Introducing New T3N Harmonic Chimes. The definitive text on playing harmonics (chimes) on the 5-string banjo in G tuning! In addition to traditional chiming methods, the author's new T3N technique for creating banjo harmonics will add new dimensions to your playing. While particularly useful in the three-finger style, T3N can be used in other banjo styles and on other stringed instruments. Most banjo players are familiar with playing open-string harmonics on the 5-string banjo over the 12th, 7th and 5th frets, or perhaps the 4th and 9th frets, so that in typical G-tuning, the open G-chord, D-chord, octave G-chord, and B-chord notes are chimed. With the T3N technique presented in this book, entire scales can be chimed, with other harmonic effects including choking and sliding possibilities! The first part of this book provides a review of traditional banjo harmonic chiming techniques, while the second part explores the exciting new T3Napproach. Written in tablature only, for 5-string banjo in GDGBD tuning./ Méthode / 5-String Banjo

Par VAUGHAN WILLIAMS RALPH. Quartet in C Minor is in four movements with a total duration of about 25 minutes. The opening Allegro is Dvorák-ish in its lyricism, though there is a darker, more brooding atmosphere towards the close. It is tempting to detect a hint of folk-song in the theme of the Andantino, played by the Viola, but that may be stretching hindsight too far. The movement has a wistful melancholy that carries over into the following Intermezzo, a song-like episode containing some of the most virtuosic writing in the work. The last movement is a theme and six variations with a fugal ending. The theme is ballad-like with a suggestion of 18th-century elegance. Modality creeps into the second Adagio variation and there is rhythmic exhilaration in the succeeding Presto. What can be admired in this attractive quartet is its conciseness. This String Quartet was his first major composition of any kind. / Niveau : Intermédiaire / Répertoire / Quatuor à Cordes

It's time to take center stage to deliver all the pyrotechnics usually associated with six-string guitar shredders! Shredding Bass Guitar takes you there through in-depth lessons on building technique, dexterity, and speed. It shows you how to shred using chords, arpeggios, and scales, and covers heavy metal and funk techniques like tapping, string skipping, and slap and pop. Lessons and examples are in the styles of bass masters Billy Sheehan, Les Claypool, Steve Harris, Victor Wooten, Stanley Clarke, and others. Shredding Bass Guitar provides a fresh perspective on the four-string electric bass and is a must-have for any bassist looking to take their playing to a new level. The accompanying CD features all the examples from the book. Features * In-depth lessons for developing technique, dexterity, and speed * For pick-style and fingerstyle players * Covers techniques like string skipping, tapping, two-handed tapping, wide-interval skipping, slap and pop, double thumbing, double popping, and more About the Author David Overthrow is an author, educator, and virtuoso bassist. After attending Berklee College of Music, he began performing with a wide variety of artists throughout the U.S. and Europe, playing rock, funk, jazz, and R and B. David is Director of Music at the Canterbury School in New Milford, Connecticut. He has written for Bass Guitar magazine, authored numerous electric bass methods, and taught three instructional videos for Alfred Music. David has performed with such luminaries as Pat Metheny, Stanley Clarke, Mike Stern, Trey Anastasio, Paul Gilbert, Zakk Wylde, and Sonny Landreth. / Guitare Basse

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

For Weddings And Special Occasions. Par PAGE JEANNE. Avec cet anneau est une collection de dulcimer martelé de musiques pour les mariages et les occasions spéciales. Processions de mariage communs tels que ' Canon de Pachelbel 'et de Wagner ' mars Bridal' sont inclus ainsi que communs recessionals tels que Clarke ' trompette volontaire 'et de Mendelssohn ' marche nuptiale. ' Autres mélodies préférées comme Vivaldi 'printemps' des quatre saisons et de Beethoven ' Elise de fourrure 'sont inclus dans cette collection bon goût qui fournit un répertoire approprié pour préludes ou n'importe quelle occasion élégante. Avec cet anneau est accessible à tous les niveaux de joueurs, offrant une version ' mélodie seule ' de début et des intermédiaires, des arrangements pour chaque chanson. En outre, chaque morceau a cordes de guitare codés au-dessus du personnel de la musique. Notation standard. / Niveau : Débutant à Intermédiaire / Wedding - Solos / Recueil / Dulcimer (Cordes frappées)

