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Flute, Violin, Piano
INSTRUMENTS
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Nancy Faber Randall Faber: Curiouser and Curiouser: Piano: Instrumental Album
Piano solo
Faber Piano Adventures
The Collaborative Artist Flute Violin Piano-Faber Piano Adventures is proud to...
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The Collaborative Artist Flute Violin Piano-Faber Piano Adventures is proud to present a new chamber music composition Curiouser and Curiouser. Composed by Nancy Faber this unique piece was commissioned by the Music Teachers National Association (MTNA) to celebratethe organization's Year of Collaborative Music and was debuted at the 2011 MTNA National Convention.Written for late intermediate to early advanced students this chamber trio features a ?curious? one-noteopening followed by a quirky merry melody that leads the performers to unexpected musical places. The piece ends as mysteriously as it begins ? with a final flourish.This piece is suitable for piano students whohave completed Piano Adventures® Level 5.
15.99 GBP - Sold by Musicroom UK
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Sérénade For Piano And Flûte (Violin) Op. 41
Flute and Piano
G. Henle
Considéré par beaucoup comme le dernier représentant du classicisme viennois,...
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Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Serenade for Piano and Flute (Violin) op. 41 pour Flûte Traversière et plus particulièrement pour Flûte Traversière Et Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Flûte Traversière Et Piano / Chanson En Séparée
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Graf P. L. - Da Capo ! Encore ! Zugabe ! - Flute
Flute and Piano
Schott
J.S. Bach: Siciliano (BWV 1031) aus der Sonate für Flöte und Cembalo obligato ...
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J.S. Bach: Siciliano (BWV 1031) aus der Sonate für Flöte und Cembalo obligato Es-Dur C.P.E. Bach: Rondo (Wq. 133) aus der Hamburger Sonate für Flöte und B.c. G-Dur W.A. Mozart: Türkischer Marsch (KV 331) aus der Klaviersonate A-Dur F.J. Gossec: Tambourin N. Paganini: Polacca aus der Sonate für Violine und Gitarre F-Dur F. Chopin: Variationen über ein Thema von Rossini aus der Oper La Cenerentola S. Joplin: Original Rags
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Johann Sebastian Bach: Trio Sonata In G BWV 1038: Flute & Violin: Score and
Flute, Cello, Piano (trio)
G. Henle
für Flöte Violine und Continuo-Bach?s Trio Sonata In G BWV 1038 For Flute Vi...
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für Flöte Violine und Continuo-Bach?s Trio Sonata In G BWV 1038 For Flute Violin And Continuo has survived as a set of parts in Johann Sebastian Bach?s hand yet the source does not give a composer. Thusits authenticity has been called into question time and again. According to the latest research however this tone sensitive sonata is presumed to be an original work by Bach. Editor PeterWollny a declared expert outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source so this version has provided a part in original notation as well as in standardnotation for regularly tuned violins.
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Bohuslav Martinu: Promenades Flute Violin Cembalo: Chamber Ensemble
Flöte, Violine und Cembalo (Klavier)
[Score and Parts]
Barenreiter
for Flute Violin and Harpsichord (Piano)-4 Settings for 3 Instruments. By Bohus...
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for Flute Violin and Harpsichord (Piano)-4 Settings for 3 Instruments. By Bohuslav Martinu. For Flute Violin Harpsichord/Piano. Flotenmusik. Playing Score; Set of Parts. Published by Baerenreiter-Ausgaben (German import). (BA3327) ISBN M006432813
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Felix Mendelssohn Bartholdy: The Shepherd's Song MWV R 24: Flute: Instrumental
Flûte Seul Ou Avec Piano
[Sheet music]
Schott
The work The Shepherd’s Song by Felix Mendelssohn presented as a reprint ...
