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Sonata Op. 19
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XYLOPHONE
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Flute Music By Female Composers - Flute And Piano
Flute and Piano
Schott
13 Pieces for Flute and Piano Instrumentation : flute and piano Description : ...
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13 Pieces for Flute and Piano Instrumentation : flute and piano Description : In this collection, Elisabeth Weinzierl-Wächter and Barbara Heller present works for flute and piano by 13 female composers: starting with the 18th century, with sonatas by Anna Amalia von Preußen and Anna Bon di Venezia, via the 19th century with variations by Blahetka and 'Sérénade aux Étoiles' by Cecile Chaminade, and via works by Mélanie Bonis, Lili Boulanger, Germaine Tailleferre to the present time with works by Barbara Heller, Gloria Coates, Dorothee Eberhardt, Caroline Ansink, Annette Schlünz and Christine K. Brückner. Contenu : Preface - Notes on the Composers - Anna Amalia von Preußen (1723-1787): Sonate F-Dur für Flöte und b.c. - Anna Bon di Venezia (um 174 - nach 1767): Sonate G-Dur für Flöte und b.c. op. 1/6 - Leopoldine Blahetka (189-1887): Variationen für Flöte und Klavier op. 39 - Cécile Chaminade (1857-1944): Sérénade aux Etoiles für Flöte und Klavier op. 142 (1911) - Mélanie Bonis (1858-1937): Pièce für Flöte und Klavier op. 189 - Germaine Tailleferre (1892-1983): Forlane für Flöte un Klavier (1972) - Lili Boulanger (1893-1918): Nocturne für Flöte und Klavier (1911) - Barbara Heller (geb. 1936): Parlando für Flöte und Klavier (1993) - Gloria Coates (geb. 1938): Phantom für Flöte und Klavier (1988/24) - Dorothee Eberhardt (geb. 1952): Träume für Flöte und Klavier (22) - Caroline Ansink (geb. 1959): Epitaph für Marius für Flöte und Klavier (22) - Annette Schlünz (geb. 1964): tastend, tränend für Flöte und Klavier (21) - Christine K. Brückner (geb. 1967): Tsetono für Flöte und Klavier (24) Date de parution : 31/03/2008 Nombre de pages : 152 Langue : German - English Format : New Edition portrait
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Mini Maestro Band 1
Easy Piano
-
Beginner
Schott
50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente ...
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50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente de petites pièces pour piano de difficulté progressive de très facile à moyenne, datant de cinq siècles, par ordre chronologique, de la musique baroque, classique, romantique, moderne au jazz, à la pop et à la musique minimale. A la fin de chaque volume se trouvent trois pièces bonus à quatre mains - sous la devise ' Plus de plaisir à deux '. Faciles à apprendre, toutes les pièces offrent un répertoire varié qui constitue un complément idéal à toute méthode de piano et convient à des concerts, leçons, examens et concours. Le volume 1 contient des morceaux dans la gamme pentatonique / dans des gammes pentatoniques changeantes, suivis de morceaux dans l'ambitus d'une octave avec un rythme simple et un jeu d'accords facile. D'autres critères sont la différente articulation, la mélodie à la main gauche, les signes d'octave et les pièces en majeur/mineur jusqu'une armure à un dièse/bémol. Le volume 2 contient des pièces dans l'ambitus étendu de deux octaves et avec un jeu des accords à trois ou quatre voix et des renversements. Les autres critères sont le jeu de pédale, des ornements élémentaires, la polyphonie simple, la différenciation de la mélodie et de l'accompagnement et les pièces en majeur/mineur jusqu'une armure à deux dièses/bémols. Le volume 3 contient des pièces avec un ambitus allant jusqu'à quatre octaves, avec un rythme et une vélocité plus exigeants. D'autres critères sont la différenciation subtile des tons, le jeu expressif, la polyphonie dans une main, la polyphonie avancée et les pièces en majeur/mineur jusqu'une armure à trois dièses/bémols. / Niveau : 1 / Classique / Recueil / Piano
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The Chester Alto Saxophone Anthology
Alto Saxophone and Piano
[Sheet music]
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Advanced
Chester
15 popular works for Alto-Saxophone with Piano accompaniment featuring selected ...