Since Maria Muldaur's hit song 'Midnight at the Oasis? Amos Garrett has been acknowledged as the most innovative stringbending guitarist in the world. Amos walks you through his version of 'Sleepwalk? illustrating his unique approach to the guitar. You'll never look at your guitar in the same light after the ultimate Amos Garrett lesson. In this master class for the intermediate/ advanced guitar player, Amos generously shares the knowledge he has acquired over the years. He takes his version of the Santo and Johnny classic, Sleepwalk, and teaches the bends and licks he uses for that song in a clear concise manner. Then, he takes each bend and teaches how to incorporate them into your playing and how they work over various chords. / Guitare Electrique

Capricious Pieces for Beginner Violinists. Par FINE ELAINE. Incorporating skills taught in many popular violin methods, these tuneful solo pieces offer a fresh alternative for teachers who would like a stimulating supplement to their usual method. These entertaining and whimsical compositions reinforce and develop violin skills through repetition disguised as lyrical musical phrases. They strengthen the left hand, exercise the fourth finger, and use rests in musically compelling ways that keep the student attentive. They also present mixed meter and double-stops, and offer a practical introduction to musical form and phrase structure. Slurs and dynamics are incorporated immediately, along with right-hand pizzicato on stopped strings and left-hand pizzicato on all open strings. These pieces are written specifically to encourage interpretive creativity, even at the most elementary levels. As twenty-first-century pieces for solo violin, they are meant to be performed as well as studied./ Etude / Violon

Par ARMAN HOWARD. Howard Arman, director of the Bavarian Radio Choir, has been actively engaged with international Christmas carols through various Christmas-related CD productions of his choir in the past years. This has resulted in a number of original arrangements for four- to eight-part mixed choir a cappella, shedding new light on well-known classics such as O du fröhliche [O, you joyful], Stille Nacht [Silent Night] and Lasst uns froh und munter sein [Let us be happy and cheerful]. The first volume includes five Christmas carols from the German-speaking regions. They range from simple but harmonically intriguing settings such as Lieb Nachtigall, wach auf [Dear nightingale, wake up] to eight-part sound paintings with bell-like chimes as in O du fröhliche and classical double choir settings such as Resonet in laudibus . The second volume includes five Christmas spirituals with English texts, forming a contrast to the solemn and festive character of the first. The choir can prove its swing and jazz qualities here; the stirring arrangements are a gain for classical Christmas concerts, too. Following the tradition of the spiritual, some settings also require soloists, which can, however, also be recruited from the choir if adequate singers are available. The first piece combines the spirituals It?s a Birthday and Wasn?t That a Mighty Day to form a medley, Ain?t That a Rockin? gives a moment of tranquility before the likewise rousing spirituals Mary Had a Baby and Little David conclude the volume. In both volumes, Howard Arman provides a short preface in German and English, explaining the background of each piece and giving advice on performance. / Date parution : 2022-07-20/ Recueil / Choeur Mixte a Cappella

Nothing says Noel better than a 16th century courtly dance. Also known as 'Un Flambeau, Jeanette, Isabelle,' this piece was originally performed for the French nobility. The variations in this new setting by Vince Gassi will lift your spirits as they pass from a joyous opening, through a brief moment of reflection, and on to a jubilant ending. This little bit of effervescence is a great addition to any part of your Christmas program. (2:45) / Orchestre A Cordes

The 'School of Bowing Technique? op. 2 is the second important violin tutor by Otakar ?evcík (1852-1934) and deals with the elementary technical demands of the right hand. Divided into three sections, the tutor contains more than 4,000 systematically arranged bowing exercises in increasing order of difficulty.This new edition of the 'School of Bowing Technique? combines the original six volumes in groups of two. It is largely based on the first edition, published in the early 20th century, and on other sources from ?evcík's estate. The editor, Jaroslav Foltýn, is a professor of violin at the Prague Conservatory, as was ?evcík himself.- New edition of a tutor that generations of violinists have grown up with- Fundamental work by a leading violin educator- Three volumes in increasing order of difficulty: easy - moderate - difficult- Methodological notes by the editor (Cz/Eng/Ger) / Violon