Un morceau efficace et amusant, dont la plupart tombe joliment sous les doigts. (Monde de la musique) / 3 Flûtes A Bec (SAT) Et Piano

Par DOUEL J.. / méthode - études / Solfège/Formation Musicale / Formation Musicale

Toutes les meilleures compositions latines sont d?Antonio Carlos Jobim. Cette mélodie classique est adaptée pour jeunes joueurs avec les cuivres sur la mélodie « sur une seule note » et les saxophones sur le passage de lien « plus d?une seule note ». Le groove fluide et la solide écriture d'ensemble aide à assurer un arrangement qui sonne pour n'importe quel ensemble.

A familiar Christmas hymn gets an updated treatment with a gospel R&B flair! This hip version of one of the most popular carols of all time - Hark! The Herald Angels Sing - is a wonderful mix of soulful and sophisticated jazzelements. Choirs ensembles and praise teams - don't miss this fantastic arrangement!

24 holiday favorites are featured in this Music Minus One vocal pack which includes example vocals on each song plus separate background tracks on 2 CDs. Songs include: Angels We Have Heard on High · Deck the Halls · Good Christian Men Rejoice · Feliz Navidad · I'm Gettin' Nuttin' for Christmas · Jingle Bells · Pat-A-Pan · Rudolph the Red-Nosed Reindeer · Santa Claus Is Coming to Town · We Wish You a Merry Christmas · and many more.

Par PART ARVO. The Berlin Mass is intended to be sung liturgically during Pentecost, and includes the Veni Sancte Spiritus specific to that service. The gently unfolding repetition deliberately avoids dramatic and pictorial elements, exuding quiet dignity and a profound sense of joy. The vocal scores have almost no interpretive markings. Dynamics and tempi are left to the performers; it is their task to experience and communicate the rich spiritual possibilities offered in the music. The work is devout and transparent. For the willing listener, it can be a clear window into the soul. (Richard Brown) The Berlin Mass was given its first performance (by Theatre of Voices) at the Catholic Days in Berlin during May 1990. The occasion was a celebration of Mass, and the music, scored for four singers and organ, had a strictly liturgical function. Pärt subsequently decided to orchestrate the work for strings and chorus, and also made many changes to details of the composition, most substantially to the accompaniment of the Sanctus. (Paul Hillier)/ Répertoire / Chœur Mixte [SATB] et Orchestre à Cordes