SKU: CA.3980511

ISBN 9790007056995. Key: A major. Language: all languages.

Score available separately - see item CA.3980500.

SKU: CA.3980512

ISBN 9790007057008. Key: A major. Language: all languages.

Score available separately - see item CA.3980500.

SKU: CA.3980519

ISBN 9790007144173. Key: A major. Language: all languages.

Score and parts available separately - see item CA.3980500.

SKU: SU.29130240

CF 5. With Oboe, Clarinet, Mandolin, Guitar, Harp, Violin, and Viola.Harpsichord, Oboe, Clarinet, Mandolin, Guitar, Harp, Violin, and Viola Duration: 9’ Composed: 1978/2018 Published by: Christopher Fulkerson.

SKU: UT.NAP-4

ISBN 9790215318373. 9 x 12 inches.

Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo

Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas.
Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.

SKU: CA.3980613

ISBN 9790007057077. Key: A major. Language: all languages.

This edition makes available a concerto of Telemann for viola da gamba - the only extant Telemann concerto for this instrument. The quality of this concerto lies in the abundance of the formal and stylistic traditions which it develops, and the resulting individual, unmistakable synthesis of those traditions. Score and part available separately - see item CA.3980600.