17 Pieces From 6 Centuries. The Easy Concert Pieces series presents 3 volumes with popular pieces for alto saxophone with piano accompaniment in progressive order. These pieces are designed to complement a saxophone tuition method and are particularly suitable for performance at auditions, concerts, competitions and examinations. They offer varied repertoire in a broad selection of pieces from the Renaissance, Baroque, Classical, Romantic and Modern era along with jazz and pop. All the pieces are included on the CD in full and playback versions. Volume 3 (intermediate) uses notes ranging from c#\' to F?\' with a few uncommon time signatures and requiring more advanced melodic and rhythmic phrasing. It includes pieces by Ortiz, Händel, Mozart, Lefèvre, Saint-Saëns, Rubinstein, Grieg, Debussy, Ravel and others. / Niveau : Facile / Recueil / Saxophone Alto et Piano

2-Part (opt. 3-Part)-This is the earliest-known English canon dating back to the mid-13th century. This setting for any combination of voices makes an excellent processional or opener for a concert or madrigal dinner.Available separately: 2-Part(opt. 3-Part) Any Comb. and Instrumental Pak (parts for Treble Instrument 1 & 2 Bass Instrument 1 & 2 Finger Cymbals and Hand Drum). Performance Time: Approx. 1:40.

Alto Saxophone and Piano-Part of the Anglo Music Play-Along Series Philip Sparke's 15 Intermediate Classical Solos is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke's 15 Easy Classical Solos.Specifically tailored to suit the individual instrument this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles from Handel to Tchaikovsky and from Clementi to Brahms.The book will provide invaluable additional material tocomplement any teaching method and includes both piano accompaniment and a demo/play-along CD.

lyric coloratura. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Colorature

Par VAN GORP FONS. C?est l?amalgame des mots swing et pop qui a donné son nom ce style musical dynamique et tonifiant : le Swop. Cette savante équation fonctionne aussi bien dans le jazz et le blues que dans le rock ou la musique pop. Chaque volume de cette collection contient dix pièces toniques. Vous maîtrisez les notions de base du Swop et vous souhaitez franchir une nouvelle étape dans l?acquisition de ce nouveau style, voici Big Swop. Un recueil de 12 nouvelle pièces pour améliorer l?art de « swopper ». / Date parution : 2022-11-29/ Recueil / Saxophone Soprano / Ténor, Clarinette

D. 56. Par SCHUBERT FRANZ. Formation : Musique de Chambre, Trio - Instrumentation :Trio de Saxophones : 3 Saxophones Alto - Niveau de Difficulté : 4/6 - Intermédiaire/Avancé - Durée : 1 mn 20 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Franz SCHUBERT - Arrangeur : Eric VIRETON / Niveau : Intermédiaire à Avancé / Répertoire / 3 Saxophones

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

A mini-medley of classic Broadway favorites. Includes: Another Op'nin', Another Show - On Broadway - Hello, Dolly! - We Go Together - What I Did for Love - Tomorrow. / Voix Mixtes

Vocalises by: Bacarisse Coppola Ibert Jongen Kilpinen Labinsky Opienski Pick-Mangiagalli Rozycki and Strimer

Now available for treble voices this setting of the treasured May the road rise to meet you text by UK composer/conductor Philip Stopford. Sing it with a rich pure tone for a perfect concert or service benediction.

Contest And Festival Performance Solos for Alto Saxophone contains 12 beloved solos that appear on numerous state contest and performance lists. This collection features solos by noted saxophonists and arrangers Sigurd M. Rascher Larry Teal and Daniel Dorff. It contains such solos as Gavotte by Johann Sebastian Bach Eccles' Sonata and Pachelbel's CanonComplete with Piano accompaniments - both printed music within the book and as accompaniment audio tracks on the included CD - allowing soloists and students to practise effectively with a professional pianist.

La partition EXERCICES OPUS 3, POUR SAX SOPRANO, SAX ALTO, CL BASSE, BASSON de Charbonnier Janine a été composée pour Musique de Chambre et plus particulièrement pour Saxophone Soprano, Saxophone Alto, Clarinette Basse Et Basson. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Saxophone Soprano, Saxophone Alto, Clarinette Basse Et Basson / Partition

Par . Trio Flex est un concept malin qui offre plusieurs possibilités de jeu. Chaque pièce est enregistrée dans trois versions : une version intégrale, jouée par un vrai combo, suivie de deux versions play-along qui correspondent une version combo seul et une version combo avec les voix 2 et 3. Peter Kleine Schaars a arrangé dix morceaux orientés grand public, de styles et de genres variés, pour trois instruments à vent. Il y a plusieurs options de jeu : jouer la ligne mélodique avec l'accompagnement du combo seul, jouer la ligne mélodique avec la version combo voix 2 et 3 ou encore former un trio avec deux amis jouant du même instrument et swinguer avec les musiciens du combo. Quelle que soit l'option choisie, vous ferez sensation auprès du public! / Date parution : 2022-10-25/ Répertoire / 3 Saxophones Alto

Par LOPEZ ALAIN. Pièce simple adaptée pour une audition ou un examen de fin de 1ère Année, imitant l'allure du cow-boy, tantôt au pas, tantôt au trot. Coté pédagogique, le rythme croche /deux doubles est souvent utilisé sur les fins de phrases. - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Saxophone Ténor ou Soprano 1 Piano - Niveau de Difficulté : 1/6 - Débutant - Durée : 1 mn 40 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Alain LOPEZ - / Niveau : Débutant / Classique, Pédagogique / Répertoire / Saxophone Ténor ou Soprano et Piano