| You Belong with Me Concert band [Score and Parts] Hal Leonard
Score and Parts Concert Band (Score and Parts) - Level 1.5 SKU: HL.4008524(+)
Score and Parts Concert Band (Score and Parts) - Level 1.5 SKU: HL.4008524 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Robert Longfield. Discovery Concert Band. Concert, Pop. Softcover. Duration 220 seconds. Published by Hal Leonard (HL.4008524). UPC: 196288177104. 9.0x12.0x0.334 inches. One of the early hits for Taylor Swift, “You Belong With Me” continues to be popular with its tuneful melody and upbeat style. This fun arrangement is effectively scored for second year players. $55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Country and Western Gospel Hymnal - Volume 1 (Book)
Choral [Vocal Score] Brentwood-Benson
For voice. Format: vocal score (spiral bound). With vocal score and chord names....(+)
For voice. Format: vocal score (spiral bound). With vocal score and chord names. Gospel and Country. 9x12 inches. Published by Brentwood-Benson Music Publishing. Click for Split Trax Cassette (2)$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| You Belong with Me Jazz Ensemble [Score and Parts] - Intermediate Hal Leonard
By Liz Rose and Taylor Swift. Arranged by Paul Murtha. Score and Parts. Young Ja...(+)
By Liz Rose and Taylor Swift. Arranged by Paul Murtha. Score and Parts. Young Jazz (Jazz Ensemble). Grade 3. Published by Hal Leonard
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| Taylor Swift on Tour Concert band [Score and Parts] - Easy Hal Leonard
Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008834 ...(+)
Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008834 By Taylor Swift. Arranged by Michael Brown. Flex-Band Grade 3. Pop. Softcover. Published by Hal Leonard (HL.4008834). UPC: 196288215486. 9.0x12.0x0.873 inches. The hits of Taylor Swift now span across decades as her popularity continues to grow. Scored for flexible instrumentation, here is a great sounding medley of some of her best known songs. Includes: ...Ready For It?, I Knew You Were Trouble, You Belong With Me, Enchanted, and Shake It Off. $75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lonely Travelers - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Euphonium, Euph...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Spoons, Timpani, Trombone, Trumpet, Tuba, Washboard, Whistle, alto Saxophone and more. - Grade 2 SKU: CF.YPS231 Composed by Travis Weller. Folio. Yps. Set of Score and Parts. 8+2+8+2+2+5+2+2+8+4+3+3+2+3+2+1+2+3+16 pages. Duration 2 minutes, 14 seconds. Carl Fischer Music #YPS231. Published by Carl Fischer Music (CF.YPS231). ISBN 9781491157831. UPC: 680160916436. 9 x 12 inches. The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk songa900 Milesaand they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience. While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region. The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers. The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk song--900 Miles--and they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience. While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region. The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers. The life of railroad worker in the early days of expansion was lonely, and the need for music to bolster spirits was of great importance. The character singing 900 Miles is looking forward to being reunited with his family after being separated from them for considerable time. The Wayfaring Stranger is a prominent American folk and gospel song that reflects upon the journey through life. The character in that song contemplates better times with their family in the afterlife. Both of these songs speak to the idea of searching for something beyond the current situation in which that person finds themselves. The programmatic qualities of the work are essentially tied to the main folk song—900 Miles—and they evoke the idea of where the song found its origins. Beyond that, both songs connect each of us to the sense of belonging and family that are the human experience.While the music paints a picture of someone who is alone, that is not a feeling I want for any young student in our schools today. Band is one of the few places where students can discover that sense of belonging and find a surrogate family. While band is a family that might not always get along, they can reach a shared goal through diligent work, caring and encouragement. It was a pleasure completing Lonely Travelers for longtime friend, superb musician, excellent educator and dedicated leader in music education Dennis Emert. His students debuted the work at the 2020 PMEA State Conference. I am deeply appreciative of Dennis and the friendship, encouragement and perspective he shared with me over the years teaching in the same region.The opening flute, clarinet and alto saxophone part can be performed by the entire section or as a solo at the discretion of the director. The washboard and spoon part can be doubled as players allow. I would suggest bringing these students to the front of the stage to get the sound of both instruments to the audience. As the piece develops and Wayfaring Stranger is layered with 900 Miles, please remind your ensemble to play so they can hear each other, not so they are individually heard. I thank you and your ensemble in advance as you begin this journey together in search of Lonely Travelers. $65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto in Eb Major Trumpet, Piano Carl Fischer
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (17...(+)
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (1778-1837). Edited by Elisa Koehler. Arranged by Elisa Koehler. Romantic. Score and part(s). With Standard notation. 36 8 pages. Carl Fischer #W002681. Published by Carl Fischer (CF.W2681).
