Par HAENDEL GEORG FRIEDRICH. ?Giulio Cesare in Egitto? is by far Handel?s most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Handel?s lifetime the popular work was often staged and therefore adapted by Handel for each of the performance conditions. The editor Hans Dieter Clausen has succeeded in editorially defining and practically presenting these adaptations ? essentially four versions ? on the basis of a meticulous study of the sources within the framework of the ?Halle Handel Edition?. The new edition allows for a performance of each of the four versions. The version of 1725 is particularly noteworthy because Handel newly devised the role of Sesto for the famous tenor Francesco Borosini. The libretto shows the Roman dictator Cesar in a friendly light. He instructs his enemy, the Egyptian tyrant Tolomeo, how to treat adversaries: he reconciles the widow and son of his enemy Pompeo who was murdered by Tolomeo: he is generous and just, hands on, but also diplomatic, thoughtful, aware of the limits of his power, and susceptible for art and nature. However, the actual protagonist of the opera is Cleopatra. In a masterly way Handel develops her character musically. In his extensive Foreword Hans Dieter Clausen not only decribes the genesis, historical background, reception and the edition of the opera, he also examines the musical and dramaturgical reworking of individual numbers in ?Giulio Cesare?. Handel was such an expert in adapting arias for new purposes and other characters that he did not only meet the needs at hand but often the new version surpassed the original. In this way, the reader gains, in passing, a well-founded insight into Handel?s work methods when designing and redevising his characters. The detailed Critical Commentary includes information on the comprehensive and highly complex source situation as well as on individual editorial decisions./ Répertoire / Chant et Orchestre

Faksimile der Originalhandschrift. J. S. Bach 's Notebook for Anna Magdalena (1725). This hardback facsimile edition, bound in green with gold trimmings, and bearing the initials “A. M. B. ” and “1725” on the front cover, presents one of the greatest albums of household music. It is primarily the personal album of Anna Magdalena Bach (1701-1760), daughter of the court and military trumpeter Johann Caspar Wilcke, a trained musician and court singer, and second wife to Johann Sebastian Bach. The album contains partitas (two in Bach's own hand probably intended as a tribute to his wife), minuets, polonaises, marches and short pieces by Johann Sebastian Bach, hischildren, and a few visitors to the Bach home. The volume also contains little vocal pieces, songs and chorales as well as exercises in harmony and thoroughbass realisations. The pieces are arranged chronologically (except for the last section) and several members of the Bach family helped with the copying - only Wilhelm Friedemann's hand is absent. The majority of the pieces (28 works) are in Anna Magdalena's hand, and the volume provides a tantalising glimpse into the everyday world of this musical family. Documenta Musicologica II, 25; Format 26cm x 20cm. Afterword (Ger-Eng-Fr); 140 pages facsimile; 24 pages text./ Recueil / Piano

Par MOZART WOLFGANG AMADEUS. Among Mozart's most popular works, The Magic Flute has enchanted listeners since it was first performed in 1791. Originally intended to be a singspiel, filled with traditional comic, exotic, and fairytale elements, the work greatly transcended those limitations, and is widely regarded as one of the greatest operas of the entire repertoire. This publication contains the complete vocal score. German/Italian text. Libretto by Emanuel Schikaneder. / Opéra-opérette / Répertoire / Voix

Par SCHUMANN ROBERT. Edité et gravé par Ephraim Hammett Jones, tome II de cette série de deux ouvrage présente une compilation originale des pièces de Robert Schumann caractères les plus connus et les cycles de piano dans une édition Urtext vierge. Imprimé à reproduire précisément les intentions originales de l'artiste, il dispose de huit des plus belles oeuvres du compositeur romantique. Convient aux pianistes de niveau intermédiaire avancé, le contenu renferme Sonates pour piano nos 1, 2 et 3- Davidsbündlertänze, op. 6- Fantasie op. 17- Noveletten, op. 21- Jest Carnaval de Vienne, op. 26- Trois Romances, op. 28- Davidsbündlertänze, op. 6- Fantaisie en ut majeur, op. 17- Noveletten, op. 21- Jest Carnaval de Vienne, op. 26- et Three Romances, op. 28. / Niveau : Intermédiaire à Avancé / Répertoire / Piano

[Klaviersonaten Opus 17] / Classique / Editeur : Ernst-Günter Heinemann / Doigtés : Hans- / Partition / Broché / Edition Urtext

Trio in g-moll op. 17. Par SCHUMANN CLARA. / Répertoire / Violon, Violoncelle et Piano

Par DADI MARCEL. Arrangements par Marcel Dadi 1er Prélude en Do Majeur pour clavecin (J.S.Bach) - Augustura (Vals Venezolano) (Antonio Lauro) - Bourrée (J.S.Bach) - Bourrée (J.S.Bach) - Bourrée (Robert De Visee) - Carora (Antonio Lauro) - Chôro de Saudade (Augustin Barrios) - Danza Paraguaya (Au Barrios) - El Marabino (Vals Venezolano) (Antonio Lauro) - El testamento de Amelia (Miguel Llobet) - Estudio Brillante (Francisco Tarrega) - Etude No 17 en Mi (Fernando Sor) - Etude No 22 (Napoleón Coste) - Etude No 5 en Si Mineur (Fernando Sor) - Jterdite (Romance enrichie arr.Dadi) (Narciso Yepes) - Jeux interdite (Romance) (Narciso Yepes) - Jeux interdits (Romance Picking arr.Dadi) (Narciso Yepes) - Jeux interdits (Romance Swing arr.Dadi) (Narciso Yepes) - Prélude en Ré Majeur (J.S.Bach) - P en Ré mineur (J.S.Bach) - Recuerdos de la Alhambra (Francisco Tarrega) - Sarabande et Variations (Georg Friedrich Händel) - Scherzino Medicano (Manuel Ponce) - Sons de carrilhôes (chôro) (Joâo Pernanbuco) - Vals Venezolano #1 (Antonio Lauro) - Val/ Tablatures / Guitare Tablatures

Op. 5 N. 17 - F.Xiii - 45 Tomo 434. Par VIVALDI ANTONIO. / Répertoire / 2 Violons

Compilation. 17 classiques de jazz clairement transcrits en notations standards et tablatures tels qu'ils ont été joués par Kenny Burrell, Wes Montgomery, Jimmy Raney, Joe Pass Et Django Reinhardt. / Rép International / Tablatures / Guitare Tablatures

Par DELALANDE MICHEL-RICHARD. Le fac-similé regroupe trois versions de ce motet : Copie Philidor de 1689 - Edition Boyvin de 1729 - Manuscrit Cauvin de 1741.Présentation de Jean Saint-Arroman et Philippe Lescat : Les sources et documents - comparaison entre la copie du Concert Spirituel et la version gravée de 1729 - - / Niveau : Facile / Répertoire / Choeurs, Solistes et Orchestre (Fac-similé)