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The work The Shepherd’s Song by Felix Mendelssohn presented as a reprint for the first time is his only known original composition for flute. Although Mendelssohn frequently and skilfully used wind instruments in his orchestral works he never provided them with significant parts neither in his chamber music works not as solo instrument which may have been due to the technical shortcomings of the instrument prior to the revolutionary inventions of Theobald Böhm. The short composition The Shepherd’s Song was published for the first time after the death of the composer in 1889 including an additional piano accompaniment and an alternative violinpart. The arranger and editor was the organist and composer Berthold Tours (1838-1897). Since the flute literature contains only few musical pieces of major composers of the Romantic era it is surprising that this composition which had been printed more than 100 years ago has remained undiscovered for such a long time thus remaining widely unknown to the public until today. The Shepherd’s Song can be performed with flute (violin) solo or with the piano accompaniment by Berthold Tours.
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Antonín Dvo?ák: Sonatina Op. 100: Flute: Instrumental Work
Flute and Piano
Schirmer
This piece was originally written for Violin and Piano and if the 'New World' S...
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This piece was originally written for Violin and Piano and if the 'New World' Symphony and the 'American' String Quartet are the best-known products of Anton n Dvorak's years in the United States the little Sonatina in G major(sometimes called the 'Indian Lament' Sonatina) may well be the most obscure; yet it is a charming work that deserves better than its relegation to the learning books of young violinists. The Sonatina is in four movements:Allegro risoluto Larghetto Scherzo (molto vivace) and Allegro. The first movement's principal tune has a firm rhythmic spine its second tune a gentle plaintiveness; there is just a hint of Americanfolk music in the movement.The following Larghetto earned the Sonatina its nickname. The succession of its three melodies - one in G minor one in B flat major and one in G major - has to it the same wistfulness and thesame sudden brightening and then softening of mood that we hear in the famous slow movement of the 'New World' Symphony.The Scherzo takes the very first gesture of the Allegro risoluto as its starting-point. The finale isa substantial sonata-allegro movement with three wonderful themes: the opening syncopated idea in G major a subsidiary thought in E minor very dancelike and built around a repeating marcato cell and finally a rich tranquillomelody that closes the exposition. This adaptation for Flute and Piano by James Galway conveys all the spirit of the original.
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Peter Maxwell Davies: Strathclyde Concerto No. 6 (Flute Part): Flute: Score
Flute and Piano
[Sheet music]
Chester
Strathclyde Concerto No. 6 (Flute Part)-The solo flute here is kept in high prof...
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Strathclyde Concerto No. 6 (Flute Part)-The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes but also of violins and oboes; in addition the trumpets are used sparingly (they do not for instance play in the slowmovement) so that for much of the time the flute is playing against a mellow ensemble of clarinets horns bassoons and low strings. If this is nevertheless one of Davies's most open-spirited pieces that comes partly from theready flights of the soloist partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio) partly from the dancing character of so much of the music and partly from the harmonicclarity in a light region not far from C minor.Flute part with piano reduction of the orchestral score.
19.99 GBP - Sold by Musicroom UK
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César Franck: Sonata: Flute: Instrumental Work
Flute and Piano
-
Intermediate
Barenreiter
Arranged for Piano and Flute-Cesar Franck’s Sonata for Piano and Violin i...
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Arranged for Piano and Flute-Cesar Franck’s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.After Franck’s death in 1890 the original publisher of the Sonata the Parisian house Julien Hamelle announced an arrangement of the work for Flute in 1910. However it has not been possible to locate any copy of this publication. That the Flute version of Franck’s Sonata has found a permanent place in the chamber musicrepertoire is primarily the achievement of Jean-Pierre Rampal who frequently performed his own arrangement of the work.There were no idiomatic Violin techniques to overcome and the cantabile solo part with its broadly arched melodies seems perfectly natural on a wind instrument. The present Flute arrangement largely adopts the original Violin part unchanged merely transposing those passages that go beneath the Flute’s range. In such cases the change of register begins early enough to avoid disruptions to the melodic line and the musical context. The balance between the solo instrument and the (unaltered) Piano accompaniment remains intact.The edition is rounded off by an informative text on the genesis and reception history of the sonata (Ger/Fr/Eng).