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Taylor Swift: Eras Concert band [Score and Parts] - Easy Hal Leonard
Score and Parts Concert Band (Score and Parts) - Grade 2 SKU: HL.4008522 ...(+)
Score and Parts Concert Band (Score and Parts) - Grade 2 SKU: HL.4008522 By Taylor Swift. Arranged by Johnnie Vinson. Discovery Plus Concert Band. Concert, Pop. Softcover. Duration 335 seconds. Published by Hal Leonard (HL.4008522). UPC: 196288176848. 9.0x12.0x0.742 inches. Pop icon Taylor Swift has continued to expand her popularity thanks to her “Eras Tour” across the country, and now a concert film. Here is a great-sounding medley for young bands featuring signature hits from her various “eras.” Includes: You Belong to Me, Enchanted, I Knew You Were Trouble, Shake It Off, Look What You Made Me Do, Cardigan, and Anti-Hero. $70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Taylor Swift Duo Concert band [Score] - Easy Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.50064S Featuring Bad Blood and You Be...(+)
Concert Band - Grade 2.5 SKU: AP.50064S Featuring Bad Blood and You Belong With Me. Arranged by Michael Story. Concert Band; Performance Music Ensemble; Single Titles. Pop Young Band. Light Concert; Pop; Pop/Rock; Radio. Score. Duration 2:40. Alfred Music #00-50064S. Published by Alfred Music (AP.50064S). ISBN 9781470656560. UPC: 038081575315. English. This fantastic arrangement by Michael Story is a medley of two of Taylor Swift's biggest hits---Bad Blood and You Belong with Me. Treat your band to the excitement of performing these blockbuster hits! (2:40). $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Taylor Swift Duo Concert band - Easy Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.50064 Featuring Bad Blood and You Bel...(+)
Concert Band - Grade 2.5 SKU: AP.50064 Featuring Bad Blood and You Belong With Me. Arranged by Michael Story. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Pop Young Band. Light Concert; Pop; Pop/Rock; Radio. Score and Part(s). Duration 2:40. Alfred Music #00-50064. Published by Alfred Music (AP.50064). ISBN 9781470656553. UPC: 038081575308. English. This fantastic arrangement by Michael Story is a medley of two of Taylor Swift's biggest hits---Bad Blood and You Belong with Me. Treat your band to the excitement of performing these blockbuster hits! (2:40). $68.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| You Belong with Me Concert band - Beginner Hal Leonard
Score. By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Robert Lon...(+)
Score. By Taylor Swift. By Liz
Rose and Taylor Swift.
Arranged by Robert Longfield.
Discovery Concert Band.
Concert, Pop. Softcover.
Duration 220 seconds.
Published by Hal Leonard
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| You Belong With Me Marching band [Score and Parts] - Easy Alfred Publishing
As Recorded by Taylor Swift. Composed by Liz Rose and Taylor Swift. Arranged...(+)
As Recorded by Taylor Swift.
Composed by Liz Rose and
Taylor Swift. Arranged by Doug
Adams. Marching Band;
Performance Music Ensemble;
Single Titles. BEasy Pops for
Marching Band. Pop. Score and
Part(s). Duration 1:46. Alfred
Music #00-49639. Published by
Alfred Music
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| You Belong With Me Marching band [Score] - Easy Alfred Publishing
As Recorded by Taylor Swift. Composed by Liz Rose and Taylor Swift. Arranged...(+)
As Recorded by Taylor Swift.
