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Voice bass and Piano
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Ricordi Opera Anthology: Bass: Vocal Collection
Low voice, Piano
Ricordi
Basso - Bass - A cura di - Edited by Ilaria Narici-A selection of 38 arias for v...
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Basso - Bass - A cura di - Edited by Ilaria Narici-A selection of 38 arias for voice and piano with plot synopses and translations in Italian and English.
20.99 GBP - Sold by Musicroom UK
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Arias For Baritone/Bass And Pianoe
Baritone voice, Piano
Schott
/ Baryton Et Piano
44.20 EUR - Sold by LMI-partitions
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Johann Carl Gottfried Loewe: Wanderer's Night Song (Bass And Piano: Bass: Vocal
Piano, Voice
Novello & Co Ltd.
Carl Loewe's Wanderer's Night Song for Bass or Baritone Voice and Piano. Edited ...
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Carl Loewe's Wanderer's Night Song for Bass or Baritone Voice and Piano. Edited by Albert Howe.
7.99 GBP - Sold by Musicroom UK
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Classical Carols (Low Voice): Vocal and Piano: Vocal Album
Low voice
[Sheet music + Audio access]
Hal Leonard
The Vocal Library. Lovely fresh artistic arrangements that truly make art song...
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The Vocal Library. Lovely fresh artistic arrangements that truly make art songs of Christmas carols. Accompaniment CD includes complete performances as well as accompaniments. Includes eight solos and two duets with four of the carols requiring either flute or violin obbligato.
18.99 GBP - Sold by Musicroom UK
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Graham Gouldman: Bus Stop: Piano Vocal Guitar: Single Sheet
Piano, Vocal and Guitar
[Sheet music]
Campbell Connelly and Co
Bus Stop was written by the British songwriter Graham Gouldman (b. 1946) who lat...
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Bus Stop was written by the British songwriter Graham Gouldman (b. 1946) who later found fame as a Bassist and Vocalist with the Pop Rock group 10cc. It was written for the pop band TheHollies in 1966 who recorded and released it as a single in the same year reaching No.5 on the UK singles chart. It was also their first US top-ten hit.Bus Stop tells the story of two people who meetwhile waiting for the bus on a wet day and share an umbrella falling in love. It was supposedly part-written by Gouldman’s father who came up with the first line which was then expanded and finished on thebus.This classic song has been arranged for Piano Voice and Guitar.
5.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 61Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative – aria – recitative – aria) is the bass recitative on the words of the Revelation with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.Equally captivating is the following soprano aria which 'opens its heart' upon the Saviour's 'knocking' in a melody full of thecheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively bustling violin part which ultimately soars upward to breathtaking heights.- Urtext of the New Bach Edition
6.50 GBP - Sold by Musicroom UK
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Anthony Lewis: A Selection of Italian Arias 1600-1800: Low Voice: Vocal Album
Low voice, Piano
-
Intermediate
ABRSM Publishing
Volume I Low Voice-Vocal works for Low Voice and Piano edited by Anthony Lewis.
16.95 GBP - Sold by Musicroom UK
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Vassilieva Elena - Vocalises Minute - Baryton-basse and Piano
Français
Baritone voice, Piano
Lemoine, Henry
Présentation Ces vocalises sont faites pour trouver la virtuosité de sa voix,...