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15 popular works for Alto-Saxophone with Piano accompaniment featuring selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. Includes pull-out part, and performance notes by Amy Dickson. / Saxophone Alto Et Piano
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Piano Sonatas Band 1 (ULLMANN VIKTOR)
Piano solo
Schott
No. 1-4. Par ULLMANN VIKTOR. Ullman‘s seven Piano Sonatas were written between...
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No. 1-4. Par ULLMANN VIKTOR. Ullman‘s seven Piano Sonatas were written between 1936 and 1944. Though rediscovered as recently as 1990, they are now available in a number of recordings. Neo-classical in approach, the piano writing and the use of polytonality places them closer to Skriabin and Prokofiev than to the works of Ullman‘s teachers Arnold Schoenberg and Alois Hába – this applies also to the Piano Concerto, written during the same period. The numerous quotes from Mozart, Wagner, Mahler, and Dukas to folksongs and tunes from operettas are particulary interesting in this context./ Répertoire / Piano
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Sonatas, Rondos, Fantasies And Other Works
Piano solo
[Sheet music]
Dover Publications
Trésor de 15 ouvrages de vulgarisation pour piano solo par le célèbre élève...
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Trésor de 15 ouvrages de vulgarisation pour piano solo par le célèbre élève de Mozart, Johann Nepomuk Hummel: Sonatas, Opp. 13, 20, 81 and 106, well-known Rondo, Op. 11, 24 miniature Preludes, Op. 67, Variations on a Theme by Gluck, Op. 57, Rondo-Fantasie, Op. 19, Rondo all'Ungherese, Op. 107, #6 et 6 plus élégamment conçu morceaux. Réimpression de sélections de Sonaten et Klavier-Stücke, Universal-Edition, Vienne et Leipzig, sd / Piano
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Complete Sonatas For Keyboard
Piano solo
Barenreiter
The composer, pianist and piano teacher Leopold Ko?eluch (1747-1818) was one of ...
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The composer, pianist and piano teacher Leopold Ko?eluch (1747-1818) was one of the leading Czech musicians in 18th-century Vienna. His 50 sonatas for keyboard bear witness not only to the transition from the harpsichord or clavichord to the pianoforte, but also to the evolution of the classical sonata at the turn of the 19th century.Until now there have been few modern editions of this music. Our new edition, prepared by Christopher Hogwood, is the first to present all of Ko?eluch's sonatas for solo keyboard. Each of the four volumes contains 12 to 13 sonatas in chronological order by date of initial publication. The fourth volume, edited with the assistance of Ryan Mark, contains the last sonatas and those handed down only in manuscript form.- First complete edition of the sonatas for keyboard- Suitable for professionals and amateurs alike - Ideal for teaching purposes- Detailed Foreword (Eng/Cz/Ger), Critical Commentary (Eng) and facsimile pages / Piano
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Creston Sonata Op. 19 Eb Alto Sax
Français
Saxophone and Piano
[Sheet music]
ID Music
Trois mouvements de sonate pour saxophone alto mi bémol et piano. / Saxophone /...
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Trois mouvements de sonate pour saxophone alto mi bémol et piano. / Saxophone / Partition
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Duets For Fun (JUNK ULRICH)
2 Saxophones (duet)
Schott
Par JUNK ULRICH. Ce volume de duos enrichit la littérature pour 2 saxophones av...
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Par JUNK ULRICH. Ce volume de duos enrichit la littérature pour 2 saxophones avec des duos de l'époque baroque à l'époque moderne, qui - à part quelques compositions originales - ont été composés à l'origine pour flûtes (hautbois), violons ou clarinettes, mais qui conviennent parfaitement aux saxophones. Avec des oeuvres de Telemann, Chedeville, Corrette, Stamitz, Pleyel, Blasius, Mozart, Göpfert, Searle et Alcántra, le traditionnel Yoshke, Yoshke ainsi que le tango El Choclo. / Niveau : Facile à Intermédiaire / Educatif / Recueil / 2 Saxophones Alto
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Sonatas, Opp. 1, 14, 28, 29
Piano solo
Alfred Publishing
Sergei Prokofiev's nine piano sonatas span the years 1907 to 1953. This collecti...
