Brass qunitet - Grade 3

SKU: DS.SA3522

Composed by William Williams. Arranged by Tim Doran. Quintets for Brass Ensemble. Main key: G, C. Traditional. Score and parts. Composed 1983. Duration 1'45. Psalm 150 #SA3522. Published by Psalm 150 (DS.SA3522).

Key: G, c.

A brass quintet that opens with a lively statement and transitions to a trumpet duet with underlying fanfare-type figures, The middle section shifts to the tune ZION with an imitative structure and then the piece returns to the sytle of the opening sect.

Low brass duet

SKU: TE.TEP10629

Composed by Wolfgang Amadeus Mozart. Arranged by Edward McKee. Score. Published by Tuba-Euphonium Press (TE.TEP10629).

By Charles Lloyd Barnhouse. Arranged by Joel Treybig. For Double Brass Quintet. Brass Ensemble - Quintet. Eighth Note Publications. Christmas; Winter. 40 pages. Published by Eighth Note Publications

Arranged by A. Moss. For Brass Quintet. Grade 3. Published by JPM Music Publications

Composed by Stuart Hine. Arranged by Mary Mcdonald. For Vocal Duet (High and Low Voice - Key of A-flat). Vocal Solo Sheet Music. Worshiping, Hymntune. Published by Hope Publishing Company

By Traditional. Arranged by David Marlatt. Traditional. For Brass Quintet. Brass Ensemble - Quintet. Sacred, Christmas. Level: Medium. Duration 00:02:05. Published by Eighth Note Publications.

By William Presser. For Horn & Tuba. Chamber Music. Sheet Music. Published by Seesaw Music Corp

Euphonium duet

SKU: P2.80160

Composed by Tom Holtz. Chamber music. Published by Potenza Music (P2.80160).

The idea for these duets came from programming a duet recital with my colleague and dear friend, Dr. Joanna Hersey, Associate Professor of Low Brass at the University of North Carolina at Pembroke. She had several new arrangements for us to perform, and she had set them specifically to be rehearsed and performed by her students. She suggested I write something jazzy for us to play that her students could also work on in lessons. What started out as a quick dose of pseudo-dixieland turned into something quite different. Tango is built on a straight-eighth-note groove. It's meant to be danceable without being too fast or too loud. Players should have fun with the style while being very strict about time and rhythm. Bolero challenges players to provide a steady, rhythmic bass line in the often unwieldy lower registers of the horn, and long, lyrical melodies in the upper register. Jam is all about having fun. It is built around basic harmonic and rhythmic patterns, and is meant to be played aggressively. My hope is that players build necessary skills while preparing these duets, and get a hefty round of applause for their efforts at the performance. Thanks go to Walter Sear (1930-2010), whose books of tuba duets form a cornerstone of low brass chamber repertoire. Thanks also to my colleagues in The President's Own, Chris Tiedeman and Paul Mergen, who often reminded me of how much fun duets can be every time they pulled out their well-loved, dog-eared copy of the Sear book. This work is dedicated to Dr. Joanna Hersey and her studio at the University of North Carolina at Pembroke for their inspiration, dedication, and spirit. My sincere thanks to all of you for making this project a reality.

By 1708 Lyra Davidica. Arranged by Carla J. Giomo. For Instruments: Brass quartet or quintet (2 trumpets in B or C, 2 trombones, with opt. Horn substitute for trombone 1; or 2 trumpets, horn, trombone, tuba) (instruments required). Organ. Chamber Music Sacred. 10 pages. Published by GIA Publications.

(Full Score and Parts (CD Audio Inside Internet/Web Interactive)). By Andrew Balent. Concert Band. For Flute, Oboe, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Horn I, Horn II, Tenor I, Tenor II, Euphonium, Bassoon, Tuba, S. Carl Fischer Concert Performance Series (Sounds Spectacular). Grade 3. Score and Set of Parts. Standard notation. 36 pages. Published by Carl Fischer