Pendant son séjour à Weimar (1848-1861), Liszt a développé un style entièrement nouveau, puis d'organes qui se distingue par des éléments à la fois l'orchestre et pianistique. En collaboration avec le maître de chapelle Gottschalg Alexander Wilhelm (1827-1908) à partir Tiefurt, il a régulièrement lancé ce qu'on appelle des conférences d'organes '. Et c'était à la suggestion de GOTTSCHALG que l'arrangement actuel de la chorale de Saint-Jacques de 'Tannhäuser' l'opéra a été écrit. Avec sa version pour orgue, Liszt, par le biais de cet exemple, a jeté les bases pour la tradition (pas toujours incontestée), s'étendant à l'heure actuelle, de l'orgue des transcriptions des opéras de Wagner. Des organistique des éléments de la Pilgrims 'Choir sont le thème de choral classique, le solennel 'sacré' de l'atmosphère solennelle le tempo ainsi que la cantability expressive. L'intensification linéaire, du piano-orgue-antiphonaire comme dolce du début à la 'organe plein', peut être réalisé de manière convaincante avec un orchestralement conçu trois claviers orgue, avec l'utilisation sensible de la boîte expressive et la successive , transparente accumulation de la pédale de crescendo étant d'une importance particulière. Pièce du répertoire important marquant le 200e anniversaire de Richard Wagner en 2013. / Orgue

Par HARVEY JONATHAN. Wagner Dream by Jonathan Harvey is an opera in nine scenes for soloists, actors, chorus, large ensemble and electronics. This vocal score for an accompanied mixed voices chorus, and contains a piano reduction for soloists.   'At the heart of this opera is the clash of two cultures. Late, highly charged romanticism with its paradigm of finding knowledge through emotional intensity fused with deep psychology and mythic regression, on the one hand. And on the other hand the new and old world of Buddhism and oriental thought with its detachment, its clear analysis of happiness and suffering in terms of mind. Perhaps this latter is the future, and the Wagner world is what we are coming from.'   Jonathan Harvey / Choral Music / Répertoire / Voix Mixtes, Soprano et Piano, Baryton, Basse, Tén

Par WAGNER / DOYEN. from 'Die Meistersinger' (Solo and SATB chorus) / Opéra-opérette / Répertoire / Choeur à 4 Voix (SATB) Sans Accompagnement

Cette grande mélodie du célèbre opéra de Wagner a été savamment arrangées pour piano solo. / Orgue / niveau : Elementaire / Partition

This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony #9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. / Guitare

58 Pièces faciles pour guitare. Par . This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. All pieces have been recorded and are available for download to make it easier for the pupils to study and master the works. / Date parution : 2023-03-20/ Recueil / Guitare Classique

Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra

1 Ode to Joy Compositeur: Beethoven, Ludwig van 2 The Happy Farmer Compositeur: Schumann, Robert 3 The Harmonious Blacksmith Compositeur: Händel, Georg Friedrich 4 Hungarian Dance #5 Compositeur: Brahms, Johannes 5 The Great Gate of Kiev from Pictures at an Exhibition Compositeur: Mussorgsky, Modest 6 Onward Christian Soldiers Compositeur: Sullivan, Arthur Seymour 7 Largo from The New World Symphony Compositeur: Dvorák, Antonín 8 Trumpet Voluntary Compositeur: Clarke, Jeremiah 9 Theme from The Emperor Quartet Compositeur: Haydn, Franz Joseph 10 Theme from Don Juan Compositeur: Mozart, Wolfgang Amadeus 11 Trumpet Tune Compositeur: Purcell, Henry 12 Hark ! the Herald Angels Sing Compositeur: Mendelssohn-Bartholdy, Felix 13 Triumphal March from Aida Compositeur: Verdi, Giuseppe 14 Minuet Compositeur: Bach, Johann Sebastian 15 Sailor's Song Compositeur: Grieg, Edvard 16 Rondo Compositeur: Susato, Tielman 17 Toreador Song from Carmen Compositeur: Bizet, Georges 18 Pilgrim's Chorus Compositeur: Wagner, Richard

Par TAUZIN BRUNO. Quel que soit votre niveau, vous trouverez dans ce recueil matière à enrichir votre culture musicale et surtout vous faire plaisir en jouant les plus grandes mélodies de la musique classique à la basse. Tous les grands compositeurs qui ont marqué l'histoire de la musique (Mozart, Bach, Beethoven, Tchaïkovski, Verdi, Brahms, Wagner, Vivaldi...) sont représentés ici au travers de leurs plus grandes oeuvres. Des airs connus de tous, des grands 'tubes? de la musique classique, qu'il est du plus bel effet de savoir jouer à la basse. Transcrites ici en solfège et tablatures, et dans les positions qui conviennent le mieux à la basse, ces superbes mélodies sont reprises également sur le CD joint, dans des versions à la fois variées et modernes (avec un ou plusieurs effets : delay, chorus, distorsion...). Enfin, un playback complet se trouve également à votre disposition pour jouer chacune d'elles 'en situation?. Un vrai régal.../ Méthode / Guitare Basse

Par TAUZIN BRUNO. Quel que soit votre niveau, vous trouverez dans ce recueil matière à enrichir votre culture musicale et surtout vous faire plaisir en jouant les plus grandes mélodies de la musique classique à la guitare. Tous les grands compositeurs qui ont marqué l'histoire de la musique (Mozart, Bach, Beethoven, Tchaïkovski, Verdi, Brahms, Wagner, Vivaldi...) sont représentés ici au travers de leurs plus grandes oeuvres. Des airs connus de tous, des grands 'tubes? de la musique classique, qu'il est du plus bel effet de savoir jouer à la guitare... que celle-ci soit acoustique ou électrique ! Transcrites ici en solfège et tablatures, et dans les positions qui conviennent le mieux à la guitare, ces superbes mélodies sont reprises également sur le CD joint, dans des versions à la fois variées et modernes (avec un ou plusieurs effets : delay, chorus, distorsion...). Enfin, un playback complet se trouve également à votre disposition pour jouer chacune d'elles 'en situation?. Un vrai régal.../ Méthode / Guitare

The Library Of Romantic Music is a comprehensive collection of the greatest works of the Romantic period. Featuring composers like Frédéric Chopin, Claude Debussy and Gabriel Fauré, the works represented here truly some of the most beautiful ever composed. Now they're all in one conveniently spiral-bound volume, arranged for solo Piano for your sheer playing pleasure.Like the Baroque and Classical periods before it, Romantic music existed within a broader artistic, intellectual and literary movement. Emerging in the early 19th century it reflected a time of preoccupation with things mystical, spiritual, legendary and supernatural. This collection comprises fantastic original Piano works and beautiful arrangements from all the greatest composers of this era, including: Albéniz, Berlioz, Bizet, Brahms, Chopin, Dvorák, Debussy, Elgar, Fauré, Grieg, Mahler, Liszt, Mendelssohn, Puccini, Ravel and so many more.Spanning the 19th century, the Romantic movement was a reaction to what had come before. Music proved to be a particularly rich medium of expression for a new Zeitgeist that prized individualism and spirituality. Drawing together composers whose background was as diverse as the music they created, the period proved to be a very broad church indeed. This makes The Library Of Romantic Music particularly exciting, because the extraordinarily rich and expressive music is collected here in a single volume that is durable, convenient and is sure to be a mainstay of your music stand.For a simply stunning compendium of some incredible pieces of music composed by the masters, The Library Of Romantic Music is essential. The greatest compositions from such a fantastically rich period have been collected in this single volume, perfect for pianists looking for beautiful additions to their repertoire. / Piano

This new collection presents the 50 most popular classical pieces in easy arrangements for violin or cello with piano accompaniment. Taking the concept of the 'playlist' from the world of digital music streaming, this book presents a carefully chosen collection of the world's favourite classical pieces for today's student and amateur musicians.With many of the most popular works from the classic repertoire, including The Blue Danube, the Flower Duet, Elgar's Nimrod and the Toreador Song from Bizet's Carmen, there are hours of enjoyable music making to be found here.Separate piano accompaniments and MP3 accompaniment tracks are available to download for free. / Violoncelle Et Piano