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Sergei Prokofiev's nine piano sonatas span the years 1907 to 1953. This collection, edited by Thomas Schumacher, addresses the first four of these masterworks: Op. 1 (in F minor), Op. 14 (in D minor), Op. 28 (in A minor), and Op. 29 (in C minor). In prefatory matter, Schumacher discusses Prokofiev's compositional style and the form of each sonata, in addition to analyzing the various themes and compositional nuances of each work. Helpful fingering and pedaling suggestions are also offered in this comprehensive, clearly engraved edition. Thomas Schumacher, professor emeritus of piano at the Eastman School of Music, has toured and lectured throughout the United States, Canada, Italy, Sweden, Belgium, China, Taiwan, and Japan. He studied at the Manhattan School of Music and the Juilliard School. / Piano
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Sonata Op. 39 (1997)
Viola, Piano
-
Intermediate
Ricordi
Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Ros...
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Per Viola E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Alto et Piano
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Skrjabin, Alexandr : Complete Piano Sonatas, Volume I
Piano solo
[Sheet music]
-
Intermediate
Barenreiter
The piano sonatas are regarded as the central works of Alexander Skrjabin?s comp...
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The piano sonatas are regarded as the central works of Alexander Skrjabin?s compositional output. No other composer after Beethoven reshaped this genre so radically, thereby reinvigorating the tradition of the sonata. Skrjabin?s desire not simply to continue the existing tradition, but to surpass it, is evident as early as his first sonatas. These are exciting works from the pianist?s perspective and in their abundance of expression and wealth of imagination. Up to the third sonata Skrjabin developed a distinctive feeling for structural coherence and cyclical unity which at the same time revealed poetic qualities.
This volume contains the earlier works; sonatas officially published during the composer?s lifetime as No. 1 op. 6, No. 2 (Sonate-Fantaisie) op. 19 and No. 3 op. 23 as well as the sonatas written during his youth, in G-sharp minor (1886) and E-flat minor (1887-89). The edition also includes the virtually unknown fragment of a sonata in C-sharp minor (1887) and the reconstructed parts of a sonata in G-sharp minor (1892) never previously published.
The editor Christoph Flamm draws on autograph manuscripts, first printed editions and on Russian editions of the 1920s. For the first time the recordings of Sonatas nos. 2 and 3 which Skrjabin made in 1908 on paper rolls for the Hupfeld company, Leipzig are also taken into account. / [L'intégrale des Sonates pour Piano, Volume I] / Classique / Partition /
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2 Sonatas (SAMMARTINI GIUSEPPE)
Flûte à Bec Soprano ou Flûte Traversière, Violon e
[Sheet music]
Amadeus Verlag
Par SAMMARTINI GIUSEPPE. Two Sonatas by Giuseppe Sammartini for C instrument - r...
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Par SAMMARTINI GIUSEPPE. Two Sonatas by Giuseppe Sammartini for C instrument - recorder, flute, oboe or violin - & basso continuo, here edited by Bernhard Pauler for Amadeus, 1987, fully realised for solo instrument + piano accompaniment. The original basso continuo part is also included. Set for ABRSM Examinations 2014-17 & 2018-21 Descant Recorder Grade 5 (List A: Sonata in G op. 2 no. 1, 2nd mvt. ) & Trinity Examination 2017-20 Descant Recorder Grade 5 (Group A: Sonata in G op. 2 no. 4, 2nd mvt. ) / Répertoire d'Examen / Répertoire / Flûte à Bec Soprano ou Flûte Traversière, Violon e
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Klarinettenmusik Von Komponistinnen
Clarinet and Piano
Schott
13 Stücke für Klarinette und Klavier. Female composers such as Germaine Taille...
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13 Stücke für Klarinette und Klavier. Female composers such as Germaine Tailleferre, Johanna Senfter and Grazyna Bacewicz are justifiably becoming increasingly popular. This new edition presents pieces for A and Bb clarinet from the classical, romantic and modern eras. / Niveau : 3-4 / Recueil / Clarinette et Piano
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Piano Sonatas Op. 24+39+49+70 Wev Q-2, 3, 4, 5
Piano solo
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano
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Magic Major!
Piano solo
Schott
Accordée, il y a beaucoup de pièces incroyable dans la clé de mineur. Mais qu...
