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Violin, Basso continuo
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Kindermann J.e. - Zwei Sonaten Fur Violine (sopran- Oder Tenorblockflote) Und Basso Continuo
Recorder, Violin, Basso continuo
Barenreiter
Series : Hortus Musicus Edition : Playing Score; Single Part Editor : Schneider,...
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Series : Hortus Musicus Edition : Playing Score; Single Part Editor : Schneider, Michael Binding : stapled Instrumentation : Violin/ Recorder, Basso continuo
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Sonate Da Chiesa A Violino Solo E Violoncello O Basso Continuo - Opera Quarta
Violin, Basso continuo
Anne Fuzeau Productions
Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Ed...
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Sonate da Chiesa a violino solo e violoncello o basso continuo. Opera quarta. Edition : Amsterdam, Etienne Roger, s.d. (=c. 1704)Présentation de Nicolas Fromageot : Notice biographique - Terminologie. / Violon Et Basse Continue / 48 pages / niveau : 1 / Fac-Similés - Format: 24 X 32
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Sonaten G-Dur, E-Moll, Fuge G-Moll Für Violine Und Basso Continuo
Violin, Basso continuo
[Sheet music]
Barenreiter
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...
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Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Sonaten G-Dur, e-Moll, Fuge g-Moll für Violine und Basso continuo qui a été écrite pourViolon Et Basse Continue. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5167 . / Violon Et Basse Continue / Partition
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Complete Violin Sonatas (HAENDEL GEORG FRIEDRICH)
Violin, Basso continuo
[Sheet music]
-
Intermediate/advanced
Faber Music Limited
Par HAENDEL GEORG FRIEDRICH. The Sonatas for Violin and Basso Continuo are among...
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Par HAENDEL GEORG FRIEDRICH. The Sonatas for Violin and Basso Continuo are among some of Handel's most beautiful writings for the Violin, and are a beautiful addition to the repertoire of any advancing violinist. These sonatas are clearly presented with detailed editorial markings and suggestions, along with a commentary on each work. This edition has been edited by Terence Best and the Basso Continuo has been realized by Peter Holman. The solo violin and basso continuo parts are also included on separate inserts. / Niveau : Intermédiaire à Avancé / Répertoire / Violon et Piano
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Sonate Per Violino E Basso Continuo Rv 11, Rv 37
Violin, Basso continuo
Ricordi
Critical edition by Michael Talbot. The vast majority of violin sonatas from Viv...
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Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi's time, including those of Vivaldi himself, have come down to us in the form of a score employing two staves: one for violin, and one for bass. This guarantees that, although portions of the work may be missing, what survives is textually complete. Exceptionally, five of Vivaldi's violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv, Graz, the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas, which all have four movements, possess partial concordances in other sources, with which they share two or three movements, but two of them - RV 11 and RV 37 - have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction, and there is in addition a realization of the continuo by the editor. / Violon Et Basse Continue
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Methodische Sonaten Für Querflöte Oder Violine Und Basso Continuo (TELEMANN GEORG PHILIPP)
Flute, Basso continuo
Barenreiter
for Flute or Violin and Basso continuo. Par TELEMANN GEORG PHILIPP. Zwölf Metho...
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for Flute or Violin and Basso continuo. Par TELEMANN GEORG PHILIPP. Zwölf Methodische Sonaten Twv 4:41. Urtext/ Répertoire / Flûte Traversière ou Violon et Basse Continue
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Te Deum In B-Flat Major Hwv 281 (HAENDEL GEORG FRIEDRICH)
Violoncelle, Contrebasse, Basson ou Orgue
[Sheet music]
Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te D...
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Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea”, the masque which was composed at almost the same time. Though in many respects this 'Te Deum” is reminiscent of the 'Utrecht Te Deum”, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition” (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum”./ Répertoire / Violoncelle, Contrebasse, Basson ou Orgue
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Sonate A-dur Bwv Anh. 153 - Violin, Basso Continuo
Breitkopf & Härtel
Instrumentation : Vl,BcSONATE A-DUR BWV ANH. 153 - VIOLIN, BASSO CONTINUOEditor ...
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Instrumentation : Vl,BcSONATE A-DUR BWV ANH. 153 - VIOLIN, BASSO CONTINUOEditor : Stinson, R; Schulenberg, D
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Der Harmonische Gottesdienst (TELEMANN GEORG PHILIPP)
Hohe Stimme, Melodie-Instrument und Basso continuo
[Score and Parts]
Barenreiter
Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and B...
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Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Advent & Christmas - High Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popular to the present day. These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for High Voice and cantatas for Medium Voice. Each series spreads the works over three volumes accompanied by separate parts forsolo instrument and continuo. The cantatas follow the order of the liturgical year, beginning with the Christmas season and continuing with Easter and Trinity. Being practically minded, Telemann arranged the ambitus of the Vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’. Similarly, the solo instruments are suitable for Violin, Oboe, Recorder or Flute. - Interesting solo cantatas for use in church services. - Urtext from the Telemann Edition. - Separate parts for instrument and continuo./ Répertoire / Voix Hautes
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Harmonischer Gottesdienst - Kantaten Aus Der Trinitatiszeit (TELEMANN GEORG PHILIPP)
Hohe Stimme, Melodie-Instrument und Basso continuo
[Score and Parts]
Barenreiter
Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and B...
