(Spatzenmesse). By Wolfgang Amadeus Mozart (1756-1791). Edited by Berthold Over. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. KV 220 (196b). Full score available separately - see item CA.4062600. Latin Masses; Stuttgart Urtext editions. Level 2. Piano/Vocal score. Language: Latin. Composed 1775-76 (?) (dazwischen). 36 pages. Duration 18 min. Published by Carus Verlag

Erganzt und herausgegeben von Robert D. Levin. By Wolfgang Amadeus Mozart. Edited by Levin, Robert D. For Soli SSTB, SATB/SATB Choir Flute, 2 Oboes, 2 Bassoons, 2 Horns, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 427. Full score available separately - see item CA.5142700. Masses, Latin; Stuttgart Urtext editions. Study score. Language: Latin. 304 pages. Duration 80 min. Published by Carus Verlag (German import).

(Coronation Mass). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones]. C-Dur (C major). Stuttgart Urtext Edition. German title: Missa in C (Kronungsmesse) rev.2000. Latin Masses. Level 3. Choral score includes solo parts. Language: Latin. Composed 1779. KV 317. 20 pages. Duration 25 minutes. Published by Carus Verlag

Erganzt und herausgegeben von Robert D. Levin. By Wolfgang Amadeus Mozart. Edited by Levin, Robert D. For Soli SSTB, SATB/SATB Choir Flute, 2 Oboes, 2 Bassoons, 2 Horns, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 427. Full score available separately - see item CA.5142700. Masses, Latin; Stuttgart Urtext editions. Piano/Vocal score. Language: Latin. 160 pages. Duration 80 min. Published by Carus Verlag (German import).

By Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. For SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ. This edition: Paperbound. C-Dur (C major). Stuttgart Urtext editions. Requiem, End of the church year, Mourning, death. Vocal score. Language: Latin. Op. Posth.. 44 pages. Duration 35 min. Published by Carus Verlag

(Grosse Credomesse). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Mathias Siedel. For Soli SATB, SATB Choir, 2 Oboes, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Basso continuo. KV 257. Full score available separately - see item CA.4061600. Masses, Latin; Stuttgart Urtext editions. Part: Violoncello/Contrabass. Language: Latin. Composed 1775-1777. 16 pages. Duration 27 min

2-part Treble Voices and Instruments. By Benjamin Britten. (Parts). Boosey and Hawkes Large Choral. Published by Boosey and Hawkes.

Concert band - Grade 4

SKU: MH.0-931329-53-1

Composed by Gregory B.Rudgers. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:30. Published by Manhattan Beach Music (MH.0-931329-53-1).

ISBN 9780931329531.

Journey back to ancient Greece and view a place of long-gone legend. Follow the trail to the Kingdom of Ithaca, from the heroic palace, to a place of tranquility, to a reckless dance of abandon, to the return of Odysseus. The melodic material used in 200 B.C. is from a two thousand year old Greek hymn to Apollo. The legendary adventures of Odysseus as described by Homer in the Odyssey (ca. 700 B.C.) provide the programmatic material. The music is freely based upon the First Delphic Hymn (or Paen to Apollo), composed ca. 200 B.C. The source is a transcription appearing on pages 363 - 367 of Ancient and Oriental Music, Edited by Egon Wellesz (Oxford University Press: London, 1957). Each movement of the work depicts a key event in the epic Homeric poem, as described below. Movement I: Intrada - The first four notes of this movement, C - Bb - G - Bb, are the melodic and harmonic foundation for the entire work. These pitches, introduced in a simple and direct manner, are subsequently developed in more complex fashions throughout the suite. Following this stately introduction is a militaristic fanfare that introduces the dotted-eighth and sixteenth-note figure later reprised in the second and fourth movements. Indeed, all the musical ideas which will be central to the remaining movements first appear in the Intrada. This movement depicts the grandeur of Odysseus and his kingdom in Ithaca, and establishes the heroic mood of the entire work. Movement II: Ballad - After a brief restatement of the opening dotted-eighth-and-sixteenth fanfare, the second movement extracts the falling third (Bb to G) from the C - Bb - G - Bb motif and extends it and expands it into a haunting solo for alto saxophone. The C - Bb - G - Bb motif appears again (see measures 23 - 33 in trumpets) as counterpoint to this melody, now pulsing through the thick texture of the band. Many performers have come to view the Ballad as the emotional epicenter of the entire suite; my conception of the Ballad is to achieve a union of pathos and strength. Programmatically, this movement depicts Odysseus's son, Telemachos, as he both longs for Odysseus's return and stoically defends his father's kingdom. Movement III: Dance - It will take Odysseus twenty years to return to Ithaca. During his absence, noblemen besiege his palace, violating the sanctity of the household and seeking the hand of his wife, Penelope. This movement depicts the wanton revelries that result. The original four-note motif is chromatically altered and the meter is made irregular. The rapid tempo, driving percussion, and angular meter and melodies combine in an explosion of reckless abandon. Movement IV: March Building from a delicate woodwind ensemble accompanied by finger cymbals to a fully orchestrated statement replete with thundering percussion, this is a resounding march of victory. Odysseus has returned in triumph to restore dignity to his household and to reclaim the throne of the Kingdom of Ithaca. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 - 2, 2 Oboe 1 - 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet, 2 Bassoon 1 - 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (B.C.), 2 Euphonium T.C., 4 Tuba, 1 Timpani, 2 Mallet Percussion: Bells, Xylophone, 2 Percussion 1: Snare Drum, Tambourine, 2 Percussion 2: Crash Cymbals, Suspended Cymbal, Tom-Tom, Finger Cymbals, 1 Percussion 3: Bass Drum.