Composed by Liz Rose and
Taylor Swift. Arranged by Doug
Adams. Marching Band;
Performance Music Ensemble;
Single Titles. Easy Pops for
Marching Band. Pop. Score. 8
pages. Duration 1:46. Alfred
Music #00-49639S. Published by
Alfred Music
$7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Taylor Swift Duo Orchestra - Easy Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.49916 Featuring: Bad Blood / You Belong ...(+)
Orchestra - Grade 2.5 SKU: AP.49916 Featuring: Bad Blood / You Belong with Me. Composed by Various. Arranged by Michael Story. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Pop; Pop/Rock; Radio. Score and Part(s). Duration 2:40. Alfred Music #00-49916. Published by Alfred Music (AP.49916). ISBN 9781470656591. UPC: 038081575346. English. This fantastic arrangement by Michael Story is a medley of two of Taylor Swift's biggest hits---Bad Blood and You Belong With Me. Treat your string orchestra to the excitement of performing these blockbuster hits! (2:40). $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Taylor Swift Duo Orchestra [Score] - Easy Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.49916S Featuring: Bad Blood / You Belong...(+)
Orchestra - Grade 2.5 SKU: AP.49916S Featuring: Bad Blood / You Belong with Me. Composed by Various. Arranged by Michael Story. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Pop; Pop/Rock; Radio. Score. Duration 2:40. Alfred Music #00-49916S. Published by Alfred Music (AP.49916S). ISBN 9781470656607. UPC: 038081575353. English. This fantastic arrangement by Michael Story is a medley of two of Taylor Swift's biggest hits---Bad Blood and You Belong with Me. Treat your string orchestra to the excitement of performing these blockbuster hits! (2:40). $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cinemagic! - Hollywood's Best Movie Music (Medley) Choral SATB SATB [Score] Hal Leonard
Arranged by Mac Huff. (SATB score). Choral. Size 9x12 inches. 88 pages. Publishe...(+)
Arranged by Mac Huff. (SATB score). Choral. Size 9x12 inches. 88 pages. Published by Hal Leonard.
$35.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cinemagic! - Hollywood's Best Movie Music (Medley) Choral 2-part [Score] Hal Leonard
Arranged by Mac Huff. (2 Part Score). Choral. Size 9x12 inches. 88 pages. Publi...(+)
Arranged by Mac Huff. (2 Part Score). Choral. Size 9x12 inches. 88 pages. Published by Hal Leonard.
$30.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ballet Music Orchestra Barenreiter
Orchestra SKU: BA.BA05822-01 Composed by Christoph Willibald Von Gluck. E...(+)
Orchestra SKU: BA.BA05822-01 Composed by Christoph Willibald Von Gluck. Edited by Irene Brandenburg. Arranged by Carlo Bernardi and Gasparo Angiolini. This edition: complete edition, urtext edition. Linen. Complete edition, Score. Baerenreiter Verlag #BA05822-01. Published by Baerenreiter Verlag (BA.BA05822-01). ISBN 9790006567454. 33 x 26 cm inches. Preface: Brown, Bruce Alan. To conclude Series II (Dance Dramas) from the Gluck Complete Edition (GGA), this volume of Christoph Willibald Gluck's earliest contributions to the genre comprises six ballet scores from 1759 (La Promenade, Les Jardiniers, Les Turcs, Les Savoiards, Les Amours de Flore et Zphire, and Le Suisse) as well as the ballet music for Les Vendanges, which dates from 1761. These works belong to the compositions â also called Krumau ballets because of their musical transmission â which Gluck created in Vienna between 1759 and 1765 for the court theatres in Laxenburg and Schönbrunn as well as the Kärntnertortheater, and which are to be attributed to him as a ballet composer around the middle of the 18th century in Viennese theatre life based on the considerations presented in the general preface.
Together with volumes II/3 to II/5, ballet music by Gluck is available whose sources come from the former Schwarzenberg court archive in Ceský Krumlov, Czech Republic, and which until the Velvet Revolution of 1989, lay behind the Iron Curtain remaining largely inaccessible and unexplored by Western scholars. These volumes reflect two fundamental developments in Gluck research: on the one hand, they provide a significantly expanded, historically more accurate idea of what it meant to compose for the ballet in the 18th century; on the other hand, they bring to light an immense treasure trove of sources formerly of Viennese provenance.
