SKU: HL.49019853
ISBN 9790001177726. UPC: 841886023093. 9.0x12.0x0.63 inches.
SKU: DZ.DZ-4287
ISBN 9782898522048.
Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
SKU: HL.49015222
ISBN 9783795729516. 6.75x9.5x0.73 inches. German.
Die Beitrage liefern fur die Sekundarstufe I und II Material und didaktische Hinweise fur die Unterrichtsvorbereitung im Themenkreis Neue Musik. Durch die Bereitstellung von Notenbeispielen, Diagrammen und wichtigen Abschnitten aus der Sekundarliteratur kann das Buch auch als Arbeitsmittel unmittelbar im Unterricht eingesetzt werden.
SKU: BT.WH30994
ISBN 9788759818466. English.
Listen To Scandinavia features 14 different listening exercises in Nordic music, from Edvard Grieg to Per Nørgård. English version.
SKU: NR.94696
Butu, Ionela, ed, Ciobanu, Luminita, ed, Elegy : for cello and piano /, Alfonso Castaldi, 1874-1942, Cantec vechi =, Old song : for cello and piano /, Paul Constantinescu, 1909-1963, Suite no. 2 : for violin and piano :, no. 1, Mica pastorala = Pastoral poem, no. 2, Dans = Dance, no. 4, Cimpoierii = The bagpipers, no. 6, Joc = Folk dance, no. 8, Uite si taraful = The folk band /, Ludovic Feldman, 1893-1987, Doua cintece =, Two pieces = for cello and piano :, no. 1, Cintec de dor = Song of longing, no. 2, Cantec pentru pace = Song of peace /, Grigore Ghidionescu, 1901-1968, Rapsodie dobrogeana : for bassoon and piano,, 1953 /, Paul Jelescu, 1901-1989, Poem liric : pentru violoncel si pian =, Lyric poem : for cello and piano, 1953 /, Paul Jelescu, 1901-1989, Sonatina : for oboe and piano, 1953 : movement 1 /, Paul Jelescu, 1901-1989.
SKU: NR.94697
Butu, Ionela, ed, Ciobanu, Luminita, ed, Cantec de joc =, Dance song : for violin and piano /, Hilda Jerea, 1916-1980, Patru piese =, Four pieces : for cello and piano :, no. 1, Cantec de leagan = Lullaby, no. 2, Poem, no. 3, Adagio, no. 4, Balada secuiasca = Szekely ballad /, Geza Kozma, 1902-1986, Cinci cantece : pentru voce si piano =, Five songs : for voice and piano, 1931-1953 :, no. 1, Cand treci bade pe la noi :, doina from Ardeal, no. 2, Mai barbate fii cuminte : folk song, from Dragus-Fagaras, no. 3, Am tot zis ca nu-mi trebuie : folk song, from Mohu-Sibiu, no. 4, Dorul de la badita : folk song from, Mohu-Sibiu, no. 5, Cine n-are dor pe vale : folkg song, from Mohu-Sibiu /, Achim Stoia, 1910-1973, Suite : for solo cello /, Alfred Mendelssohn, 1910-1966.
SKU: UT.XXS-61
ISBN 9790215315136. 9 x 12 inches.
3 piccole Liriche (1952); 2 Vocalizzi da concerto (1954); 3 Liriche Op. 41 (1975); E tu sei qui Op. 55 (1976); 4 Frammenti (1980); 4 Liriche (1984); Ninna nanna per Alessandra (1987); Didone abbandonata (1991)
SKU: HL.49018070
ISBN 9783254083098. UPC: 884088538781. 4.75x7.5x1.09 inches. German.
Als Fritz Wunderlich 1930 im nordpfalzischen Kusel geboren wurde, konnte niemand ahnen, dass einer der grossten Sanger des 20. Jahrhunderts das Licht der Welt erblickt hatte. Seine ungewohnliche musikalische Begabung, die schon fruh von seinen Eltern gefordert wurde, liess kaum einen Zweifel an seiner spateren Berufung aufkommen. Nach dem Gesangsstudium eroberte er innerhalb weniger Jahre die Opernhauser und Konzertsale Europas und wurde der bedeutendste deutschsprachige lyrische Tenor seiner Zeit. Zum 80. Geburtstag dieses viel zu fruh verstorbenen Sangers wird die erfolgreiche Biografie von Werner Pfister in Uberarbeitung neu als Taschenbuch aufgelegt. Es ist dank der objektiven, engagierten und kritischen Schilderungen noch immer das massgebende Werk zu Wunderlichs Leben.
