Transposition à vue se classe parmi les compétences plus essentiels à maîtriser par un trompettiste orchestrale. Dans ce volume, chacun des etudes formidables de Sachse est présenté dans sa forme originale et complète avec plusieurs modifications clées. Il est ensuite présenté avec une transposition écrite-out pour trompette dans Bb - fournissant l'étudiant avec un guide d'étude utile et la clé de ces exercices de transposition plutôt intimidante. / Trompette

Par MITCHELL HAROLD. Mitchell on Trumpet is revered by educators around the globe and stands unequalled by any other published approach for trumpet. This proven curriculum will guide any ambitious student on a path towards performance excellence. It takes you from the beginning to the extreme limits of the horn through a gradual progression of 82 balanced lessons developing your range from low F-sharp to G above high C. Mitchell on Trumpet - Book 2 continues this exciting journey with Lesson 27 and introduces many advanced concepts while extending the student's range to High C. The exercises and studies cover all phases of playing with the ultimate goal of acquiring and maintaining a strong flexible embouchure. Los Angeles studio pro, Chris Tedesco, will guide you through selected excerpts from all 19 lessons (#27 through #45) by playing, demonstrating, and encouraging the student from start to finish on the included audio CD. Pappy often said, 'Perfect practice makes perfect, careless practice makes mediocrity, and no practice makes nothing.' Since every individual has their own unique set of strengths and challenges, the time necessary to devote to studying this method will vary from student to student. The important thing is to establish a structured schedule that is appropriate for you. There are countless professionals, educators, and performers who claim that Mitchell on Trumpet is the most complete trumpet method ever written. The student who completes Mitchell's Method will be among a select few who possess the endurance, technique, and flexibility needed to conquer any obstacle that they may encounter in any musical passage ever written for trumpet. This Book 2 and all that follow are dedicated to Harold's son, Ollie Mitchell for his tireless pursuit to see his Pappy's work available for many future generations of aspiring trumpet players. Ollie touched so many lives, but sadly, was peacefully reunited with his Pappy when he passed away at home surrounded by family and friends on May 11, 2013. Harold Mitchell lived during a time when musicians played a vital role in popular entertainment. It was a nostalgic era of live performances in music & theater. Mitchell on Trumpet is the culmination of Pappy's life's work and still remains today as the only complete course ever written for learning to play the trumpet./ Méthode / Trompette

Brass quintets are exuberant almost by definition and Davies's certainly does not disappoint. It has though the rarer quality of being a consistent gripping and fully developed work: a piece as substantial as one might expect a string quartet to be. There are three movements of which the first is a romping Allegro with a slow introduction. Then comes a slow movement with vividly alive duetting from the trumpets and the finale is again fast except for a passage of questioning before the end.Set of parts.This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Indisputably one of the giants of jazz Miles Davis has influenced the whole of jazz since World War Two. At several stages in his career Miles has discarded his previous approach to improvisation and taken up an entirely new direction. Time and again the resulting performances have changed the course of jazz history. To put it simply Miles has repeatedly proved to be ahead of the game and the man to watch. Saxophonist and arranger John Robert Brown is a Senior Lecturer of the full-time staff at the City of Leeds College of Music where he has taught harmony and directed ensembles since 1975. He is a Vice-President of the Clarinet and SaxophoneSociety of Great Britain.

Written as a commission by the Stichting de Inrichting foundation of Wijk bij Duurstede (the Netherlands) Rob Goorhuis Requiem voor de mens (Requiem for Man) on lyrics by André van Zwieten was composed in the year 2001. This work for choir andwind-band greatly impressed the audience whilst its composer remained obsessed by its war theme. When he subsequently heard that the Rundfunk Blasorchester from the German town of Leipzig -a place not far from Colditz - was to dedicate a CDto his work Rob Goorhuis got the idea to process some of the themes from his Requiem for Man into an instrumental composition about the famous Colditz castle. a place still bearing the scars of war. From 1933 to 1934 the castle was aSchutzhaftlager. During the Second World War it was used as a prison for senior officers. From this prison many escapes were undertaken which even resulted in the castle being nicknamed The Escape School. In the seventies a television-seriesabout this period made the castle very well-known with the public at large.The despondent tone of the opening theme underscores the sadness caused by wars and violence. Nevertheless the works ending is hopeful and triumphant. Peace iscelebrated but with the hope for a lasting peace sadly remaining a topical issue to the present moment.

A pair of men take an oath of eternal friendship but their vow is threatened by their attraction to the same woman. The object of their rivalry faces her own dilemma torn between worldly passion and her calling as a priestess.Their romantic triangle forms the heart of this 1863 opera Les Pêcheurs De Perles (The Pearl Fishers) in which the composer of Carmen the world's most popular opera made his first mark.Set in ancientCeylon this enchanting tale of friendship love and betrayal has been performed in Opera houses around the world. The famous Baritone/Tenor duet in the second act is among the most recorded of Opera highlights and a copy of thefull score is essential for conductors as well as for students of composition and orchestration. This large-format version of Bizet's three-act Opera offers musicians an affordable alternative to high-priced hard-to-findeditions.

Par HANNICKEL MIKE. What a great way to feature that blossoming Trumpet soloist! The undeniably beautiful melody YE BANKS AND BRAES O’ BONNIE DOON is the foundation upon which this colorful and expressive Trumpet solo piece is crafted. A closer look at the orchestration of this classic Scottish air shows that the soloist is not the only one who gets to be expressive. Subtle contrapuntal motion and vividly contrasting colors resonate throughout. This arrangement is rich and deep. Let that soloist shine! / Niveau : 3 / Pièce de concert / Répertoire / Trompette et Concert Band ou Harmonie

Curnow Music Press proudly presents a way to enrich your quality of playing material whilst helping you administer your library efficiently and save money! THE YOUNG BAND COLLECTION is a compilation of some of our best pieces for youth band published as individual part books. You?ll find pieces by James Curnow James Hosay Mike Hannickel Brian Connery Paul Curnow and Douglas Court. These works have all proven to be very successful as teaching material but also will keep your students interested and guarantee a happy audience! Curnow Music Press is known for its quality music for youth bands and that?s certainly what you?ll find in this publication.

An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (not Spartan).Programme Note:As a young professional player in the 1960s my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleled opportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail research was far more challenging than it is today. Eastern Europe was particularly difficult to access with manycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing even though they had no specific interest in one's own particular specialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation and one can quickly be side-tracked into political and social issues that have only slender bearing on the job in hand!).In the early 1970s James Brown the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time stumbled across a small collection of double bass manuscripts at the Royal Danish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756 d. Copenhagen 7 June 1815) a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen. Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos some chamber music and various naïve fragments. Although hardly the work of a Mozart or Haydn the style is characteristic of the period. For an instrument such as the double bass whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use Keÿper's music is easily approachable in its

Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the 'representative' form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement./ Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales

Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the 'representative' form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement./ Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales

Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the 'representative' form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement./ Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales

Kantate Zum Ratswechsel In Leipzig. Par BACH JOHANN SEBASTIAN. Bach's first cantata for the election of the Leipzig town council, composed in August 1723, is one of his most splendidly scored work from his Leipzig period. The choice of opening, with the 'representative' form of a French overture, was suited to a festive orchestral scoring. Two choral movements frame a middle section which consists of two arias and a recitativo accompagnato with a trumpet ritornello. The conclusion of this extended festive music takes a reflective turn in movements 8 and 9, when Bach allows a recitative to be followed by simple, prayer-like chorale movement./ Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales