This work of art makes its references clear: Gozzi's play about the murderous princess is peopled with familiar commedia dell'arte figures, and one is not quite sure whether this mixture of fun and danger gives a more relaxed feeling to the activity on the stage or whether it does not do precisely the opposite, adding the irreconcilable perspective of a gondola trip on the edge of a bottomless gulf. Busoni is more faithful to Gozzi than Puccini and thus to the gracious levity that hovers over the excesses of the action. His mild chinoiseries repeatedly lead to a Neo-Classicism inspired by Venetian folklore. (Hans-Klaus Jungheinrich, 1985) Turandot was premiered with Arlecchino in Zurich on 11 May 1917.