Par DVORAK ANTONIN. Dvorák composed the “Mass in D major” in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages for soloists, uses simple expressive devices and makes light technical demands. Thus, this work is easy to perform, also by amateur church choirs - all that is needed is a small choir and the solo parts can be sung by members of the choir. The full score includes additional violoncello and double bass parts edited for the first time. Dvorák had penned them himself in a transcription of the organ version./ Répertoire / Solistes, Chœur et Orgue (Violoncelle et Contrebas

Dvorák, AntonínMass in D major op. 86Organ version- The organ version includes violoncello and double bass parts edited for the first time- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editorDvorák composed the “Mass in D major” in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages for soloists, uses simple expressive devices and makes light technical demands. Thus, this work is easy to perform, also by amateur church choirs; all that is needed is a small choir and the solo parts can be sung by members of the choir.The full score includes an additional violoncello/double bass part edited for the first time. Dvorak himself had written this additional part into a copy of the organ version.11.95 €incl. VATplus delivery costsLieferbarkeitsanzeigeavailableCopies / Choeur et ensemble vocal / Barenreiter

This is a special arrangement for double bass choir of the choral piece Silva Caledonia, written for the Estonian National Male Choir, which sets a text by the Scottish poet Edwin Morgan. It was first performed by them in April 2006. The double bass version was written for the large group of basses, 22 for the first performance, at Basses Loaded, the annual concert from Gary Karr's summer school in Victoria BC. Gavin Bryars Both solo and orchestral tuning are included with each individual instrumental part. / Ensemble De Contrebasse

This is a special arrangement for double bass choir of the choral piece Silva Caledonia, written for the Estonian National Male Choir, which sets a text by the Scottish poet Edwin Morgan. It was first performed by them in April 2006. The double bass version was written for the large group of basses, 22 for the first performance, at Basses Loaded, the annual concert from Gary Karr's summer school in Victoria BC. Gavin Bryars Both solo and orchestral tuning are included with each individual instrumental part. / Ensemble De Contrebasse

This is a special arrangement for double bass choir of the choral piece Silva Caledonia, written for the Estonian National Male Choir, which sets a text by the Scottish poet Edwin Morgan. It was first performed by them in April 2006. The double bass version was written for the large group of basses, 22 for the first performance, at Basses Loaded, the annual concert from Gary Karr's summer school in Victoria BC. Gavin Bryars Both solo and orchestral tuning are included with each individual instrumental part. / Ensemble De Contrebasse

aus: Psalmi Vespertini. Par MAZZOCCHI VIRGILIO. During his tenure under Pope Urban VIII Virgilio Mazzocchi was among the most renowned musicians of Rome. He directed the Cappella Giulia in St. Peters Basilica for 17 years. He also organized the musical activities at the court of the Pope’s influential nephew, Francesco Barberini. The Psalmi Vespertini, Mazzocchi’s most important sacred work, were published two years after his death. This collection contains two complete vesper cycles for double choir with a basso continuo accompaniment. At the conclusion of the first vesper cycle, in the predominately festive setting of the Magnificat, Mazzocchi displays his artistry in the old and new styles by combining contrapuntal choralsections with concertante passages. The new Carus edition of this work presents a most significant and impressive document of Roman church music in the first half of the 17th century. / Mottet / Répertoire / Solistes et Choeur SATB/SATB et Basse Continue

Antiphons, psalms and hymn for soloists and double choir. The score is written for 3 Tenor Trombones, 1 Bass Trombone and strings with basso continuo. Edited by Denis Stevens, with piano accompaniment. / Orgue