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Accordée, il y a beaucoup de pièces incroyable dans la clé de mineur. Mais qui veut toujours jouer des morceaux triste, lente, mélodique, sentimental ? Pour tous ceux qui voudraient jouer rapide, joviale, vivante, drôle, rythmique, excitant des morceaux, il est maintenant disponible - enfin - une collection intéressante de pièces dans la clé majeure seulement. Pièces instrumentales animés pour des leçons de piano dynamiques ! / Piano
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Piano Works (1913-1990) (ORNSTEIN LEO)
Piano solo
[Sheet music]
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Advanced
Dover Publications
Par ORNSTEIN LEO. 'Il ya une force remarquable à tous Ornstein musique un sursa...
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Par ORNSTEIN LEO. 'Il ya une force remarquable à tous Ornstein musique un sursaut d'énergie, une frénésie et une passion qui sont toujours rafraîchissant de l'oreille musicale fatigué.'-George Gershwin Cette anthologie originale est le premier volume simple édition des oeuvres d'avant-garde américaine compositeur Leo Ornstein (1893-2002). Caractérisé comme un futuriste et ultra-moderne, Ornstein a créé des oeuvres audacieuses, dissonantes qui excitaient l'admiration et de mépris. Un disciple fidèle de ses propres instincts musicaux, le compositeur a pris sa retraite de sa carrière en tant que pianiste de renommée internationale dans les années 1920 et a continué à composer dans l'obscurité pendant un demi-siècle. Ornstein a fondé une école de musique basé à Philadelphie, a connu une renaissance de la popularité dans les années 1970, et a terminé sa sonate pour piano huitième et dernier à l'âge de 97 ans. Ces seize compositions sont répartis dans huit décennies et démontrer une remarquable diversité de styles, du lyrisme à atonale. Le contenu inclut Three Moods, Impressions de la Tamise, Impressions de Chinatown, une douleur longtemps dans les mémoires, Un Matin dans les bois, et autres travaux. Aaron Copland a déclaré un spectacle de danse Homme sauvage comme le moment le plus controversé de sa jeune vie, et aussi récemment qu'en 2002, le New York Times prononçait 'un choc'. Beaucoup publié à l'origine de 1914 à 1925, ces pièces étaient depuis longtemps épuisés jusqu'à leur retour dans cette édition unique, qui est sûr de captiver intermédiaire aux pianistes de niveau avancé et tous les fans de musique avant-gardiste. / Niveau : Avancé / Répertoire / Piano
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First Repertoire Pieces
Descent (Soprano) Recorder, Piano
Boosey and Hawkes
L'édition fait partie du syllabus Trinity 2007 (grade 1, 3) / Flûte A Bec Sopr...
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L'édition fait partie du syllabus Trinity 2007 (grade 1, 3) / Flûte A Bec Soprano Et Piano
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Concerto For Alto Saxophone And Orchestra (DENISOV EDISON)
Alto Saxophone and Piano
Sikorski
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison...
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Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano
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Best of Piano Classics
Piano solo
[Sheet music]
Schott
This collection of 50 of the most beautiful original compositions for piano, pre...
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This collection of 50 of the most beautiful original compositions for piano, presented by Schott, contains a selection of works that is suitable for pupils in their first years of piano lessons.
The volume contains compositions ranging from Johann Pachelbel (1653-1706) to Alexander Grechaninov (1864-1956), providing playing material from the baroque period to the early 20th century.
As well as many individual pieces, this volume also includes easy sonatas and sonatinas by Haydn, Clementi, Mozart and Beethoven.
Complete with fingerings, tempo suggestions in the form of metronome marks and notes on the execution of ornaments, this collection with its modern, readable typeface is ideal not only for lessons, but also for private music-making. / Classique / Partition / Broché /
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Sonata Op. 40 (CALLIGARIS SERGIO)
Violin and Piano
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Intermediate
Ricordi
Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in R...
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Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Violon et Piano
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Sherwood Sonata For Soprano Saxophone and Orchestr
Saxophone Soprano et Piano
[Sheet music]
Hal Leonard
reduction and arrangement by Olivier Calmel. Par SHORTER WAYNE. Wayne Shorter é...