SKU: HL.49000716
ISBN 9783795701383. 5.75x7.75x0.718 inches. German - English.
This annual contains the papers read in 1995 as part of a symposium entitled 'Paul Hindemith in the USA' at the University of Yale in New Haven, USA. Main topics are Hindemith's circumstances in the 1940s, the evaluation of the compositional style of the works generated in the US within his oeuvre and the history of their audience reception.
SKU: PA.H07911
ISBN 9790260104457. 31 x 23.5 cm inches.
Lubos Fiser (1935-1999) was one of the most talented Czech composers of his generation. Born in Prague, he studied at the Prague Conservatoire from 1952-1956 and then at the Academy of Music. He was known to the public for his many film scores but it was his other compositions, many of them written under difficult political conditions, which mark him out as a composer of significance.Fiser's eight piano sonatas have a special place in his oeuvre. Fiser subsequently eliminated his second sonata (1956) from his compositional repertoire. From the third sonata onwards (1960), subtitled Fantasia, the composer wrote a two-movement composition, in which he continued to incorporate as his fundamental musical device the confrontation of sharp contrasts in tempo and mood. Beginning with his fourth sonata (1962-1964), Fiser created a single-movement work in an expressive, formally focused composition which betrays a progression towards greater compactness of musical shape in a concise yet effective musical testimony. The fifth sonata was written in 1974, the sixth sonata in 1978. The seventh sonata from 1985 was dedicated to Frantisek Maxian, the eighth sonata was written in 1995.Piano Sonata No.1 was written in 1955. Fiser worked on it during his last year at the Prague Conservatoire under the supervision of Emil Hlobil. The piece is one of Fiser's early works which still respect a traditional compositional approach. Unlike his major and late piano sonatas, this sonata has three movements, each representing the traditional Classical-Romantic form. The sonata was premiered by Fiser's fellow-student and friend Antonin Jemelik in Theatre D34 on 30 January 1956.The new setting for this piece is based on the single edition to date (SNKLHU, 1957); only with regard to a few inconsistencies in the score was it necessary to consult the composer's manuscript (kept at the National Museum - Czech Museum of Music, acquisition number 297/2006).
SKU: M7.GHE-902
ISBN 9783890449029. English.
Composed 1896-1935, the just fourteen original works which Miguel Llobet dedicated to the guitar represent a compact corpus incorporating the innovative, expressive, technical and idiomatic trajectory of a renewed and revitalised instrument, concentrated into a revolutionary and exploratory journey through totally uncharted reaches of the modern guitar.
SKU: HL.49007910
ISBN 9783795718947. German.
Die Musik Henzes ist aus der Geistes- und Kulturgeschichte im Europa der Nachkriegszeit nicht wegzudenken. Es ware zu wunschen, dass die Musikwissenschaft sich mehr als bisher diesem grossen Werk zuwendet. Das Buch kann hierzu nur einen kleinen Beitrag leisten.Diese Arbeit hat sich zum Ziel gesetzt, Einblicke in die Werkstatt des Komponisten zu vermitteln. Einen ganz konkreten Einblick - in das Komponierzimmer namlich - hatte der Autor im April 1993, als Henze ihm uber drei Tage fur Gesprache und Fragen in seinem Haus in Marino bei Rom zur Verfugung stand.
SKU: HL.49000700
ISBN 9783795701079. German - English.
Seit 1971 erscheint das Hindemith-Jahrbuch / Annales Hindemith. Es gehort zu den wenigen Schriftenreihen, die einem Komponisten des 20. Jahrhunderts gewidmet sind. Mit Beitragen zu Leben und Werk des Komponisten sowie der Bereitstellung von dokumentarischem Material aus dem Nachlass bietet diese Reihe die Grundlage fur die wissenschaftliche Beschaftigung mit dem Komponisten. Herausgeber ist das Hindemith Institut Frankfurt im Auftrag der Fondation Hindemith.
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