By Frank Ticheli. Concert band. Suitable for middle school and high school bands. Grade 2. Conductor score and set of parts. Duration 2:15. Published by Manhattan Beach Music

Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone 1, Trombone 2 and more.

SKU: PR.416414500

Composed by Donald Harris. Contemporary. Full score. With Standard notation. Composed August 24 2011. 56 pages. Duration 40 minutes. Theodore Presser Company #416-41450. Published by Theodore Presser Company (PR.416414500).

UPC: 680160611294.

3 Flutes (3rd doubling piccolo), 2 Oboes, English Horn, Clarinet in Eb, 2 Clarinets in Bb, Bass Clarinet, 2 Bassoons, Contrabassoon, 4 Horns in F, 3 Trumpets in C, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Snare Drum, Bass Drum, Triangle, Cymbals, Temple Blocks, Tam-tam, Whistle, Claves, Brake Drum, Tom-toms, Wood Blocks, Tubular Bellls, Glockenspiel, Xylophone, Marimba, Vibraphone, Celesta, Harp, Strings.

Orchestra SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [2 oboes, 3 trombones] - Grade 3

SKU: CA.4062709

Spaur Mass. Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Volker Blumenthaler. This edition: urtext. 1x 40.627/21 oboe 1, 1x 40.627/22 oboe 2, 1x 40.627/31 trumpet 1, 1x 40.627/32 trumpet 2, 1x 40.627/33 trombone 1, 1x 40.627/34 trombone 2, 1x 40.627/35 trombone 3, 1x 40.627/41 timpani. Stuttgart Urtext Edition: Mozart. German title: Missa In C Kv 258 (Spaur-Messe) Rev.2003. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed circa 1775-1777. KV 258. 50 pages. Duration 20 minutes. Carus Verlag #CV 40.627/09. Published by Carus Verlag (CA.4062709).

ISBN 9790007084691. Key: C major. Language: Latin.

The relatively unspectacular nature of the Spaur Mass may be one of the reasons for the fact that writers on music generally refer to it only as a peripheral work, a little sister of Mozart's important church works. With regard to scoring, the Spaur Mass belongs to the category of the missa solemnis, but its brevity and its stylistic character belong far more to the missa brevis. Unlike the Organ Solo Mass KV 259, here the soloistic element - both instrumental and vocal - is clearly integrated to the background in favour of the development of the whole ensemble. Score and parts available separately - see item CA.4062700.

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 bassoons, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones] - Grade 3

SKU: CA.4061909

Composed by Wolfgang Amadeus Mozart. Edited by Bernhard Janz. Arranged by Eberhard Kraus. This edition: urtext. 1x 40.619/21 oboe 1, 1x 40.619/22 oboe 2, 1x 40.619/23 bassoon 1, 1x 40.619/24 bassoon 2, 1x 40.619/31 clarino 1, 1x 40.619/32 clarino 2, 1x 40.619/33 trombone 1, 1x 40.619/34 trombone 2, 1x 40.619/35 trombone 3, 1x 40.619/41 timpani. Stuttgart Urtext Edition: Mozart. German title: Missa Solemnis In C Kv 337 A. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1780. KV 337. 68 pages. Duration 22 minutes. Carus Verlag #CV 40.619/09. Published by Carus Verlag (CA.4061909).

ISBN 9790007084127. Key: C major. Language: Latin.

Score available separately - see item CA.4061900.

By Frank Ticheli. Concert band. Suitable for middle school and high school bands. Level: Grade 2. Conductor score and set of parts. Duration 2:45. Published by Manhattan Beach Music.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), timpani, 2 violins, basso continuo - Level 3

SKU: CA.5032109

Composed by Michael Haydn. Edited by Charles H. Sherman. This edition: urtext. 1x 50.321/31 clarino 1, 1x 50.321/32 clarino 2, 1x 50.321/33 trumpet 1, 1x 50.321/34 trumpet 2, 1x 50.321/35 trombone 1, 1x 50.321/36 trombone 2, 1x 50.321/37 trombone 3, 1x 50.321/41 timpani. Stuttgart Urtext Edition: Johann Michael Haydn. Requiem In C (Schrattenbach) Mh 155. Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. Composed 1771. MH 155. 72 pages. Duration 35 minutes. Carus Verlag #CV 50.321/09. Published by Carus Verlag (CA.5032109).

ISBN 9790007081003. Key: C minor. Language: Latin.

Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score and parts available separately - see item CA.5032100.