Piano

SKU: HL.50511390

Piano Solo. Composed by Bé, k, and la Bartó. 20th Century. EMB. Classical. Book [Softcover]. Op. 1. 28 pages. Editio Musica Budapest #Z1971. Published by Editio Musica Budapest (HL.50511390).

ISBN 9790080019719. UPC: 073999576511. 9.0x12.0x0.095 inches.

'The significance of the Rhapsody composed in 1904 in Gerlicepuszta and Pozsony is well shown by the fact that Bartok subsequently reserved the designation 'Opus 1' of his last, mature opus numbering for this piece. By choosing this genre Bartok was clearly following in Liszt's footsteps. But he did not merely follow the Hungarian Rhapsodies with their parading of folkloristic art songs in a virtuoso instrumental fantasy. The formal coherence of Bartok's work allows us to infer the influence of the large-scale Liszt compositions he then knew, such as the B minor Sonata. Unlike Liszt, Bartok builds his Rhapsody not on familiar melodies but on themes of his own invention, yet hisstyle is still that of nineteenth-century folkiness, and draws on the art-music tradition based on the verbunkos and the csardas.'
(HCD 32524 Bartok New Series Vol. 24, Istvan G. Nemeth).

Woodwinds (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.OB-15114-30

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Folder. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Set of parts. 22 pages. Duration 18'. Breitkopf and Haertel #OB 15114-30. Published by Breitkopf and Haertel (BR.OB-15114-30).

ISBN 9790004339824. 10 x 12.5 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).

Clarinet and piano

SKU: BR.EB-32112

Urtext. Composed by Camillo Schumann. Solo instruments; stapled. Edition Breitkopf. The first edition of a forgotten treasure. Sonata; Late-romantic. Score. 52 pages. Breitkopf and Haertel #EB 32112. Published by Breitkopf and Haertel (BR.EB-32112).

ISBN 9790004186770. 9 x 12 inches.

There are many composers of whom it is said today that they had gone back in time or had composed against contemporary taste. Today, the question arises, though, as to what of value is to be extracted, rediscovered, or re-edited. Camillo Schumann (1872-1946) is one of these nearly forgotten composers. His works are still largely unknown today. Schumann's tonal language combines the Brahmsian sound scape with the grand late romantic Liszt school. His piano pieces range even to sounds reminiscent of Rachmaninoff and are of tremendous power and virtuosity. The pronounced and inventive melody makes the works the testimony of a composer who has not yet come to the fore. His two sonatas for clarinet and piano have hitherto remained completely unknown. This is astonishing, for they are on the level of the sonatas of Johannes Brahms, who probably contributed the most essentially to this genre. Surfacing as a special treasure from the estate of the Saxon musicologist and collector Harald Schurz were the autographs of both clarinet sonatas, now to be published for the first time. Remember falling in love with the expressive qualities of the Brahms sonatas? You can rekindle that feeling with these works by Camillo Schumann. Commentators have compared Schumann's works not only to Brahms, but also to Liszt and Rachmaninoff. Run to your shop and order now.(Gregory Barrett, The Clarinet)

The first edition of a forgotten treasure.

Double bass, orchestra (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.OB-15114-03

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Solo concerto. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Solo part. 4 pages. Duration 18'. Breitkopf and Haertel #OB 15114-03. Published by Breitkopf and Haertel (BR.OB-15114-03).

ISBN 9790004339763. 10 x 12.5 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).

Concert band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Soprano Clarinet 1-3, Eb Alto Clarinet, Bb Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Cornet (in Bb) 1-3, Trumpet (in Bb) 1/2, French Horn 1-4 , Trombone 1-3, Euphonium, Tuba, Stri) - grade 4

SKU: CN.S11242

Composed by Adam Gorb. Arranged by Michael Brand. Band Music. Score only. Duration 4:20. Published by G & M Brand Music Publishers (CN.S11242).

Scenes from an English Landscape is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end of the work, both versions of the theme are stated together to bring the piece to a triumphant climax.

This is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. I imagined a community of villagers coming out of church and filling a village square with their vibrant presence. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end o the work, both versions of the theme are stated together to bring the piece to a triumphant climax. Adam Gorb was born in Cardiff and started composing at the age of ten. His first work broadcast on national radio was written when he was fifteen. He studied at Cambridge University (1977-1980) and the Royal Academy of Music (1991-1993) where he graduated with the highest honours including the Principal's Prize. He has been on the staff at the London College of Music and Media, the junior Academy of the Royal Academy of Music and, since 2000 he has been the Head of School of Composition at the Royal Northern College of Music in Manchester . International recognition came in 1994 with the US Walter Beeler Prize for his work Metropolis . With it began what has developed into probably the most important wind ensemble catalogue by a contemporary composer, ranging from extremely challenging to the most accessible, at all technical levels, seized on by players internationally, widely recorded and now absolutely central to the world's wind repertoire. Equally important though are his works for dance, and concert pieces like the chamber orchestral Weimar , the Violin Sonata , a Clarinet Concerto for the Royal Liverpool Philharmonic Orchestra and Diaspora for strings (for the Goldberg Ensemble). Deceptively mainstream at first glance, they display the same inventive brilliance, pulsating sound world, striking use of rhythm and an undogmatic absence of stylistic hang-ups to embrace jazz and serialism in works where power, poetry, irony and pathos, often underlaid by a theatrical and deeply subversive element, coalesce in an integrated, highly individual musical voice. Gorb is also not afraid to draw on the vivid musical heritage of his Jewish roots, sometimes directly, often in a more subsumed or radically creative way. The crucial and consistent feature of Gorb's work though is that it communicates strongly without patronizing players or audiences. He firmly believes that if contemporary music - any music - does not impact on listeners then its message is irrelevant; it is lost.

(21 pieces for flexible ensemble). Composed by Kathy and David Blackwell. For flexible string ensemble. String Time Ensembles. Published by Oxford University Press

BH Piano. Softcover with CD. 24 pages. Boosey & Hawkes #M060133633. Published by Boosey & Hawkes

Flutes

SKU: ST.C298

Composed by Mark Tanner. Wind & brass music. Clifton Edition #C298. Published by Clifton Edition (ST.C298).

ISBN 9790570812981.

Metal locked into metal . . .

This album of frivolous flute duets will spice up your lessons and practice sessions. Creator of many well received original pieces and editions, Mark Tanner’s three volumes of Flute Friction pieces will help you to become more inventive and assertive in your playing. The music bristles with energy - jazzy rhythms, quirky harmonies and catchy melodies leap from every page, so prepare to engage with these pithy, vibrant pieces. Together, two well matched flautists can make superb music.

. . . it’s a flute duel

Book 1 Grades 1 – 3
Book 2 Grades 4 – 5
Book 3 Grades 6 – 8 (this volume)

Former Spartan Press Cat. No.: SP1177.

Flutes

SKU: ST.C297

Composed by Mark Tanner. Wind & brass music. Clifton Edition #C297. Published by Clifton Edition (ST.C297).

ISBN 9790570812974.

Metal locked into metal . . .

This album of frivolous flute duets will spice up your lessons and practice sessions. Creator of many well received original pieces and editions, Mark Tanner’s three volumes of Flute Friction pieces will help you to become more inventive and assertive in your playing. The music bristles with energy - jazzy rhythms, quirky harmonies and catchy melodies leap from every page, so prepare to engage with these pithy, vibrant pieces. Together, two well matched flautists can make superb music.

. . . it’s a flute duel

Book 1 Grades 1 – 3 
Book 2 Grades 4 – 5 (this volume)
Book 3 Grades 6 – 8

Former Spartan Press Cat. No.: SP1176.