(+)
Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Cantatas for the Sundays after Trinity - High Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popular to the present day. These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice. Each series spreads the works over three volumes accompanied by separate parts for solo instrumentand continuo. The cantatas follow the order of the liturgical year, beginning with the Christmas season and continuing with Easter and Trinity. Being practically minded, Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are ‘ also suitable for an ordinary alto or bass'. Similarly, the solo instruments are suitable for Violin, Oboe, Recorder or Flute. - Interesting solo cantatas for use in church services. - Urtext from the Telemann Edition. - Separate parts for instrument and continuo./ Répertoire / Voix Hautes
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Harmonischer Gottesdienst (TELEMANN GEORG PHILIPP)
Hohe Stimme, Melodie-Instrument und Basso continuo
[Score and Parts]
Barenreiter
Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and B...
(+)
Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Lent & Easter - High Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popular to the present day. These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice. Each series spreads the works over three volumes accompanied by separate parts for soloinstrument and continuo. The cantatas follow the order of the liturgical year, beginning with the Christmas season and continuing with Easter and Trinity. Being practically minded, Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are ‘ also suitable for an ordinary alto or bass'. Similarly, the solo instruments are suitable for Violin, Oboe, Recorder or Flute. - Interesting solo cantatas for use in church services. - Urtext from the Telemann Edition. - Separate parts for instrument and continuo./ Répertoire / Voix Hautes
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Harmonischer Gottesdienst (TELEMANN GEORG PHILIPP)
Mittlere Stimme, Melodie-Instrument und Basso continuo
[Score and Parts]
Barenreiter
Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and B...
(+)
Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Lent & Easter - Medium Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popular to the present day. These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice. Each series spreads the works over three volumes accompanied by separate parts for solo instrument and continuo. The cantatas follow the order of the liturgical year, beginning with the Christmas season and continuing with Easter and Trinity. Being practically minded, Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’. Similarly, the solo instruments are suitable for Violin, Oboe, Recorder or Flute. - Interesting solo cantatas for use in church services. - Urtext from the Telemann Edition. - Separate parts for instrument and continuo./ Répertoire / Voix Moyennes
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Telemann G. Ph. - Zwölf Methodische Sonaten, 10-12
Violine (oder Flöte) und Basso continuo
[Score and Parts]
Amadeus Verlag
Für Flöte oder Violine und Basso continuo. Réalisation de la basse Christine ...
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Für Flöte oder Violine und Basso continuo. Réalisation de la basse Christine Gevert Compositeur : Telemann Georg Philipp Instrumentation : Fl (Vn), Bc
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9 German Arias Hwv 202-210
Deutsch
Sopran solo, Violine (Flöte, Oboe) und Basso continuo
[Score and Parts]
Peters
Ger. Soprano, Violin and Piano. Sheet Music and CD Play-along Pack available: se...
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Ger. Soprano, Violin and Piano. Sheet Music and CD Play-along Pack available: see Q 8782 / Voix Et Piano
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Leclair J.m. - Sonata D Major Op.9/3 - Violon Et Basse Continue
Violin, Basso continuo
Schott
Editor: Polnauer, Frederick F. Preface: Polnauer, Frederick F Jean Marie Lecla...
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Editor: Polnauer, Frederick F. Preface: Polnauer, Frederick F Jean Marie Leclair l'aîné (1697-1764) wurde in Lyon geboren. Er studierte u.a. in Turin bei J.B. Somis, einem Schüler Corellis, lebte ab 1728 dauernd in Paris und war bis 1736 als Geiger der kgl. Kapelle tätig. Leclair gehört zu den großen klassischen Meistern der Violine; unter den französischen Komponisten für dieses Instrument steht er an erster Stelle. Diese Ausgabe bietet zwei Sonaten aus dem 4. Buch, op. 9, No. 3, D-Dur und No. 5, a-moll. Als Quelle diente ein in der New York Public Library befindliches Exemplar der 1738 in Paris erschienenen Erstausgabe. Die Klavierpartitur unserer Ausgabe gibt die Violinstimme und den bezifferten Bass genau nach dem Original wieder.
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12 Methodische Sonaten Für Violine Oder Flöte Und Basso Continuo. Heft 1
Flute, Basso continuo
Barenreiter
Les éditions Bärenreiter ont édité sous la référence BA 2241 cette partiti...