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Wolfgang Amadeus Mozart: 6 Sonatas K10-15 For Flute: Chamber Ensemble:
Violon (Ou Flûte Traversière), Violoncelle Et Piano (Ou Clavecin)
[Sheet music]
Barenreiter
for Piano (Harpsichord) Violin (Flute) and Violoncello-About Six Sonatas for Ke...
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for Piano (Harpsichord) Violin (Flute) and Violoncello-About Six Sonatas for Keyboard Violin (or Flute) and VioloncelloEarly Sonatas II. By Wolfgang Amadeus Mozart. Edited by Wolfgang Plath; Wolfgang Rehm. For Violin/Flute Violoncello Piano/Harpsichord. Playing Score; Set of Parts; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). (BA4756) ISBN M006455751.
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Peter Wolf: Adagio for flute (or violin) and piano: Flute and Accomp.:
Flute and Piano
EMB (Editio Musica Budapest)
Adagio for flute (or violin) and piano. Péter Wolf's collection Wolf-temperiert...
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Adagio for flute (or violin) and piano. Péter Wolf's collection Wolf-temperiertes Klavier, published in 2018, referring to the series The Well-Tempered Clavier by Bach, contains 24 piano pieces, a major and a minor key composition based on each pitch of the chromatic scale. The ninth piece, an Adagio in E major, is one of the gems in the volume, building on the tradition of the Baroque pastorale. This soaring melody has been arranged by the composer to a duet: above the piano accompaniment, it can be performed by a violin or a flute (either by an oboe or other melodic instrument).
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Bozza: Aria: Flute & Violin: Instrumental Work
Violin and Piano
[Sheet music]
Leduc, Alphonse
Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugèn...
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Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences Aria for Violin or Flute and Piano being no exception. This Bozza piece adaptable for either Violin or Flute is lyrical and graceful displaying the beautiful lower register of both instruments accompanied by rich pulsating chords in the Piano. As music educationalist Paul Griffiths has writtenof Bozza's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.'
10.99 GBP - Sold by Musicroom UK
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Vivaldi Essential Gold Collection Piano
Piano solo
[Sheet music]
-
Intermediate
Chester
The Essential Collection continues with a folio of the greatest works by Antonio...
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The Essential Collection continues with a folio of the greatest works by Antonio Vivaldi. The pieces include his celebrated Violin Concertos and, of course, movements from the Four Seasons, all arranged as Piano solos for you to learn and enjoy. / Classique / Partition /
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Benjamin Britten: Gemini Variations: Chamber Ensemble: Instrumental Work
Flute, Violin, Piano
Faber Music Limited
This work was originally written in 1964 for two 12 year old twin brothers whom ...
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This work was originally written in 1964 for two 12 year old twin brothers whom Britten met whilst working in Budapest. Each twin played the piano and one the flute and the other the violin. A second version has been prepared for those who may not be quite so versatile as the twins for whom it was originally intended and includes a version for four players with extra ad lib. passages for the Flute and Violin so they should not become bored by the long waits. This edition combines both versions with the additional passages in brackets and in small type in the score.
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FANTASIES FROM OPERA FOR VIOLIN AND PIANO
Violin and Piano
[Sheet music]
Dover Publications
Par . This single-volume compilation features four popular opera fantasies arran...
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Par . This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of a separate Violin part: Carmen Fantasy from the Opera by Georges Bizet, Op. 25, transcribed by Jenö Hubay. Fantasia on Themes from Gounod's Faust, Op. 20, transcribed by Henri Wieniawski. Fantasie from Mozart's The Magic Flute, Op. 54, transcribed by Pablo Sarasate. Fantasie Brillante on the March and the Romance from Rossini's Otello, Op. 11, by Heinrich Wilhelm Ernst. This collection is ideal for practice, performance, teaching, and independent study bystudents, professional performers, and amateur ensembles. / Date parution : 2023-03-15/ Recueil / Violon et Piano
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Johann Sebastian Bach: Triple Concerto in A minor BWV1044: Piano: Instrumental
Piano solo
[Sheet music + CD]
Music Minus One
Music Minus One Piano-Bach's intricate 'triple' concerto for keyboard violin an...
