SKU: HL.51481248
UPC: 196288308096. 9.25x12.25x0.23 inches.
âOboe Concerto 1945, inspired by an American soldier, (oboist from Chicago)â â was what Richard Strauss noted down. And the oboist 0nd soldier with the American occupation John de Lancie had indeed asked Richard Strauss in May 1945 whether he had ever thought of writing an oboe concerto. Strauss answered in the negative, but soon got to work anyway. In October 1945, he had completed the score in Swiss exile; the premiere took place in Zurich in 1946. Not until 1948 did the first edition appear in London, presumably for the most part without the composer's involvement, for both the printed score and the orchestral parts exhibit numerous errors. Some of these have been known for a while, though others have only now been discovered by Hansjörg Schellenberger through his exact reconciliation of the autograph full score with the autograph particella. The world-class oboist thus presents this concerto for thefirst time in a Henle Urtext edition in both full score and piano reduction!
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SKU: HL.48180963
UPC: 888680878313. 9x12 inches.
Exploiting the oboe to its full potential, Fantaisie Pastorale is an exciting and challenging addition to the advanced oboists' repertoire. From Lent to Allegro passages, this piece by French composer Eugène Bozza (1905-1991) covers a huge variety of the oboe's possibilities. The piece begins with an emotional, characterised cadenza, portraying the pastoral title. However, the tempo gradually increases through the piece, evoking the fantasy aspect, climaxing with flourishing semiquavers and ending with a grand tonic cadence. Bozza's Fantaisie Pastorale for Oboe and Piano is not only symbolic, but also includes exciting challenges, making for an imperative performance piece in the oboe repertoire.
SKU: HL.48180472
UPC: 888680795191. 9x12 inches.
For oboe and piano.
SKU: HL.48182056
UPC: 888680907327. 9.0x12.0x0.09 inches.
“Japanese born Makoto Shinohara was born in 1931. He studied at the Tokyo University of Arts before moving to the Paris Conservatoire. His passion is for electronic music, but his catalogue is varied and includes the sublime Obsession for Oboe and Piano. Composed in 1960, Shinohara had just completed his studies at the Paris Conservatoire under Olivier Messiaen and other experimental composers. Obsession exploits the Oboe and Piano through riveting uses of tonality, rhythm, dynamics, tempo, articulation and shared melody. For all advanced oboists seeking to include a challenging yet excitingly unique contemporary work in their repertoire, Shinohara's Obsession suitably fits the bill!â€.
SKU: HL.49017244
9.25x12.25x0.138 inches.
SKU: HL.49046852
ISBN 9781705162132. UPC: 196288061748. 9.0x12.0 inches.
SKU: HL.50600574
9.25x12.25x0.088 inches.
SKU: HL.50499291
SKU: HL.48186540
UPC: 888680844998. 9.0x12.25x0.06 inches.
Gabriel Pierne: Serenade Op. 7 (Oboe).
SKU: HL.133188
UPC: 884088980221.
SKU: HL.14019930
SKU: HL.48022761
9.0x12.0x0.022 inches.
SKU: BT.EMBZ3769
English-German-Hungarian.
The source of the present edition of the Oboe Concerto in A minor by Antonio Vivaldi is the Collected Works of Vivaldi, edited by Malipiero, published by Ricordi 1955. The title of the original score is Concerto in La minore per oboe, archi e cembalo the original setting: Oboe, Violini I-II, Viole, Violoncelli, Contrabassi and Cembalo. The arrangement for oboe and piano is kept in accurate conformity with the musical text of score, the continuo part - however - has been more freely adapted (of course within the possibilities of baroque style). The piano part contains the entire orchestral material in the Tutti-s, thus the soloist is not obliged to play all the Tutti parts.However, in Movement I and III the first and last Tutti may never be omitted by the performer. Die Grundlage dieser Ausgabe des Oboenkonzertes in A-Moll von Antonio Vivaldi ist die von Malipiero redigierte Gesamtausgabe (Ricordi, 1955). Der Titel der Originalpartitur lautet: Concerto in La minore per oboe, archi e cembalo: die Besetzung ist folgende: Oboe, Violini I-II, Viole, Violoncelli, Contrabassi, Cembalo. Die Ausgabe für Oboe und Klavier ist dem Urtext der Partitur getreu, doch ist die Ausarbeitung des Continuos etwas freier behandelt (natürlich nur im Rahmen der vom Stil der Barockmusik gebotenen Möglichkeit). Die Klavierstimme enthält an den Tuttistellen das Stimmaterial des ganzen Orchesters: der Solist ist daher nicht verpflichtet, sämtliche Tuttimitzuspielen. (Im I. und III. Satz dürfen jedoch die ersten und letzten Tutti vom Solisten nicht weggelassen werden.
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