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Présentation Ces vocalises sont faites pour trouver la virtuosité de sa voix, et sa fluidité dans une écriture d'aujourd'hui. Vous y trouverez quelques fondamentaux comme les grands intervalles, la longue tessiture, pour toutes les voix, le chromatisme, le tempo rapide vocalisé, les slanci ou glissati, les quarts de tons, les nuances ainsi que les tenuti pianissimi ou encore le decrescendo finissant sur un fil di voce. La valeur ajoutée sur le plan rythmique habituera le chanteur à combiner les textes sur une pulsation interne permanente malgré l'exécution de la mélodie étudiée. Les tenuti ouvriront l'imaginaire du chanteur en y plaçant le texte, ad libitum. Les respirations inaudibles pour certains textes - proches de la mélodie ou du récitatif - côtoieront quelques inspirations et expirations audibles, ou sons-bruits fantômes. J'accorde beaucoup d'importance à l'articulation du texte en bouche, et à la place des lèvres dans l'acoustique du son. En effet, le chanteur transporte son propre théâtre à l'italienne partout et son palais devient alors le fin connaisseur de la place des aigus et sur-aigus. Le chanteur est un gourmet de sa bouche et de tout son appareil phonatoire et respiratoire. Le sprechgesang aura une large part dans ces vocalises. Quelques nouvelles idées d'écritures apparaissent comme celles des agrégats ou arpèges, les pleurs, les rires, la main devant la bouche, le rauco, les sons soufflés, le bruit des lèvres, la langue sortie roulée sur la lèvre supérieure, les claquements de langue, le vibrato glottique. La présence du chanteur sera indispensable pour donner du sens aux textes empruntés au répertoire des opéras classiques choisis. Ces Airs connus par coeur par chaque chanteur, que ce soit Carmen, Adolar, Méphistophélès, Mab, Pédrillo, Marina, Anna Bolena, Lucrezia, Philippe II, Urbain, La Reine de la nuit, Vulcain, Sarastro ou Erda, pour n'en citer que quelques-uns, glisseront peu à peu dans des traitements - stylistiques et vocaux - déformés par tout ce que j'ai cité plus haut : à savoir que la virtuosité prend le pas sur la texture du texte et de la voix : des phonèmes en lien avec la compréhension du texte, ou non, agrémenteront la réactivité du chanteur, vers une attitude ludique, inventive et drôle, bien que précise et technique. La sûreté des attaques sera appréciée, comme l'apprentissage des différents effets vocaux (une vingtaine, en tout) et de leurs cryptogrammes respectifs. Si cette collection s'adresse à des chanteurs expérimentés et sûrs de leur technique globale, elle provoquera certainement des prises de conscience sur le couple voix et répertoire, peu évident à mettre en place chez de jeunes artistes, appelés à mûrir, à expérimenter, donc à évoluer dans leur répertoire, et leur confort d'émission. La beauté de l'instrument est indispensable pour défendre le cadre scénique de chaque vocalise : j'invite les jeunes chanteurs à croiser la voix, sa technique avec le jeu, l'amusement et sa virtuosité. La soif et le bonheur de chanter se mesureront à la discipline de l'apprentissage. Jeunes artistes doués et patients, devenez ces êtres-bouches à la fois chanteurs-conteurs-hypnotiseurs et connaisseurs alchimiques du pouvoir colossal de la voix humaine. Ouvrez vos cerveaux et vos bouches : le monde vous réclame ! De la même façon que pour toutes les autres tessitures, j'ai écrit 10 vocalises pour ces différentes catégories de Barytons et de Basses. Si le sens de l'humour permet de distancier la difficulté de l'écriture empruntée aux compositeurs contemporains, j'ai voulu donner à ces voix d'hommes - souvent trop cadrées dans la sériosité du propos - une évasion stylistique et légère, parfois émotionnelle non contenue, afin d'ouvrir une fenêtre vers la liberté et le ressenti non pudique des mots ou des textes choisis. J'ose imaginer que certains chanteurs se retrouveront en souriant sur certaines vocalises, les mettant en scène, par la lorgnette des coulisses souvent riches d'enseignement. 7 catégories ont été privilégiées : a) baryton léger (2 textes : Le charmant, MAB) b) baryton Martin (1 texte : L'illuminé) c) baryton Verdi (2 textes : Maudite Marguerite, La loge de scène) d) basse bouffe (2 textes : Una cosa stravagante, Vulcain) e) basse noble (1 texte : O toi, ma Mie, je t'attendrai ce soir) f) basse profonde (1 texte : Sarastromin) g) baryton-basse chantante (1 texte : Le malheureux Philippe) Amusez-vous, Messieurs et donnez-nous du plaisir à vous écouter encore et toujours ! Contenu I. Le charmant - II. MAB - III. L'illuminé - IV. Maudite Marguerite - V. La loge de scène - VI. Una cosa stravagante - VII. Vulcain - VIII. O toi, ma Mie, je t'attendrai ce soir - IX. Le malheureux Philippe - X. Sarastromin
23.00 EUR - Sold by Woodbrass
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American Arias Bass/Baritone
Low voice, Piano
[Sheet music + CD]
Boosey and Hawkes
Cette nouvelle série importante fête des plus grands trésors dans l'opéra am...
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Cette nouvelle série importante fête des plus grands trésors dans l'opéra américain, avec arias, les favoris et les gemmes moins connues, de progrès de râteaux de Stravinsky, John Adam, Nixon en Chine, Trouble de Bernstein in Tahiti et autres grands opéras par Dominic Arg / Basse (Baryton) Et Piano / Edition Avec Cd
46.60 EUR - Sold by LMI-partitions
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The Chester Vocal Anthology: Baritone/Bass (LIVINGSTONE ANGELA / MAXWELL DONALD)
Baryton ou Basse et Piano
[Sheet music]
Chester
Par LIVINGSTONE ANGELA / MAXWELL DONALD. 25 popular works for baritone or bass v...
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Par LIVINGSTONE ANGELA / MAXWELL DONALD. 25 popular works for baritone or bass voice with piano accompaniment featuring selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. Includes a preface and performance notes by Donald Maxwell and Angela Livingstone, and a digital version of the book to view on any device./ Recueil / Baryton ou Basse et Piano
28.18 EUR - Sold by LMI-partitions
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Ricordi Opera Anthology
Low voice, Piano
-
Intermediate
Ricordi
Basso | Bass - A cura di | Edited by Ilaria Narici. A selection of 38 arias for ...
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Basso | Bass - A cura di | Edited by Ilaria Narici. A selection of 38 arias for voice and piano with plot synopses and translations in Italian and English. / Niveau : Intermédiaire / Opéra-opérette / Recueil / Basse et Piano
29.57 EUR - Sold by LMI-partitions
(Seller in french langage)
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Operatic Anthology Vol.5 - Basse Et Piano
Low voice, Piano
[Sheet music]
-
Intermediate/advanced
Schirmer
Contents: Rossini: La calunnia (Il Barbiere di Siviglia) ? A un dottor della mia...
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Contents: Rossini: La calunnia (Il Barbiere di Siviglia) ? A un dottor della mia sorte (Il Barbiere di Siviglia) ? Cornelius: Mein Sohn (Der Barbier von Bagdad) ? Smetana: Kezal's Aria (The Bartered Bride) ? Puccini: Vecchia zimarra (La Boheme) ? Mussorgsky: I have attained to power (Boris Godunov) ? Varlaam's Song (Boris Godunov) ? Pimen's Tale (Boris Godunov) ? Verdi: Dormiro sol nel manto mio regal (Don Carlo) ? Infelice! e tuo credevi (Ernani) ? Infin che un brando vindice (Ernani) ? Come dal ciel precipita (Macbeth) ? Il lacerato spirito (Simon Boccanegra) ? Di due figli vivea, padre beato (Il Trovatore) ? Mozart: Madamina! il catalogo e questo (Don Giovanni) ? Wer ein Liebchen hat gefunden (Die Entführung aus dem Serail) ? Solche herge laufne Laffen (Die Entfuhrung aus dem Serail) ? Se vuol ballare, signor Contino (Le Nozze di Figaro) ? Non piu andrai (Le Nozze di Figaro) ? In diesen heil'gen Hallen (Die Zauberflöte) ? O Isis und Osiris (Die Zauberflöte) ? Donizetti: Ah, un foco insolito (Don Pasquale) ? A tanto amor (La Favorita) ? Dalle stanze, ove Lucia (Lucia di Lammermoor) ? Tchaikovsky: Gremin's Aria (Eugene Onegin) ? Gounod: Vous qui faites l'endormie (Faust) ? Le veau d'or (Faust) ? Beethoven: Hat man nicht auch Gold daneben (Fidelio) ? Wagner: Mogst du, mein Kind (Der Fliegende Hollander) ? Mein Herr und Gott (Lohengrin) ? Nun hort und versteht (Pogner's Address) (Die Meistersinger) ? Tatest du's wirklich? (Tristan und Isolde) ? Ponchielli: Ombre die mia prosapia (La Gioconda) ? Meyerbeer: Piff, Paff (Les Heugenots) ? Gluck: De noirs pressentiments (Iphigenie en Tauride) ? Halvey: Si la rigueur (La Juive) ? Nicholai: Als Bublein klein (Drinking Song) (The Merry Wives of Windsor) ? Massenet: Epouse quelque brave fille (Manon) ? Flotow: Lasst mich euch fragen (Porter Song) (Martha) ? Thomas: De son coeur j'ai calme la fievre (Mignon) ? Dargomyzhsky: The Miller's Song (Rusalka).
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Elizabethan Love Songs Vol.2
Low voice, Piano
Boosey and Hawkes
/ Voix Basse Et Piano
78.30 EUR - Sold by LMI-partitions
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David Heyes: A Spotless Rose: Upper Voices: Vocal Album
SSA/PFA::SSA, Accompagnement Piano
[Partitions]
Recital Music
A Spotless Rose is dedicated to Sarah Poole and was written for a charity concer...
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A Spotless Rose is dedicated to Sarah Poole and was written for a charity concert on Sunday 7 December 2014. The simple arpeggio accompaniment creates an atmospheric web above which the female choir in three parts can weave their melodic lines and is set to a most evocative and beautiful text. The accompaniment can be played by piano or harp and the carol is a simple and understated setting which the composer hopes will appeal to choirs and audiences alike.A Spotless Rose is also available for solo voice and piano. David Heyes studied double bass with Laurence Gray and Bronwen Naish and later at the Royal College of Music in London. Hecompleted his post-graduate studies in Prague with Frantisek Posta (Principal Double Bass Czech Philharmonic Orchestra). He has given recitals and masterclasses in 13 countries over the past few years and has been a juror at a number of international competitions twice as chairman.David has been Specialist Double Bass Tutor at Wells Cathedral School for 17 years and received a prestigious award from the David Walter Charitable Trust of New York for his pioneering activities as a soloist teacher publisher and commissioner of new music for double bass. He works with composers throughout the world and is particularly interested to expand the double bass repertoire by commissioning new works and by rediscovering forgotten ones. Over the past 30 years he has commissioned more than 500 works from beginner to virtuoso and from one to twenty basses.David has transcribed more than 200 works for double bass many published by Recital Music and in recent year has also composed a number of original works for double bass which have been performed in Britain America and Czech Republic. David is self-taught as a composer and his music has been described as lyrical and accessible but certainly of the 21st-century. In recent years he has had premieres and performances in Britain America Spain and the Czech Republic was a Featured
1.35 GBP - Sold by Musicroom UK
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La Courte Paille (Medium/Low Voice)
Medium voice, Piano
[Sheet music]
Durand
Sept mélodies sur des poèmes de Maurice Carême. Par POULENC FRANCIS. La Court...
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Sept mélodies sur des poèmes de Maurice Carême. Par POULENC FRANCIS. La Courte Paille est l?ultime composition de musique vocale de Poulenc, sur des poèmes du belge Maurice Carême. Carême titra le cycle à la demande de Poulenc, et choisit La Courte Paille. Poulenc fut enchanté de ce titre, disant qu?il symbolisait exactement son petit jeu. Cette édition fait partie de Musique Vocale Française, une collection dédiée au repertoire vocale français - soit original soit transposé - et conçue pour les étudiants, les professeurs et les interprètes professionnels. Introduction historique et paroles en français et en anglais. / Date parution : 2023-06-01/ Recueil / Medium/Voix Basse et Piano
14.78 EUR - Sold by LMI-partitions
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Elizabethan Love Songs Vol.1
Low voice, Piano
Boosey and Hawkes
/ Voix Basse Et Piano
81.10 EUR - Sold by LMI-partitions
(Seller in french langage)
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15 Easy Christmas Carol Arrangements - Low Voice: Vocal and Piano: Vocal Album
Low voice
[Sheet music + Audio access]
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Intermediate
Hal Leonard
Selected and edited by Richard Walters these wonderful yuletide arrangements ar...
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Selected and edited by Richard Walters these wonderful yuletide arrangements are specially designed to be suitable for the progressing Alto or Bass voice.Christmas is an exciting time for the student singer presenting lots of opportunities for performance as the seasonal celebrations gather momentum. These songs are familiar melodious and relatively accessible adding an extra dimension to the standard repertoire. Each song has been carefully devised to remain comfortably in a middle to lower-middle tessitura ideal for the inexperienced singer.The accompaniments are suitable for the intermediate pianist but retain a fresh and contemporary flavour. A CD isalso included offering both professional performances that illustrate model interpretations and an accompaniment track for practice.
16.99 GBP - Sold by Musicroom UK
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Gospel Songs: Piano Vocal and Guitar: Mixed Songbook
Piano, Vocal and Guitar
Hal Leonard
Over 100 songs, including: Behold the Lamb ? Down by the Riverside ? Daddy Sang ...
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Over 100 songs, including: Behold the Lamb ? Down by the Riverside ? Daddy Sang Bass ? He Giveth More Grace ? I Am Not Ashamed ? In Times like These ? Midnight Cry ? We Are So Blessed ? The Wonder of It All ? and many more.
12.25 GBP - Sold by Musicroom UK
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Jamey Aebersold: Transcribed Comping From Vol.41: Piano: Instrumental Album
Piano solo
Jamey Aebersold Jazz
Note-for-note Piano transcription book from Vol. 41 'Body And Soul' - featuring ...
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Note-for-note Piano transcription book from Vol. 41 'Body And Soul' - featuring Dan Haerle. A rich sampling of Dan’s marvelous comping over selected choruses of 10 timeless standards. Includes: Misty What’s New Teach Me Tonight Body And Soul Alone Together That’s All Time After Time and more!Why you should consider this and other Aebersold Piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what's he doing there?' Now you'll know! Here as never before is an opportunity to see real jazz Piano voicings and comping over real songs in real live musical settings. These historic books contain note-for-note transcriptions exactly as recorded of the exciting piano accompaniment from the World Famous Aebersold Play-A-Long series. Not just for pianists there are many ways for all musicians to use these wonderful musical tools: Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally turn him off (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you'll soon be improvising your own accompaniment!Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they've heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books.Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.
14.99 GBP - Sold by Musicroom UK
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Jamey Aebersold: Jazz Piano Voicings From Volume 54 Maiden Voyage: Piano:
Piano solo
[Sheet music]
Jamey Aebersold Jazz
See why Jamey’s concise and logical Piano comping has set a standard for s...
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See why Jamey’s concise and logical Piano comping has set a standard for swinging accompaniment accessible to all musicians. Comping/chords to the changes of Impressions Satin Doll Maiden Voyage Footprints Doxy Summertime and many more!! Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what’s he doing there?' Now you’ll know! Here as never before is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions exactly as recorded of theexciting piano accompaniment from the World Famous Aebersold Play-A-Long series. Not just for pianists there are many ways for ALL MUSICIANS to use these wonderful musical tools. Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you’ll soon be improvising your own accompaniment! Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they’ve heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books. Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.
11.99 GBP - Sold by Musicroom UK
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Jamey Aebersold: Jazz Piano Voicings From Volume 50: Piano: Instrumental Album
Piano solo
Jamey Aebersold Jazz
Incredible professional comping over the changes of landmark Miles Davis composi...
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Incredible professional comping over the changes of landmark Miles Davis compositions by a noted master including: So What (slow) So What (fast) All Blues Blue In Green Nardis Eighty One Freddie Freeloader and more!!Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what’s he doing there?' Now you’ll know! Here as never before is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions exactly as recorded of the exciting piano accompaniment from the World FamousAebersold Play-A-Long series. Not just for pianists there are many ways for ALL MUSICIANS to use these wonderful musical tools.Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you’ll soon be improvising your own accompaniment!Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they’ve heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books.Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.
11.99 GBP - Sold by Musicroom UK
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Geoffrey Burgon: The Fall Of Lucifer Vocal Score: Baritone Voice: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Chester
The Fall of Lucifer was commissioned for the Silver Jubilee of the Tilford Bach ...
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The Fall of Lucifer was commissioned for the Silver Jubilee of the Tilford Bach Festival with funds provided by the Arts Council of Great Britain. The first performance was given on 13 May 1977. This work is a setting of thefirst play of the Chester Mystery Cycle a cycle of 25 plays dating from the late 14th century. Arranged for Solo Bass (Baritone) Countertenor Tenor and mixed voice choir SATB. Includes piano accompanimnet. Duration 26minutes.
13.99 GBP - Sold by Musicroom UK
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Songs Of Travel (VAUGHAN WILLIAMS RALPH)
Low voice, Piano
Boosey and Hawkes
Complete Edition. Par VAUGHAN WILLIAMS RALPH. L'édition fait partie du programm...
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Complete Edition. Par VAUGHAN WILLIAMS RALPH. L'édition fait partie du programme ABRSM (8e année)/ Recueil / Basse et Piano
25.20 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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Selected Songs Piano Et Vocal Scores
Français
Piano, Voice
Beuscher
Pour la première fois en partition, retrouvez une sélection de 40 des plus gra...
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Pour la première fois en partition, retrouvez une sélection de 40 des plus grandes chansons du compositeur, réalisateur, acteur, scénariste et touche-à-tout de génie Lewis Furey. / Piano/Vocal/Guitare (PVG)
40.60 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
On order
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Famous Opera Arias for Bass and Piano [incl. CD] (MOZART WOLFGANG AMADEUS)
Low voice, Piano
[Sheet music + CD]
Peters
Par MOZART WOLFGANG AMADEUS. / Répertoire / Voix Basse et Piano
30.54 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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