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Music Minus One Piano-Bach's intricate 'triple' concerto for keyboard violin and flute is a challenge containing much brilliant passagework. The less formidable slow movement was taken from the organ sonata No. 3. It is a companion to the Brandenburg Concerto No. 5 the first movement of which is included on this album. An extremely rewarding and enjoyable piece for study. Also included on this album is the first movement of the Brandenburg Concerto No. 5 written for harpsichord flute violin and orchestra was Bach's first truly original keyboard concerto and is a unique work full of bravura passages. An eternal favorite! Includes a high-quality printed music score and a compact disccontaining a complete version with soloist in split-channel stereo (soloist on the right channel) then a second version in full stereo of the orchestral accompaniment minus the soloist. Performed by Neill Eisenstein piano Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn
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By the Forest Brook Am Waldesbach Op. 33: Flute and Accomp.: Score and Part
Flute and Piano
Southern Music Ltd
PAUL WETZGER (1870-1937) was a German flutist composer born in Dahme near Lübe...
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PAUL WETZGER (1870-1937) was a German flutist composer born in Dahme near Lübeck. At a young age he took violin lessons from the local music director later switching to flute. By 15 years of age Wetzger had played his first concert in the main church of Dahmen and was second flutist of the municipal orchestra. He later became solo flutist with the municipal orchestra of Essen and taught at the Essen conservatory. He wrote numerous pieces for flute and several chamber music works also editing works by the French composer/flutist Jules Demersseman. Wetzger's Am Waldesbach (By the Forest Brook) ideally for flute and orchestra or piano was a staple of celebrated flutistMarcel Moyse recorded by him in 1935 on the French Columbia label. Since then it has become a favorite in the flute teaching repertory perhaps most notably included Toshio Takahashi's famous Suzuki Flute Method. This Southern Music edition faithfully captures this classic piece as performed by living legend of the flute Sir James Galway.
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Sonata in B minor: Flute and Accomp.: Instrumental Album
Flute and Piano
Lauren Keiser Music Publishing
Flute and Piano-A respected pianist violinist and composer the career of Swed...
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Flute and Piano-A respected pianist violinist and composer the career of Sweden's Amanda Maier (1853-1894) was tragically cut short from tuberculosis. Her musical activities brought her into contact with the likes of Brahms Grieg and Reinecke and her own style exudes the Romantic spirit of her time. Her Sonata for Violin and Piano in b minor (1878) is a brilliant and substantial work which is finally gaining the recognition it deserves. This new edition makes the work available to flutists for the first time with very few alterations to the original violin part. We hope that this edition will make this unjustly neglected sonata accessible to students performers and music lovers.
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Leclair J.m. - Concerto Op.vii N°5 - Violon (flute) Et Piano
Violin and Piano
CMBV
Présentation Jean-Marie Leclair est le plus éminent représentant de l?école...
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Présentation Jean-Marie Leclair est le plus éminent représentant de l?école française de violon du XVIIIe siècle. Cette nouvelle publication en partition des Editions du Centre de musique baroque de Versailles propose à tous les violonistes, mais aussi aux ensembles, spécialistes ou non de ce répertoire, de jouer ses concertos, véritables manifestes d?une virtuosité instrumentale au service du goût musical français. Jean-Marie Leclair naît à Lyon en 1697. A partir de 1722 il effectue plusieurs voyages dans le Piémont, où il sera en particulier l?élève de Somis qui lui transmet l?enseignement du fameux Corelli. Cette rencontre, déterminante pour le compositeur, lui fait embrasser une carrière de soliste. Sa virtuosité, toujours au service de la musique, bouleverse entièrement la pratique violonistique en France, créant une véritable école. De 1728, où démarre sa carrière au Concert Spirituel à Paris, jusqu?à son assassina en 1764, il n?aura de cesse d?écrire et de jouer, que ce soit pour son instrument ou dans des ?uvres ambitieuses. Ce concerto pour violon et orchestre op. VII n°5, probablement des années 1737, est en la mineur. En trois mouvements (Allegro, Largo, Allegro assai), il dure environ un quart d?heure. A la façon d?un concerto grosso, un ?Violino concertino? alterne la direction de l?orchestre et de larges passages solo. L?orchestre est constitué de deux parties de violons, une partie d?alto, une partie de basse et d?une basse continue. Généralités Période : baroque Genre : profane Contenu Introduction (langue) : français Musiques : Concerto pour violon et orchestre op.VII n°5
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Jules Massenet: Méditation de Thaïs pour Flûte et Piano: Flute: Instrumental
Flute and Piano
[Sheet music]
Heugel
The instantly recognisable and ever-popular Méditation from the opera Thaïs b...
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The instantly recognisable and ever-popular Méditation from the opera Thaïs by Jules Massenet (1842-1912) remains a strong favourite in the classical repertoire superbly arranged for Flute and Piano by French flautist Paul Taffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas of which he composed over thirty. Thaïs was first performed at the Opéra Garnier in Paris in 1894 and continues to be one of the composer's most performed operas. The famous Méditation isan intermezzo originally for Violin and Orchestra which has since been arranged for many different instruments making it a frequent concert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel's adaptions include breath marks phrasing changing octaves for some notes and articulation among other aspects. Massenet's Méditation is challenging through its use of lyricism in the upper register yet it remains a favoured and popular piece in the Flute's repertoire.
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Feld: Sonate: Flute: Instrumental Work
Flute and Piano
Leduc, Alphonse
Jindrich Feld's Sonata for Flute and Piano is frequently performed by virtuoso f...
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Jindrich Feld's Sonata for Flute and Piano is frequently performed by virtuoso flautists. Composed in 1957 the Sonata is elaborate and quirky and has been recorded by leading artists including Jeffrey Khaner and James Galway. Born in Prague Feld (1925-2007) studied Violin and Viola with his parents before studying at the Conservatory and Academy of Music of his native city. His compositions predominantly instrumental soon became popular being performed all over the world. As reflected in his Sonata for Flute and Piano Feld's style is deeply rooted in the Czech musicaltradition but he also integrated the main styles of 20th century Western music. The Sonata is made up of three movements 1. Giocoso (playful) 2. Grave (serious) and 3. Vivace (lively). Each movement of the Sonata presents different challenges from fast semiquaver flourishes to the lyrical top register of the Flute. This Feld piece is highly virtuosic yet an excellent and enjoyable performance for all advanced flautists.
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Thais Meditation Flûte Et Piano (MASSENET JULES)
Flute and Piano
[Sheet music]
Heugel
Par MASSENET JULES. The instantly recognisable and ever-popular Meditation, from...
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Par MASSENET JULES. The instantly recognisable and ever-popular Meditation, from the opera Thaï s by Jules Massenet (1842-1912), remains a strong favourite in the classical repertoire, superbly arranged for Flute and Piano by French flautist, Paul Taffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas, of which he composed over thirty. Thaï s was first performed at the Opera Garnier in Paris in 1894 and continues to be one of the composer's most performed operas. The famous Meditation, isan intermezzo, originally for Violin and Orchestra, which has since been arranged for many different instruments, making it a frequent concert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel 's adaptions include breath marks, phrasing, changing octaves for some notes and articulation, among other aspects. Massenet 's Meditation is challenging through its use of lyricism in the upper register, yet it remains a favoured and popular piece in the Flute's repertoire. / Opéra-opérette / Répertoire / Flûte Traversière et Piano
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