In addition to the detailed introduction by this volumeâs editor on the ballet choreographies of Gasparo Angiolini and Carlo Bernardi, on the formation of the ballet troupes of the Viennese theatres in Gluck's early years there, on ballet types and genres, as well as a detailed account of the individual titles, the volume includes a general preface to volumes II/3 through II/5 by Bruce Alan Brown, which discusses Gluck's ballet music in Vienna in general as well as the development of research into this genre. Extensive illustrations (partly from the so-called Durazzo Collection) with reference to the choreographies enrich the discussions. The ballet works, which have survived in only one source each, appear in print for the first time in this volume of the Gluck Complete Edition.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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| Marujo do Rosario Carl Fischer
Choral Piano, Tambourine, Voice 1, Voice 2, Voice 3 SKU: CF.CM9602 Compos...(+)
Choral Piano, Tambourine, Voice 1, Voice 2, Voice 3 SKU: CF.CM9602 Composed by Brazilian Folk Song. Arranged by Eduardo Lakschevitz Elisa Dekaney. Fold. Performance Score. 12 pages. Duration 2 minutes, 28 seconds. Carl Fischer Music #CM9602. Published by Carl Fischer Music (CF.CM9602). ISBN 9781491154243. UPC: 680160912742. 6.875 x 10.5 inches. Key: Gb major. Portuguese. Brazilian Folk Song. According to Ermelinda Paz , Marujo do Rosario (literally translated from the Portuguese as Sailor of the Rosary) comes from the hydrographic region of the Sao Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called cheganca-de-marujo (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics E com licenca e, olele, e com licenca do dono da casa, o e com licenca e means please excuse me, I have permission from the houses owner to come in. This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final m or n. Just nasalize them. IPA Transcription E com licenca olele e [? k? li'sensa olele e] E com licenca do dono da casa [? k? li'sensa du d?nu da kaza]. According to Ermelinda Paz , Marujo do RosA!rio (literally translated from the Portuguese as aSailor of the Rosarya) comes from the hydrographic region of the SAPSo Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called acheganASSa-de-marujoa (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics aA com licenASSa Aa, A'lelAa, A(c) com licenASSa do dono da casa, A' Aa com licenASSa Aaa means aplease excuse me, I have permission from the houseas owner to come in.a This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final ama or an.a Just nasalize them. IPA Transcription A com licenASSa olelAa Aa [E kE li'sensa oleale e] A com licenASSa do dono da casa [E kE li'sensa du adEnu da akaza]. According to Ermelinda Paz , Marujo do Rosario (literally translated from the Portuguese as Sailor of the Rosary) comes from the hydrographic region of the Sao Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called cheganca-de-marujo (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics E com licenca e, olele, e com licenca do dono da casa, o e com licenca e means please excuse me, I have permission from the house's owner to come in. This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final m or n. Just nasalize them. IPA Transcription E com licenca olele e [e k^ li'sensa ole'le e] E com licenca do dono da casa [e k^ li'sensa du 'd^nu da 'kaza]. According to Ermelinda Paz, Marujo do Rosario (literally translated from the Portuguese as Sailor of the Rosary) comes from the hydrographic region of the Sao Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called cheganca-de-marujo (arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics E com licenca e, olele, e com licenca do dono da casa, o e com licenca e means please excuse me, I have permission from the house's owner to come in. This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final m or n. Just nasalize them. IPA Transcription E com licenca olele e [e k^ li'sensa ole'le e] E com licenca do dono da casa [e k^ li'sensa du 'd^nu da 'kaza]. According to Ermelinda Paz, Marujo do Rosário (literally translated from the Portuguese as “Sailor of the Rosaryâ€) comes from the hydrographic region of the São Francisco River, a basin that includes the states of Minas Gerais, Bahia, Pernambuco, Sergipe, and Alagoas. This song most likely belongs to a style of dramatic dance called “chegança-de-marujo†(arrival of sailor). In this tragicomic street drama, the community of actors enact a story in which they demonstrate their experiences as if they were in a vessel lost at sea. In this dance, several characters dressed as sailors and carrying small sail boats on their shoulders, parade through the streets singing and dancing to a march. When they arrive at a determined house, they place their little sail boats on the floor and start the dramatic play. This song seems to be performed when the sailors arrive at the chosen location. The Portuguese lyrics “É com licença ê, ôlelê, é com licença do dono da casa, ô ê com licença ê†means “please excuse me, I have permission from the house’s owner to come in.â€This arrangement is scored for three-part mixed with optional baritone, piano, and pandeiro. The pandeiro is a Brazilian frame drum with jingles played with the hands, similar to the orchestral tambourine. It is used in various music styles but particularly in samba and bossa nova. In fact, feel free to substitute the pandeiro with the orchestral tambourine. The text is very short and simple. To make your singers Portuguese pronunciation more accurate, do not close final “m†or “n.†Just nasalize them.IPA TranscriptionÉ com licença olelê ê[É› kÊŒ li'sensa ole‘le e]É com licença do dono da casa[É› kÊŒ li'sensa du ‘dÊŒnu da ‘kaza]. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cabaret Piano, Voice [Vocal Score] Hal Leonard
Lyrics by Fred Ebb, music by John Kander. For voice and piano. From the Broadway...(+)
Lyrics by Fred Ebb, music by John Kander. For voice and piano. From the Broadway musical "Cabaret". Format: vocal score. With vocal melody, piano accompaniment and lyrics. Broadway. 208 pages. 9x12 inches. Published by Hal Leonard.