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Les éditions Bärenreiter ont édité sous la référence BA 2241 cette partition musicale pour satisfaire au maximum les amateurs de musique Classique et plus particulièrement les pratiquant de Violon. Cette partition a pour titre 12 Methodische Sonaten für Violine oder Flöte und Basso continuo. Heft 1 et pour compositeur Telemann Georg Philipp. / Violon Ou Flûte Traversière Et Basse Continue / Partition
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Trio Sonata In G Min
Blockflöte, Oboe (Violine) und Basso continuo
[Score and Parts]
Peters
/ Flûte à bec, Hautbois (Violon) Et Basso Continuo
20.90 EUR - Sold by LMI-partitions
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Jesu, Meine Freude
Solostimmen (SSB) auch Chor (SSB) und Instrumente (2 Violine, Fagott/Violoncello, Basso continuo)
[Score and Parts]
Barenreiter
Les éditions Bärenreiter ont édité sous la référence BA 487 cette partitio...
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Les éditions Bärenreiter ont édité sous la référence BA 487 cette partition musicale pour satisfaire au maximum les amateurs de musique Classique et plus particulièrement les pratiquant de Chant/Vocal/Choeur. Cette partition a pour titre Jesu, meine Freude et pour compositeur Buxtehude Dietrich. / S, S, B, 3 Parties Mixtes, 2 Violons, Basson (Violoncelle) Et Basse Continue / Partition
19.60 EUR - Sold by LMI-partitions
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Sonata II (ZELENKA JAN DISMAS)
Français
2 Oboen (oder Violine und Oboe), Fagott (Violoncello) und Basso continuo
[Score and Parts]
Barenreiter
Par ZELENKA JAN DISMAS. / Répertoire / 2 Hautbois, Basson et Basse Continue
38.80 EUR - Sold by LMI-partitions
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Jesu, Meine Freude
Solostimmen (SSB) auch Chor (SSB) und Instrumente (2 Violine, Fagott/Violoncello, Basso continuo)
Barenreiter
/ S, S, B, 3 Parties Mixtes, 2 Violons, Basson (Violoncelle) Et Basse Continue
5.00 EUR - Sold by LMI-partitions
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Sonatas For Violin And Basso Continuo
Violin and Piano
[Sheet music]
Wiener Urtext
Sonates Georg Friedrich Haendel pour violon et basse continue appartiennent à d...
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Sonates Georg Friedrich Haendel pour violon et basse continue appartiennent à du répertoire de base de la musique de violon Baroque, certains d'entre eux même parmi les plus célèbres pièces de répertoire de leur temps. La nouvelle édition de la série de Wiener Urtext édition est basée sur des autographes de Handel, copies contemporaines et premier imprime. En plus de neuf sonates de violon de Handel, il contient deux Menuets pour violon et basse continue, qui ont été prononcées dans l'environnement des sonates. Hormis la partie de violon solo et un score de continuo avec réalisés, facilement jouable basse continue, l'édition comprend également une partie de la basse continue qui permet aux joueurs expérimentés continuo d'improviser sur la partie basse continue de basso. Les notes sur l'interprétation par le célèbre Baroque expert Reinhard Goebel donnent un aperçu d'une performance de Sonate qui était une pratique courante à l'époque de Haendel. / Violon Et Piano / Partition
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Boismortier J.b. De - Concerto G Major Op.21/3 - Treble Recorder, Violin (flute) And Basso Continuo
Recorder, Violin
Schott
Edition : score Instrumentation : treble recorder, violin (flute) and basso cont...
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Edition : score Instrumentation : treble recorder, violin (flute) and basso continuo Date of Composition: 1728 Duration : 11' Date of Publications : 30/06/1976 Number of Pages : 30 Arranger : Doflein, Erich Series : Concertino
23.20 EUR - Sold by Woodbrass
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Sonata For Violin And Basso Continuo In G Minor 'Devil's Trill'
Violin, Basso continuo
Barenreiter
(replaces HM 278) The 'Devil's Trill' Sonata is the most famous of the violin so...
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(replaces HM 278) The 'Devil's Trill' Sonata is the most famous of the violin sonatas of Giuseppe Tartini (1692-1770). In this scholarly-critical edition, it holds many a surprise in store. For the first time, all available contemporary sources have been consulted to produce an edition closely approximating Tartini's lost autograph. The solo part offers several ossia passages and alternative articulation marks, and the score has been given an eminently playable realization of the continuo part offering ample scope for improvisation. Also for the first time, this edition includes a separate part for violoncello or violone.A detailed Foreword sheds light on the genesis and subsequent reception of this sonata. There is also a Critical Report discussing and evaluating all sources used and providing explanations of a number of important passages, including the famous trill itself. / Violon Et Basse Continue
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Sei sonate a solo (ALIBERTI FRANCESCO)
Violin, Basso continuo
[Sheet music]
Armelin Musica
Per violino e basso, op. 4. Par ALIBERTI FRANCESCO. / Date parution : 2022-05-3...
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Per violino e basso, op. 4. Par ALIBERTI FRANCESCO. / Date parution : 2022-05-31/ Répertoire / Violon et Basse Continue
50.90 EUR - Sold by LMI-partitions
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Concerto Rv 575
2 Violins, 2 Cellos, Strings and Basso Continuo
Ricordi
/ 2 Violins, 2 Cellos, Strings and Basso Continuo
31.50 EUR - Sold by LMI-partitions
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