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reduction and arrangement by Olivier Calmel. Par SHORTER WAYNE. Wayne Shorter était un célèbre saxophoniste, compositeur et chef d'orchestre de jazz américain. Il rejoint le Second Great Quintet de Miles Davis en 1964. Miles Davis déclara d’ailleurs à son sujet : 'Wayne est un vrai compositeur. Il écrit des partitions, il écrit les parties pour chaque musicien, exactement comme il veut qu'elles sonnent.'. En 1971, Wayne Shroter fonde le groupe de fusion Weather Report. Après avoir quitté Weather Report, il continue à enregistrer et à diriger des groupes de jazz fusion, notamment lors d'une tournée en 1988 avec le guitariste Carlos Santana. De nombreuses compositions de Shorter sont devenues des standards du jazz, et sa musique est appréciée dans le monde entier et saluée par la critique. Shorter a remporté 12 Grammy Awards. Sherwood Concerto pour saxophone soprano (ou clarinette) et orchestre a été créé par Nicolas Prost et Sébastien Paindestre à New York City, N.Y. le 22 février 2023 et à Paris le 28 mai 2023. La réduction pour saxophone soprano et piano a été arrangée par le compositeur et pianiste Olivier Calmel. / Date parution : 2024-01-06/ Répertoire / Saxophone Soprano et Piano
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Hot-Sonata For Alto Saxophone And Piano
Alto Saxophone and Piano
G. Henle
Erwin Schulhoff (1894-1942) compte parmi les personnalités les plus originales ...
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Erwin Schulhoff (1894-1942) compte parmi les personnalités les plus originales de la musique du début du XXe siècle. Tombée un temps dans l'oubli en raison des persécutions et de l'ostracisme du régime national-socialiste, l'excellence de sa musique, influencée par le jazz et le dadaïsme, la musique atonale et le réalisme socialiste, commence à être redécouverte depuis quelques décennies. Sa Hot-Sonate de 1930 trahit, ne serait-ce que par son utilisation du saxophone en tant qu'instrument soliste, l'influence du jazz qui s'exprime également dans la force des rythmes, l'harmonie chatoyante et certaines techniques de jeu comme les glissandi. La Hot-Sonate paraît ici pour la première fois dans une édition Urtext. L'édition élimine de nombreuses erreurs de la première édition qui a été réimprimée à l'identique jusqu'à nos jours. L'ensemble des sources pertinentes ont pu être mises à profit: l'autographe, une copie destinée au graveur, l'exemplaire personnel de Schulhoff ainsi que divers documents personnels comme des lettres et des contrats. L'édition a bénéficié du concours du saxophoniste berlinois Frank Lunte, remarquable connaisseur à la fois du répertoire et de l'histoire du saxophone en particulier dans le Berlin des années 1930. / Saxophone Alto
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Three's A Crowd Saxophone Book 1 Easy Int.
Saxophone
[Sheet music]
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Beginner
Chester
Une série très souple de livres conçu pour encourager les jeunes à jouer ens...
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Une série très souple de livres conçu pour encourager les jeunes à jouer ensemble dans diverses combinaisons de chiffres et d'instruments, parfaits pour les frais de scolarité de groupe. Livre 1 offre 19 trios de simple intermédiaire pour saxophone alto et ténor à l'aide de mélodies familières disposés dans des styles classiques, de folkloriques et de jazz, y compris les pays Garden, Dieu reste Ye Merry Gentlemen, danse du chapeau mexicain Hornpipe de marin. Cette collection peut être utilisée pour solo, duo ou trio jouant et peut également être utilisée avec des dispositions correspondantes du même matériau dans le livre i pour Brass, violon, clarinette, flûte. Un livre d'accompagnement piano est disponible. / Niveau : Débutant / Méthode en anglais / Méthode / Saxophone
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GOLD ESSENTIAL BEST OF COLLECTION SOLO PIANO
Piano solo
[Sheet music]
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Intermediate
Chester
Une collection des meilleures oeuvres classiques tirées des collections d...
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Une collection des meilleures oeuvres classiques tirées des collections d'anthologies. Comme à chaque fois, chaque morceau est présenté avec soin pour piano solo, avec au choix des chefs d'oeuvres reconnus, dont ceux de Bach et son Air pour instrument à cordes en sol, l'Entertainer de Joplin et le Clair de Lune de Debussy à apprendre, à maîtriser et à apprécier. / Classique / Partition /
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Fauré, Gabriel : Ballade op. 19
Piano Quintet: piano, violin, viola, cello, double bass
[Sheet music]
Barenreiter
Fauré?s piano works are of central importance within his compositional oeuvre. ...