(3)$75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto in E Major Trumpet Carl Fischer
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano,...(+)
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano, S.49. Composed by Johann Hummel. Edited by Elisa Koehler. Set of Score and Parts. With Standard notation. 36+8 pages. Carl Fischer Music #W2682. Published by Carl Fischer Music (CF.W2682). ISBN 9781491144954. UPC: 680160902453. 9 x 12 inches. Key: E major. Edited by Elisa Koehler, Associate Professor and Chair of the Music Department at Goucher College, this new edition of Johann Nepomuk Hummel's Concerto in E Major for trumpet in E and piano presented in its original key. The concerto by Johann Nepomuk Hummel (1778–1837)holds a unique place in the trumpet repertoire. Like theconcerto by Joseph Haydn (1732–1809) it was written forthe Austrian trumpeter Anton Weidinger (1766–1852) andhis newly invented keyed trumpet, performed a few timesby Weidinger, and then forgotten for more than 150 yearsuntil it was revived in the twentieth century. But unlikeHaydn’s concerto in Eb major, Hummel’s Concerto a Trombaprincipale (1803) was written in the key of E major for atrumpet pitched in E, not E≤. This difference of key proved tobe quite a conundrum for trumpeters and music publishersin the twentieth century. The first modern edition, publishedby Fritz Stein in 1957, transposed the concerto down onehalf step into the key of E≤ to make it more playable on atrumpet in Bb, which had become the standard instrumentfor trumpeters by the middle of the twentieth century.Armando Ghitalla made the first recording of the Hummel in1964 in the original key of E (on a C-trumpet) after editinga performing edition in 1959 in the transposed key of E≤ (forBb trumpet) published by Robert King Music. Needless tosay, the trumpet had changed dramatically in terms of design,manufacture, and cultural status between 1803 and 1957, andthe notion of classical solo repertoire for the modern trumpetwas still in its formative stages when the Hummel concertowas reborn.These factors conspired to create confusion regarding thenumerous interpretative challenges involved in performingthe Hummel concerto according to the composer’s originalintentions on modern trumpets. For those seeking the bestscholarly information, a facsimile of Hummel’s originalmanuscript score was published in 2011 with a separatevolume of analytical commentary by Edward H. Tarr,1 whoalso published the first modern edition of the concertoin the original key of E major (Universal Edition, 1972).This present edition—available in both keys: Eb and Emajor—strives to build a bridge between scholarship andperformance traditions in order to provide viable options forboth the purist and the practitioner.Following the revival of the Haydn trumpet concerto, acase could be made that some musicians were influencedby a type of normalcy bias that resulted in performancetraditions that attempted to make the Hummel morelike the Haydn by putting it in the same key, insertingunnecessary cadenzas, and adding trills where they mightnot belong.2 Issues concerning tempo and ornamentationposed additional challenges. As scholarship and performancepractice surrounding the concerto have become betterknown, trumpeters have increasingly sought to performthe concerto in the original key of E major—sometimes onkeyed trumpets—and to reconsider more recent performancetraditions in the transposed key of Eb.Regardless of the key, several factors need to be addressedwhen performing the Hummel concerto. The most notoriousof these is the interpretation of the wavy line (devoid of a “tr†indication), which appears in the second movement(mm. 4–5 and 47–49) and in the finale (mm. 218–221). InHummel’s manuscript score, the wavy line resembles a sinewave with wide, gentle curves, rather than the tight, buzzingappearance