(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

By Lawrance. For Brass (Treble Clef) unaccompanied. Solo Brass. Very easy-easy. Collection. Published by Brass Wind Publications

By Lawrance. For Trombone. Solo Brass. Very easy-easy. Book and CD. Published by Brass Wind Publications

By Lawrance. For Trombone unaccompanied. Solo Brass. Very easy-easy. Collection. Published by Brass Wind Publications

Band Bass Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Percussion 5, Piccolo, String Bass and more.

SKU: PR.165000970

For Band. Composed by Dan Welcher. Folder. Premiered by the University of Texas Symphony Band, Scott S. Hanna, conductor, at Butler School of Music, UT/Austin, Austin, Texas. Contemporary. Set of Score and Parts. With Standard notation. Composed 14-Sep. 40 pages. Duration 7 minutes. Theodore Presser Company #165-00097. Published by Theodore Presser Company (PR.165000970).

ISBN 9781491100462. UPC: 680160626717. 9x12 inches.

Commissioned by a consortium of 20 high school and university bands coordinated by Scott Hanna of the University of Texas at Austin, Downshifting is inspired by Welcher’s joy of bicycle riding. Welcher explains in the program note: When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting... With three gears on the front sprocket and seven on the rear, it’s possible to keep one’s legs going at a constant speed (for me, q = 126) while the bike itself may be moving very slowly or very quickly. I determined to capitalize on this in writing Downshifting, which keeps the same mathematical inner pulse, ‘shifting’ (with a ratchet) as the terrain changes..
One of the joys of life for me is riding my 21-speed bicycle.  As a basically non-athletic person who nonetheless likes to stay in shape, I have found that riding my bike provides just the exercise I need.  The workout is strenuous, but pleasant—and the infinite variety of scenery I pass keeps me alert and wide awake.  When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting.With three gears on the front sprocket and seven on the rear, it’s possible to keep ones legs going at a constant speed (for me, that’s 126 to the quarter note) while the bike itself may be moving very slowly or very quickly.  I determined to capitalize on this in writing the music, which manages to keep the same mathematical inner pulse, “shifting” (with a ratchet) as the terrain changes.  So Downshifting begins with that steady pulse, on a grid of eighth notes in 2/4 to propel the little vehicle forward.  There’s a joyous little tune in our heads as we begin our ride.  As the initial thrill of riding on the flat gives way to monotony, we stay in that pulse for the first minute or so of the ride.  Then, as the first hill becomes visible, we shift the bike down: even though the eighths are equal, the pulse feels slower (and we’re now in 6/8 time).  Ultimately the compound meter shifts again as the climb begins, and we’re now plodding doggedly up the hill.  (The music reflects all of these changes, with subtitles such as “Working harder—Seeing the climb, ahead”, “Steady and committed…the climb begins!”, “Straining against the grade”, etc.).There are two hills, and two long climbs (but in different keys, reflecting the change in scenery).  When at last the summit of the second hill is reached (“Flying, Over the Top”), we coast at last down the other side at breakneck speed.  The initial joyous melody returns, but now in a spread-out coasting pulse.  At the end of the ride, we slow to a stop—then take one last sprint (shifting five times in the process) in order to end on a biker’s high.Downshifting was commissioned by a consortium of fourteen high school and college bands, overseen by my longtime colleague at the University of Texas, Scott Hanna.  The piece is dedicated to him (and to all bicycle enthusiasts).

(Mixed Trios). By Various. Arranged by Daniel Kelley. For viola. Trios. Music for Three. Rags & Waltzes. Intermediate/Advanced. Part 2. Published by Last Resort Music Publishing

(Mixed Trios). By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. Music for Three. Rags & Waltzes. Intermediate/Advanced. Part 2

By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Quartets. Music for Four. Rags & Waltzes. Intermediate/Advanced. Part 4

By Various. Arranged by Daniel Kelley. For Keyboard or Guitar. Quartets. Music for Four. Rags & Waltzes. Intermediate/Advanced. Part

By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin. Quartets. Music for Four. Rags & Waltzes. Intermediate/Advanced. Part 2

By Various. Arranged by Daniel Kelley. For viola. Quartets. Music for Four. Rags & Waltzes. Intermediate/Advanced. Part 3

Edited by Maurice Hinson. For Piano. Piano Collection. Alfred Masterwork Edition. Masterwork; Ragtime. Level: Intermediate / Early Advanced (grade 4/5/6/6 ). Book. 172 pages. Published by Alfred Publishing.

Arranged by Giovanni De Chiaro. For Guitar (Classical). Solos. Editiones Classicae. Ragtime. Level: Intermediate. Book. Size 8.75x11.75. 288 pages. Published by Mel Bay Publications, Inc.