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Fauré?s piano works are of central importance within his compositional oeuvre. He dedicated his ?Ballade?, composed in 1879, to his teacher Camille Saint-Saëns. Structurally and in terms of its lyrical character the work breaks from the genre?s epic form and takes on the traits of the sonata form. In 1881 Fauré arranged his ?Ballade? for piano and orchestra and the work was premiered in this new scoring.'
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Drawing on the most recent discoveries and comprehensive source research, the work is presented in a scholarly-critical Urtext edition. The publication, which is based on the ??uvres complètes de Gabriel Fauré?, includes a detailed foreword and notes on performance practice.'
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- Published on the basis of ??uvres complètes de Gabriel Fauré?'
- Incorporates the latest research and findings regarding the sources'
- Scholarly-critical Urtext edition with advice on performance practice'
- Detailed foreword (Fr/Eng/Ger)'
'
Christophe Grabowski'
is a pianist and doctor of musicology who studied in Warsaw and in Paris. He edited, among other works, one volume of the ??uvres complètes de Gabriel Fauré?, two volumes of the ?Édition Complète des ?uvres de Claude Debussy?, and was the series editor for the new Chopin Complete Edition. In 2010, together with John Rink, he published the ?Annotated Catalogue of Chopin?s First Editions?. / [Ballade Opus 19] / Classique / Partition / Agrafé /
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Masterpieces Of Piano Music
Piano solo
[Sheet music]
Music Sales
The most popular collection of classical Piano music ever published. This author...
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The most popular collection of classical Piano music ever published. This authoritative volume contains over 140 selections, covering all fields of Classic, Romantic, Modern, Light, Sacred and Operatic music. / Rép International / Recueil / Piano
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3 18Th-Century Sonatas (Cello/Keyb) (BREVAL / CHINZER / PORTA)
Cello, Piano
[Sheet music]
Faber Music Limited
Par BREVAL / CHINZER / PORTA. Les premières éditions modernes des trois sonate...
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Par BREVAL / CHINZER / PORTA. Les premières éditions modernes des trois sonates violoncelles eighteenth-century attrayants de capacité technique modérée. Ensemble, ils offrent une introduction inestimable à la littérature d'une période qui a vu une grande floraison dans le développement du violoncelle. Ces éditions performantes pratiques fournissent l'ornementation suggérée pour violoncelle et des réalisations de clavier qui ont été maintenues délibérément simples. / Date parution : 2000-08-17/ Recueil / Violoncelle et Piano
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Complete Sonatas For Keyboard Solo II
Piano solo
[Sheet music]
Barenreiter
Comme le principal représentant de la musique tchèque à Vienne du 18e siècle...
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Comme le principal représentant de la musique tchèque à Vienne du 18e siècle, Leopold Kozeluh (17471818) a été observée principalement comme compositeur, pianiste et professeur de clavier. Ses 50 sonates pour clavier couvrent toute sa carrière et marquent non seulement la transition entre le clavecin et clavicorde manière le style fortepiano entièrement idiomatique, mais aussi le développement de la 'sonate classique' de l'ordre de trois décennies (17731806) .Jusqu'à présent, les pianistes ont eu peu de chance de se familiariser avec la gamme complète des sonates de Ko?eluh depuis quelques existait dans les éditions modernes. Cette nouvelle édition complète par Christopher Hogwood présente pour la première fois toutes les sonates de Ko?eluh pour solo de clavier.Le projet est divisé en quatre volumes qui paraîtront en 2007 et 2008, allant chronologiquement à travers les séries publiées. Volume 4 contient également ces sonates qui ne se trouvent que dans les sources manuscrites. La première édition complète des Sonates pour clavier du compositeur tchèque Leopold Kozeluh Remplit un vide dans le répertoire du répertoire classique tchèque et de l'Europe centrale Convient pour les amateurs et les professionnels, et idéal pour les fins d'enseignement Introduction détaillée (Cz / Eng / Ger...), Commentaire critique (Fr.) et facsimilés / Clavier
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