of a traditional trill line. Some have argued that itmay indicate intense vibrato or a fluttering tremolo betweenopen and closed fingerings on a keyed trumpet.3 In Hummel’s1828 piano treatise, he wrote that a wavy line without a “trâ€sign indicates uneigentlichen Triller oder den getrillertenNoten [“improper†trills or the notes that are trilled], andrecommends that they be played as main note trills that arenot resolved [ohne Nachschlag].4 Hummel’s piano treatisewas published twenty-five years after he wrote the trumpetconcerto, and his advocacy for main note trills (rather thanupper note trills) was controversial at the time, so trumpetersshould consider all of the available options when formingtheir own interpretation of the wavy line.Unlike Haydn, Hummel did not include any fermatas wherecadenzas could be inserted in his trumpet concerto. The endof the first movement, in particular, includes something likean accompanied cadenza passage (mm. 273–298), a featureHummel also included at the end of the first movement ofhis Piano Concerto No. 5 in Ab Major, Op. 113 (1827). Thethird movement includes a quote (starting at m. 168) fromCherubini’s opera, Les Deux Journées (1802), that diverts therondo form into a coda replete with idiomatic fanfares andvirtuosic figuration.5 Again, no fermata appears to signal acadenza, but the obbligato gymnastics in the solo trumpetpart function like an accompanied cadenza.Other necessary considerations include tempo choicesand ornamentation. Hummel did not include metronomemarkings to quantify his desired tempi for the movements,but clues may be gleaned through the surface evidence(metric pulse, beat values, figuration) and from the stratifiedtempo table that Hummel included in his 1828 piano treatise,where the first movement’s “Allegro con spirito†is interpretedas faster than the “Allegro†(without a modifier) of the finale.6In the realm of ornamentation, Hummel includes severalturns and figures that are open to interpretation. This editionincludes Hummel’s original symbols (turns and figuration)along with suggested realizations to provide musicians withoptions for forming their own interpretation.Finally, trumpeters are encouraged to listen to Mozart pianoconcerti as an interpretive context for Hummel’s trumpetconcerto. Hummel was a noted piano virtuoso at the end ofthe Classical era, and he studied with Mozart in Vienna asa young boy. Hummel also composed his own cadenzas forsome of Mozart’s piano concerti, and the twenty-five-year-oldcomposer imitated Mozart’s orchestral gestures and melodicfiguration in the trumpet concerto (most notably in the secondmovement, which resembles the famous slow movement ofMozart’s Piano Concerto No. 21 in C Major, K. 467). $34.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Moon River Jazz Ensemble [Score and Parts] - Intermediate Sierra Music
Composed by Henry Mancini and Johnny Mercer. Arranged by Billy Byers. For jazz e...(+)
Composed by Henry Mancini and Johnny Mercer. Arranged by Billy Byers. For jazz ensemble. The Jazz Masters Series. Swing. Medium. Score and set of parts. Published by Sierra Music
$52.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| True North Jazz Ensemble [Score and Parts] Kendor Music Inc.
By Mike Dana. For jazz ensemble with optional vocal. Jazz Journey Series. Even-E...(+)
By Mike Dana. For jazz ensemble with optional vocal. Jazz Journey Series. Even-Eighth ECM Feel. Medium. Score and set of parts. Duration 3 minutes, 25 seconds. Published by Kendor Music Inc
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Across The Currituck Sound (Score only) Concert band [Score] - Easy Hal Leonard
For Concert Band. This edition: 110507. Curnow Concert Band. Level: Grade 2. Sco...(+)
For Concert Band. This edition: 110507. Curnow Concert Band. Level: Grade 2. Score. 20 pages. Duration 3:57. Published by Hal Leonard.
$12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Les Filles Du Forgeron Cello, Piano Bote and Bock
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025367 ...(+)
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025367 Cello and Piano. Composed by Simon Laks. Boosey & Hawkes Chamber Music. Classical. Softcover. Bote & Bock #M202538630. Published by Bote & Bock (HL.48025367). UPC: 196288194286. Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Parisâ€. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musiciansâ€, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de'lÂ’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year. $45.00 - See more - Buy online | | |
| Les Filles Du Forgeron Piano solo Bote and Bock
Piano SKU: HL.48025368 7 Pieces for Piano. Composed by Simon Laks....(+)
Piano SKU: HL.48025368 7 Pieces for Piano. Composed by Simon Laks. BH Piano. Classical. Softcover. Bote & Bock #M202538654. Published by Bote & Bock (HL.48025368). UPC: 196288194293. Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Parisâ€. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musiciansâ€, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de lÂ’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year. $19.99 - See more - Buy online | | |
| Sosarme, Re di Media, HWV 30 Barenreiter
Soloists, Orchestra (Sg-S-solo,4Sg-A-solo,Sg- T-solo,Sg-B-solo,Orch) SKU: BA....(+)
Soloists, Orchestra (Sg-S-solo,4Sg-A-solo,Sg-T-solo,Sg-B-solo,Orch) SKU: BA.BA10713-90 Opera in 3 acts. Composed by George Frideric Handel. Edited by Michael Pacholke. Arranged by Andreas Kohs. This edition: urtext edition. Paperback. Barenreiter Urtext. London Version 1732. Vocal Score. HWV 30. Baerenreiter Verlag #BA10713_90. Published by Baerenreiter Verlag (BA.BA10713-90). ISBN 9790006558407. 27 x 19 cm inches. Text Language: Italian, German. Preface: Stephan Blaut. Text: Rossi, Giacomo (?) (nach Antonio Salvi). Handel's three-act operaSosarme, Re di Media(HWV 30) was performed for the first time in 1732 with star castrato Senesino in the title role. The plot centres on a family conflict over the succession to the throne. This edition also contains the recitatives written for the early two-act versionFernando, Re di Castigliawhich the composer did not complete. In addition, the early versions of three arias which do not belong toFernandoare included.
The vocal score with its well-presented layout is based on theHalle Handel Edition(HHA) and contains the original Italian text as well as a singable German translation.
$74.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Knot Garden Schott
Vocal SKU: HL.49002642 Vocal Score. Composed by Sir Michael Tippet...(+)
Vocal SKU: HL.49002642 Vocal Score. Composed by Sir Michael Tippett. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1966-1970. 318 pages. Duration 80'. Schott Music #ED11075. Published by Schott Music (HL.49002642). ISBN 9790220107672. UPC: 073999347685. 8.25x11.75x0.832 inches. English. A house, too, can be a battlefield, and a garden a wilderness. The house here belongs to Faber and Thea: middle-class, middle-aged, probably more than middle-income and in a mid-matrimonial rut of mutual laissez-faire. Also in the house is their young ward Flora, to whom Faber has been making sexual advances. And there are visitors. Thea's sister Denise is taking a break from other distant battlefields, where she is engaged in the struggle against oppression. A black writer, Mel, is here as well with his white lover Dov, a musician: the first homosexual couple to be 'out' on the operatic stage.These people's entanglementswith each other but also, and more importantly, within themselveshave to be addressed, as in Tippett's first opera. But this time the Mozart model is Cosi fan tutte, and the lessons of myth are clothed in the language of psychiatry, as practised by Mangus, the Don Alfonso who may not be as much in control as he would hope. In the last act he stages a performance of The Tempest, which comes adrift. Perhaps more has been achieved in the middle act, a swirl of short scenes ending in an exchange of songs between Flora and Dovan exchange, too, of homages to Schubert and the blues, both held in the magic of this lustrous score.(Paul Griffiths)
2 (2pic).1.ca.Ebcl.2 (2: bcl).1.cbn-4.4.2.1-timp.3perc (s.d., t.d., b.d., jazz kit, cym., sus.cym., w.bl., t.bl., tamb., casts., wh., metal bar or heavy triangle, tam-tam, xyl., vib., glock., claves, small rattle)-hp.cel.pno.egtr/ehpd-str
Reduced version: 1 (pic).1 (ca).1 (Ebcl, bcl).1 (cbn)-3.2.2.0-2perc (timp., t.d., jazz kit, cym., t.bl., tamb., casts., metal bar or heavy tri., tam-tam, vib., glock., tub.bells, cl., rattle)-hp.pno (cel).egtr-str: 3 vns (3: va).va.vc.db. $101.00 - See more - Buy online | | |
| Traditional Jazz Series: The Condon Gang: Adventures in New York and Chicago Jazz Trumpet [Sheet music + CD] Music Minus One
For Trumpet in B-flat. Contains a custom-engraved music score featuring the solo...(+)
For Trumpet in B-flat. Contains a custom-engraved music score featuring the solo instrumental line with improvisational chord changes; and a concert lead sheet for each song;, printed on high-quality ivory paper; and a digital stereo compact disc containing complete versions of each song, and a second compact disc featuring accompaniments minus soloist, plus -20% slow-tempo versions of five up-tempo songs. Published by Music Minus One.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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