Chamber Music Piano

SKU: PR.140401310

Composed by Nora Holt. Edited by Lara Downes. Sws. Score. 8 pages. Duration 2 minutes. Theodore Presser Company #140-40131. Published by Theodore Presser Company (PR.140401310).

ISBN 9781491134153. UPC: 680160684250. 9 x 12 inches. Key: G major.

NORA’S DANCE is a jazz-influenced rag from 1921, and among the only surviving compositions by Nora Douglas Holt. A charming and exciting work rejuvenated by Lara Downes’ 2021 recording for the Rising Sun label, the rag is both a fun 2 minutes for pianists and audiences, and also a fascinating time capsule. Composed several years after Scott Joplin’s death, and several years before the Charleston pervaded popular music, NORA’S DANCE blossoms with the energy and jazz harmony starting to emerge as The Roaring 20’s, using ragtime and stride as the seed for pianistic style.
My own life in music has been driven by a quest to find strong female role models, trails to follow, shoulders to stand on. In Nora Douglas Holt, I find an inspiring example of creativity, independence, and resilience – with a dash of troublemaking. She was a free spirit, a force of nature, and she lived a fascinating and eventful life on her own terms. She reinvented herself through five marriages and at least as many careers. From her beginnings at the piano at age four, she explored many avenues of musical expression – performing, composing, music journalism, broadcasting, teaching – all with inventiveness, style, and zeal.She made the most of the Roaring ’20s, as an artist, socialite, jetsetter, muse, and patroness of the Harlem Renaissance. In 1921 she started an independent arts journal called “Music and Poetry,” where the charming piano solo Nora’s Dance was first published. I think the piece captures beautifully, in a little under 2 minutes, the energy and excitement of those heady years.In 1926, Nora left New York to travel the world, performing in nightclubs throughout Europe and Asia. She put her belongings in storage before she left, and when she came back she discovered that many of her things had been stolen, including more than 200 of her musical compositions. She never composed again.When the Depression hit, she moved out to Los Angeles, where she studied music education at USC, taught music in the LA public schools, and opened her own beauty salon. She returned to New York in the ’40s and worked as a music critic for several major newspapers, then launched yet another career, this time in broadcasting. Her popular radio concert series “Nora Holt’s Concert Showcase” broadcast to New York’s classical music audience, with a focus on Black composers and performers.Ahead of her time, larger than life, full of ideas…. I am so pleased to introduce you to the feisty and free spirited Nora Douglas Holt!

By Johann Sebastian Bach. Keyboard. Level: Intermediate/Early Advanced (4/5/6/6 ). Published by Alfred Publishing.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2

SKU: CF.YAS160

Composed by Carl Strommen. Young String Orchestra. Set of Score and Parts. With Standard notation. 8+8+2+5+5+5+3+8 pages. Duration 2:15. Carl Fischer Music #YAS160. Published by Carl Fischer Music (CF.YAS160).

ISBN 9781491143766. UPC: 680160901265. Key: G major.

The cakewalk is a dance that was popular in the late nineteenth-century and indicative of the ragtime style, which was the precursor to Jazz. This piece contains the well-known cakewalk rhythm as the basis of all of the melodic and accompanying material. In typical Carl Strommen fashion, the piece is tuneful, well-scored and fun!.
The “Cakewalk”, also known as the “Walkaround” or “Prize Walks,” was a late nineteenth-century Southern dance form set to the infectious, even eighth-note pulse of Ragtime. A partner dance, judges would evaluate the elegant bearing of the men, the gracefulness of the women and the inventiveness of the pair of dancers. The last remaining pair (“winners”) would often be presented with an elaborately decorated cake.Devoted exclusively to the sixth grade, the Silas Wood school is named after Silas Wood (1769–1847), who was elected to the United State Congress for five terms representing the Long island, New York district within Suffolk County and the Town of Huntington.

About Carl Fischer Young String Orchestra Series

This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels